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Kierkegaard existentialism
Kierkegaard existentialism
Kierkegaard existentialism
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In Kierkegaard’s existentialism, there is personal, aesthetic, duty, ethical duty, and religious duty to god. Within this existentialism, two important categories of people emerge, the knight of faith and the tragic hero. The knight of faith will relinquish his ethical duty for his religious duty, a course of action that demands blind faith. The tragic hero will surrender his personal duty for his ethical duty, an undertaking that we can all truly understand. Antigone, by Jean Anouilh, is a tragedy in which each of the main characters, Antigone and Creon, take actions similar to those of a knight of faith or tragic hero. Antigone is a member of the royal family, who ends being sentenced to death because she believes that her brother’s body …show more content…
While the tragic hero will renounce his own will for the universal, the knight of faith will renounce the universal for the religious. The knight of faith is lead by blind obedience to god, a faith that he knows to be correct and true. Though his actions may not seem to have any ethical basis, the knight of faith is so confident in his beliefs that he will do whatever is asked of him by god. Though the actions taken by the knight of faith may seem as emotionally devastating as the actions of the tragic hero, the knight of faith believes so highly in a higher power that his actions do not produce such an emotional response. The knight of faith does not feel sorrow for his actions because he knows, within himself, that god has a larger plan, a plan in which his actions serve a purpose. That being said, because of this blind obedience to god, the knight of faith cannot be understood and wept for by others. The knight of faith has to act alone and depend on only himself, as he is the only person who can truly determine the purpose of his …show more content…
Antigone is the daughter of Oedipus, the sister of Eteocles, Polynices, and Ismene, and the fiancé of Haemon. Soon after Eteocles and Polynices kill each other in a duel, it Antigone is caught by guards digging a grave for Polynices’ body with in an attempt to bury him after his body had been left out to rot in disgrace. At first, Creon attempts to cover up this incident and send Antigone back to her bed by saying she was ill, but Antigone tells him that she will just go out that night and attempt to bury the body again. Though Creon does try to dissuade Antigone further, and brings up many good points about her brothers and their relationship with their father, Antigone still insists that she should be arrested. Even when Ismene attempts to ameliorate the situation, Antigone rejects her help, saying that Ismene does not deserve to die with her. Antigone even says that she should be killed soon because her disease, the disease that was making her crazy, was spreading to others. Eventually, Antigone is sentenced to be immured, with her execution spurring the suicides of both Ismene and
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Antigone is a young woman whose moral background leads her to go against the wishes of the king to bury her brother, Polyneices. Sophocles uses Antigone as a character who undergoes an irreversible change in judgment and as a result, ends up dying. Antigone is hero, and she stands for honor, and divinity. Because Antigone's parents were Oedipus and Iacaste, she was born into a family of power; something that she could not change. At times, Sophocles leads the reader into thinking Antigone wishes she was not who she was. Ismene, Antigone's sister, refuses to help Antigone because (as she states) "I have no strength to break laws that wer...
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
Antigone, in Greek legend, was the daughter of Oedipus. When her brothers Eteocles and Polynices killed one another, Creon, king of Thebes, forbade the rebel Polynices’ burial. Antigone disobeyed him, performed the rites, and was condemned to death for what she had done.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
Although undenialably couragous, determined, and brave. She has an achilles heel that makes her arrogant. She is unwilling to back off her quest, in burying her beloved brother. No matter if she must work alone and alienate herself in order to do so. To ensure she buries her kin with honor. “I will not press you any more. I would not want you as a partner if you asked. Go to what you please. I go to bury him. How beautiful to die in such pursuit! To rest loved by him whom I have loved, sinner of a holy sin, With longer time to charm the dead than those who live, for I shall abide forever there. So go. And please your fantasy and call it wicked what the gods call good”(Antigone 194). /she goes as far as breaking the law, presenting herself as a uncompromising person, similar to that of King Creon. Sadly her achilles heel is not from her doing. Other characters have influenced her into rushed decisions. For example Creon’s cruel punishments and brutality causes Antigone to want to bury her brother. Ismene’s refusal to help bury their beloved brother makes Antigone more determined and persistent to bury him. Eventually leading to Antigone’s suicide. She had hung herself, when Haemon (her love) saw her he stabbed himself and lied next to her in her pool of blood. Then when Eurydice(Haemon’s mother) found out she cut her throat in her bedroom. Creon was now alone. The chorus notes that if it were not
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone and her family have suffered many things. It all began with her father Oedipus. Oedipus has a very confused life. He ends up killing his father, the king of Thebes, while he believes his father is someone else. He ends up as the king of Thebes and married to his mother, Jocasta. He dose this all while believing that his parents are dead. He finally ends up finding all this out; he blinds himself and is banished from Thebes. This is where Antigone's two brothers come in, Eteocles and Polynices. They end up fighting for the throne. Eteocles wins and banishes Polynices from Thebes. Polynices, however, is not done. He goes to Argos and recruits an army to take Thebes. The plan backfires though and Eteocles and Polynices end up killing each other, and the army is driven off. With no male heir to the throne, Creon, Oedipus' brother, takes the throne. This may be a lot for one person to handle, but Antigone's grief has just begun.
Antigone is a strong willed character who is not afraid to defend her beliefs. After learning that Creon has denied Polyneices of a proper burial she uses her free will to decide that she must lay her brother to rest, as she strongly believes he should be honored like the other fallen soldiers. Unable to
Antigone is not a tragic play. Rather it is a theological debate spawned by Sophocles, a debate that is still raging today, the debate of who holds the higher law, the Gods or the State. While this debate has slowly twisted into Church versus State, which is a very different argument, the highest questions still remain the same: Which one is held higher in men’s (and women’s) hearts? Antigone answers this question with shocking clarity in her admission of guilt to Creon, “ I should have praise and honor for what I have
Antigone was dejected with Creon’s ruling and decided to bury Polynices herself. She tried to enlist Ismene to help her, but Ismene was to afraid. Antigone furiously continued with the plan on her own. A sentry discovered Antigone and brought her to Creon. Ismene was also brought to Creon and confessed that she had helped Antigone with the burial rites of Polynices. Antigone stopped Ismene and told her not to admit to an act that she had not committed. Antigone took sole responsibility for the burial and claimed that Creon had no right to forbid the burial of Polynices. Ismene pleaded with Creon to spare Antigone’s life for the sake of Haemon, Creon’s son.
The origin of the Sophocles’ Greek tragedy “Antigone” has created much controversy about the definition of a tragic hero, as defined by Aristotle. A literary character that makes a judgment error that leads to his/her own downfall. Both Creon and Antigone challenge each other’s conception of the divine and civic law while each has lawfulness in their argument. It is evidently noted that Antigone is the hero of the tragedy; she was a romantic idealist whose beliefs on family loyalty and religious values could not be condemned by civil laws.
While Kierkegaard’s analysis of the superiority of the Knight of Faith in relation to those who follow the aesthetic life or ethical life is correct, he fails to acknowledge that faith can be rooted in joy and love, and can be far more spiritual and fulfilling than faith alone. This is the angst-ridden and unfortunate symptom of an existential despair, and does not truly reflect the complicated relationship between man and God.
At this time, the reader begins to feel sorry for the two sisters. They have lost their father and their two brothers, all at the same time. Later in the conversation, the reader learns that Antigone has a plan to bury her brother Polynices and that she wants Ismene to help her. Ismene is scared to do this because the new king, Creon, has issued a decree that says that any person that attempts to bury the body will be sentenced to death. The fact that Antigone is going to attempt to bury the body creates fear in the reader.