major role in both the creation and the interpretation of literary works, as it dictates how the author and the audience relate the entities within the literary work with those in reality. Two versions of Antigone, each written by Sophocles and Jean Anouilh, exemplify the influence of context on the literary works; although both depict Antigone’s struggle to bury her brother Polynices against Creon’s edict, each version revolves around slightly different topics and is perceived differently. Sophocles’
issues they raise. Camus wished to persuade people that the death penalty was unjust and wrong, while Anouilh wanted to encourage a sense of rebellion among the people of occupied France during World War 2. In The Outsider and in Antigone both of the main characters believe that they are destined to die, becoming martyrs for their author's causes. Bibliography ============ Anouilh, Jean - Antigone, 1944 Camus, Albert - The Outsider, 1942
... middle of paper ... ...ers of Damiel and Cassiel. A study of these contrasts and conflicts helps in better comprehension of the depth of these works as well as presents them with greater perceptiveness and admiration. Works Cited Anouilh, Jean. Five Plays. New York: Hill and Wang, Inc. 1958. Caldwell, David & Rea, Paul. “Handke’s and Wender’s Wings of Desire: Transcending Postmodernism.” The German Quarterly 64.1. (1991): 46-54. Web. 19 Mar 2012. JSTOR MacKay, L.A. "Antigone, Coriolanus
Alternate Endings in Anouilh's Medea To what purpose does Jean Anouilh alter the central conflicts and characters in his retelling of "Medea"? In the classic play, Medea escapes without punishment and we are told as an audience it is not our place to question the motives and/or actions of the gods. Within the framework of modern, psychologically rendered characters and in the absence of supernatural meddling, Anouilh attempts not only to question the motives but to posit answers to the open
of faith will relinquish his ethical duty for his religious duty, a course of action that demands blind faith. The tragic hero will surrender his personal duty for his ethical duty, an undertaking that we can all truly understand. Antigone, by Jean Anouilh, is a tragedy in which each of the main characters, Antigone and Creon, take actions similar to those of a knight of faith or tragic hero. Antigone is a member of the royal family, who ends being sentenced to death because she believes that her
Both Sophocles and Jean Anouilh use the simple story-line of a girl defying her uncle and king in the face of death to reflect upon the events and attitudes of their days. Sophocles' Antigone models the classical pattern of tragedy by incorporating key elements such as a tragic hero with a fatal flaw and the Man-God-Society triangle. Creon is the tragic hero who disturbs the natural harmony of Thebes by denying Polyneices a funeral. Antigone is the catalyst who forces him to reckon with the consequences
Integrity in Jean Anouilh’s Antigone The distinctions between young and old, naïve and wise are very clear. There is a fiery passion for life often embedded in the young, and a sense of bittersweet reflection set in the aged. The age gap between the two is often a cause for conflict. The young want to hurry up and live only to eventually die; the old want to slow down their rate of living and postpone death. With such divergent circumstances, conflicts are almost impossible to avoid. The question
leave a reader or audience morally unsettled. We find Creon morally culpable but are left uneasy by the order established at the conclusion. Perhaps this unsettling effect was at least part of the playwrights' ultimate goal. Works Cited Anouilh, Jean. Antigone. Rpt. in Masters of Modern Drama. Ed. Haskell M. Block and Robert G. Shedd, New York: Random House, 1962. Sophocles. Antigone. Rpt. in Ten Greek Plays. Ed. L.R. Lind, Boston: Houghton Mifflin, 1957.
