The concert I attended was the Liszt, Prokofiev, and Dvořák concert at the Chicago Symphony Center. Emmanuel Krivine is a French conductor who conducted the orchestra to play Liszt’s compositions Les Préludes, Symphonic Poem No. 3. Next was Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 in the Andantino, Scherzo: Vivace, Moderato, Allegro tempestoso, the piano soloist was Russian pianist Denis Kozhukhin who was accompanied by The Chicago Symphony Orchestra. Lastly was Dvořák’s Symphony No. 8 in G Major, Op. 88 was performed by The Chicago Symphony Orchestra, the four movements played was, Allegro con Brio, Adagio, Allegretto grazioso, and Allegro MA non troppo. For the explanation for why I wanted to attend this concert was for the …show more content…
The dynamic levels at the beginning were in piano, but it did not stay that way, there were changes in the sound there were crescendos and decrescendos but mostly toward the end. The harmony was very polyphonic it had many sounds play at one and the texture was also thick it had many layers of sounds because of the number of instruments and the variety of instruments playing simultaneously. The instruments played in this composition were strings, woodwind, brass, and percussion like, cello, flute, French horn, and timpani and they for the tone color the instruments did have a high pitch range. The form for this was theme and variation because he had a theme and variation he took the melody and used it over and over and over again by changing different elements. Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 rhythm was a medium walking pace and the steady beat was recognizable. For dynamics, the composition started off mezzo and had changed where it was forte and had crescendos. The melody seemed to be in minor scale
Next, was the longest movement, Molto vivace. Dominated by D minor, this movement resembled the introduction of the opening theme in the first movement but with more lightheartedness. Also called a scherzo because of its “dancelike” theme, this section utilized the Flute, Oboe, Clarinet, Bassoon, French Horn, Trumpet, Trombone, Timpani, and Strings. I also noticed a downbeat around every three beats throughout the fast tempo in this section.
I was impressed by the range of the pieces that were performed as they were from 18th century classical symphony arrangements to contemporary techno pieces. However, the pieces that moved me most were Mozart’s Molto Allegro, Oaken Sky by Chris Rogerson and Beethoven’s Symphony No. 5. In hindsight, I am surprised that the two pieces from the Classical Era had such an impact on me. Perhaps, “classical” pieces were what I expected to hear at a Symphony. Oaken Sky evoked the most imagery for me and the conductor’s introduction of the piece was perhaps partly responsible for my ability to go from the earth to the sky in my mind’s eye. Oaken Sky was definitely a pleasant surprise and very pleasing to all of my senses. I was fully engaged in body, mind and soul with Rogerson’s composition. Cielito Lindo was interesting and the soloist really enhanced the piece with a stellar performance. Warehouse Medicine caused an incongruent stirring in me; perhaps I was not prepared for electronics to be added to the symphony. Ravel’s composition, Le Tombeau de Couperin, was a moving piece, but did not engage my senses, only my intellect. This work essentially left me feeling confused and although I appreciated the description of the dedication of the work by the composer, this was my least favorite piece. The “CPCC” soloist, Juan Caljero’s, rendition of Cileito Lindo was mesmerizing. Charlotte
The concert that I attended was of the cellist “Pablo Mahave Veglia” and he performed at the recital hall at Saint Cloud State University on September 9th. His concert was specifically instrumental and it was a solo recital. This concert’s genre was mainly a concerto and the concert represented the Baroque period. The main instrument that was used in this concert was the cello and there was also some electronic music incorporated throughout his performance.
As you listen to the musical piece known as Piano Concerto No. 2, you will begin to take note throughout the song that it changes tune vastly within different timings. Immediately after the first minute of the piece, you can hear the music change from slow and melodic, to more calming but louder. The mood of the piece changed within the first minute of listening to it. If you carefully analyze the score, you can hear the melody shift from heavier to softer every few seconds.
The first Sonnet performed was a very light and airy piece. The second piece, The B minor Sonata is the largest single movement piano sonata ever composed. It is considered Liszt’s best work for piano. Sonata in B minor was very aggressive and it made me feel really uptight listening to it. I was waiting for the next note constantly. I thought for sure that this would be my favorite piece of the concert. I thought about it all through intermission. Some friends whom I saw a few seats over told me that the last piece was by far the best. I was eagerly anticipating that last composition.
The first aspect of the music I recognized was the volume, or the dynamics. It ranged from forte during the climactic moments to mezzo piano during the calmer parts, but mostly remained in this range throughout the concert. There were also several instances of crescendo and decrescendo, which served to build up tension or slow the piece down, respectively.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
In readiness for the concert, I enjoyed a special dinner prepared for the audience. More specifically, LA Phil staffers introduced us to the evening classical concert amidst cheers from the audience. It was such a refreshing and joyous feeling to be part of this audience. The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy feelings.
On December 7, I had the honor of attending a very popular Dallas Symphony Orchestra Concert. It was the first formal concert I have been to since I was in middle school (excluding the school concerts). Despite playing a woodwind instrument myself, I decided to see the DSO’s Organ and Brass Concert, curious to hear how instruments traditionally assigned bass or harmony parts would step up to play treble and melody parts. When I sat down close to the front stage, where all the brass players and percussionists sat (or stood), I expected mostly trumpet sounds and lots of sound from melody percussion instruments. But as the concert progressed, I observed that the melody was shared jointly by the trumpets, French horns, and tenor trombones. Overall,
This piano concerto adheres to the tradition way of composing a piece in this genre as it consists of three movements:
Franz Josef Haydn wrote quite a few concerti for piano, which have never really enjoyed the popularity of such pieces by Wolfgang Amadeus Mozart. While some accuse Haydn`s piano concerti of being too 'light' or having 'no meaning', I find those to be inaccurate surface impressions. I have found a great deal of enjoyment from these pieces of Haydn, and one of my favourites of his piano concerti is the seventh.
In conclusion, the concert was really interesting and I enjoyed myself. In my opinion the two pieces that I really like in this concert, are Sounden Horn and Polonaise from Engine Onegin, the shift between the melodic lines and the element of beauty is what made me like it. In the future I would recommend it to my friends and I will not mind to go with them at all. This kind of music is the best to me by far.
Next was the Wind Symphony, they played the music Annabelle Lee and A Christmas Festival. I really enjoyed the piece Annabelle Lee. It started off very high pitched because of the flutes. The beauty of this piece was that it just really told a story, and it just blew me away. The trombones, tubas, and trumpets sounded the most beautiful to me. I really loved how they came together. I think I smiled through the whole piece, it was just so
Orchestra, State University Wind Symphony, and State University Choir concert, which was sponsored by the
Georgii Cherkin is performing a soloist piano from one of Beethoven classical piece called Für Elise. The conductor name is Grigor Palikarov. The introduction starts off with low pitches making it sound very soft. The introduction of the theme represents “love.” The theme play by the piano begins very pianissimo. There is a low pitch coming from the triangle instrument. The orchestra joins the melody by following the tone of the piano. The melody is repeated with the woodwind family and string family. The middle section has a different melody. The melody is more sharp, and it's becoming more crescendo and forte. Then it goes back to the beginning of the melody but with a little more cellos playing.