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Summary of antigone sophocles
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Scholarly analysis of antigone by sophocles
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Context undoubtedly plays a major role in both the creation and the interpretation of literary works, as it dictates how the author and the audience relate the entities within the literary work with those in reality. Two versions of Antigone, each written by Sophocles and Jean Anouilh, exemplify the influence of context on the literary works; although both depict Antigone’s struggle to bury her brother Polynices against Creon’s edict, each version revolves around slightly different topics and is perceived differently.
Sophocles’ Antigone presents the play with Antigone as the evident protagonist. Fulfilling the Chorus’ last words of the play that “reverence toward the gods must be safeguarded” (Sophocles 128), Antigone respects the rules of the divine over those of the city until her death and is thus portrayed as a righteous heroine. From the same perspective, Creon is labeled as a reckless tyrant who oppresses Antigone with his earthly power. He is seen damned by the Chorus’ last remarks that “the words of the proud are paid in full / with mighty blows of fate” (Sophocles 128); hi...
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
"Ah Creon! Is there no man left in the world” (Sophocles page #). Greek theatre played a large role in Greece. The citizens were supposed to learn from the mistakes made in tragedies. The citizens should have learned what not to be like as a citizen or person. In Antigone, written by Sophocles, there are two main characters, Antigone and Creon. They are both strong willed and stubborn people. Both being unwilling to change, they both seal each other’s fate with their stubbornness, shortsightedness, extreme beliefs and their hubris.
Wiz Khalifa once said, “Never make permanent decisions on temporary feelings.” Some students may believe that Antigone was the tragic hero in the story, but the real tragic hero is actually Creon for many reasons. Some describe a tragic hero by whether they are heroic or born into nobility, but in the story he is portrayed as the antagonist. In the novel, “Antigone” written by Sophocles, Creon becomes the tragic hero by forbidding the burial of Polyneices, imprisoning Antigone for his own good and believing that he is the only one that can control the law.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
Creon, the king of Thebes, was compelled to witness the death of all his family members, simply because of his one oafish decision. The almighty king of Thebes watched the downfall of all of his beloved ones, right before he had the opportunity to prevent it. Antigone, by Sophocles, portrays the courageous deeds of the female heroine, Antigone. Throughout the play, Antigone attempts to avenge her brother, but confronts a series of difficult obstacles, laid out by her uncle, Creon, the antagonist. Antigone, feeling excessively depressed about her life, ends up committing suicide, which leads to a series of events that actually causes the downfall of Creon. Her suicide leads to the death of Creon’s beloved ones, Haemon and Eurydice. Creon ought
In the story of Antigone, the way the author describes characters is very success, especially Creon and Antigone. Antigone is definitely a feminist hero in the story, who persist in morality, and fearless to the power of the king. Moreover, on the way to grotto, there were several internal monologues that she never showed to others. "You see me, you people of my country/as I set out on my last road of all,/looking for the last time on this light of this sun.../though I have known nothing of marriage songs/nor chant that brings the bride to bed./My husband is to be the Lord of Death."(Sophocles 1243) Though the foreshadowing, we can see that the desire of living insides of her that she is not just a hero, but a
A person once said, “The Antigone [is] one of the most sublime and in every respect most excellent works of art of all time” (Hegel). The play Antigone [is] written in the 6th century by the writer Sophocles (Willocks). Sophocles is a play writer and he made tragedies more complex. A tragedy always ends in defeat or death, has a hero who is confronted by hostile forces and has a tragic hero who has to make a choice difficult moral choice. The main character is usually the tragic heroine. A tragic hero is a person who has a dramatic change in fortune, morally good, heroic in stature or social position, true to life and consistent (Willocks). Creon is the king and he believes whatever he said should be obeyed. He did not listen to the Greek
Creon in the play Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy. Creon highlighted as the tragic figure, initially created decisions he thought were for the welfare and well-being of Thebes. However, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
However, the way his actions work and feed the conflict throughout also makes Creon fit our definition of a protagonist. After Antigone's capture, the play centers on Creon. He boasts of his decision to the town leaders (the Chorus in this play), and he argues with Tiresias about his actions and leadership ability. Tiresias' endless enforcement of truth forces Creon to face his mistakes, even though his pride is hurt: "It's a dreadful thing to yield. . . but resist the snare now?
Antigone could also be referred to as a tragedy sub-genre. Tragedy "recounts casually related series of events in the life of a person of significance, culminating in an unhappy catastrophe, the whole treated with dignity and seriousness" (554). Antigone is one of Sophocles' many famous tragedies. It is centered around the tragic outcome that may take place in the occurrence of being prideful. Sophocles portrays that pride can result in tragedy and in disaster. In the story, Creon is prideful as his position of King and he ultimately brings his city to ruins. "Tragedy" played a major role in the story.