he had supported Henry against the church previously. Becket fled to France in exile before returning to Canterbury where Henry had four barons murder him. It was a decision which Henry would regret and pay penance for the rest of his life. As Anouilh (8) notes in his introduction, this drama remains above all a tale of two friends "...for this drama of friendship between two men, between king and his friend, his companion in pleasure and work (and this is what had gripped me about the story),
Vlad Slivkov Why did, Jean Anouilh in his play Antigone chose Creon to represent Marshal Petain? Jean Anouilh, considered one of the greatest play writers and dramatists of the twentieth century is remembered greatly for his innovative tragedies, heartbreaking passions and charming poetry. His best-known play, Antigone, is a tragedy that derived from the Greek mythology and Sophocles’ “Antigone” all the way from fifth century B.C. Anouilh wrote this play at the heat of the World War II and it took
Sophocles' Antigone, Aeschylus' Prometheus Bound, Jean Anouilh's Antigone and Ridley Scott's Blade Runner The representative population of a community is not comfortable when confronted by an individual who defies the laws that bind them. Whether or not the laws or the powers behind them are just, the populace must deal with any challenge to their authority. In some cases, the community, fearful of a powerful regime, will side with that power and avoid the risks associated with
Theatre 'committed', which is supposedly committed to social and/or political action. On of the major playwrights during this period was Jean-Paul Sartre. Sartre had been imprisoned in Germany in 1940 but managed to escape, and become one of the leaders of the Existential movement. Other popular playwrights were Albert Camus, and Jean Anouilh. Just like Anouilh, Camus accidentally became the spokesman for the French Underground when he wrote his famous essay, "Le Mythe de Sisyphe" or "The Myth
provided by Anouilh’s movie version of “Antigone.” Whether or not Sophocles’s “Oedipus Rex” is a tragedy or melodrama has been debated since the teachings of Aristotle and strong arguments have been made for both sides. “Tragedy,” as defined by Anouilh, takes on a lifelike form, putting a new twist on an old definition that requires one to take a different perspective on the play. Though at a superficial level “Oedipus Rex” is a tragedy, its details point it towards the direction of a melodrama
people of all ages, mostly teenagers though. They were dancing, hugging each other and running around zestfully. Most were dressed in Baggy jeans. One girl wearing a see-through plastic skirt with her pink daisy underwear displayed for all to view. Others had on doctor's masks, were carrying glow sticks, and some even had pacifiers in their. I looked at myself, jeans and a T-shirt. "I don't think I'm dressed right." I whispered to my friend, a so-called Rave expert. "Don't worry babe, nobody is going
As I start walking south down sauerkraut enriched Main Street, I get the overwhelming feeling of claustrophobia. This particular weekend is the weekend for the Sauerkraut Festival. The street, being very crowded, has white tents set up on each side of the road with crafts to be sold. Immediately I see wicker baskets and photos that craftsmen are hoping to sell at the festival. As I continue to walk down the crowded street I catch the aroma of cinnamon. The high school wrestling team, which sells
been obnoxious, so I held my tongue. I’ve waited tables for many summers, so I was doubly insulted that he referred to my being a waiter in a derogatory manner. Walking away from the store, I thought a lot about what had happened. I was wearing jeans and a t-shirt and I hadn’t shaved in a couple of days, so I looked like your generic college student (Boston is filled with about 100,000). I also only wanted to purchase a bow tie, which leads to two likely conclusions. I either owned my own tuxedo
Jean-Paul Sartre and Louis Althusser as Responses to Vichy France The Second World War seems to have had an enormous impact on theorists writing on literary theory. While their arguments are usually confined to a structure that at first blush seems to only apply to theory, a closer examination finds that they contain an inherently political aspect. Driven by the psychological trauma of the war, theorists, particularly French theorists, find themselves questioning the structures that led to
American Made - Analysis of Bongo Jeans Ad This ad for Bongo jeans is from the April issue of Seventeen magazine. The ad gives no written description of the product. Only symbols and hidden messages are used to draw in the reader and stir up interest in the product. There is an attractive young couple engaged in what appears to be a strip-poker game. The man is obviously losing. He is apparently nude behind a card table, wearing only his shoes, with his jeans draped over him. His briefs
brighter colors. There jeans were available in relaxed fit and even baggy. Hip Hop had now become a large market for young teenagers and people in their early twenties. I went to a private school with a very strict dress code and even there you could tell that the new urban fashion was having an effect on the way some students dressed. They would try to get baggier pants and would wear bright colored shirts with logos on the front. At ballgames they would wear baggy blue jeans and sweatshirts with
I feel that in today’s society that men are discriminated against for the way they wear their clothes, specifically, their pants. For many guys sagging your pants are a fashion statement, although many people perceive individuals sagging their pants as “bad” individuals. As a kid, I did wear my pants below my butt, but as I grew older, it gradually raised. I am a professional person, but my style and my comfort have my pants lie just below my hips. I wear a belt, but having my pants all the way above