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Media characterization
Media characterization
Media characterization
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Alternate Endings in Anouilh's Medea
To what purpose does Jean Anouilh alter the central conflicts and characters in his retelling of "Medea"? In the classic play, Medea escapes without punishment and we are told as an audience it is not our place to question the motives and/or actions of the gods. Within the framework of modern, psychologically rendered characters and in the absence of supernatural meddling, Anouilh attempts not only to question the motives but to posit answers to the open ended questions left by Euripides. The dynamic between divine and human will is reshaped with this goal in mind. This change makes a significant impact upon Medea's ability to rediscover and reconcile her identity with her actions as well as helping to highlight the degree of self reflexivity present in the characters as well as the playwright himself. While preserving the unsettling action at the end of the play, Anouilh is able to also display the possibility of hope through Jason and the Nurse.
Both Medeas seem to act upon some level of self knowledge. Unfortunately, the identity of each woman is expressed mostly through hatred and violence. Where Euripides' Medea struggles between existing merely as a tool, a puppet of the gods, and a concept of self possessing free will, Medea in Anouilh's play is acutely, agonizingly aware of the dark identity at her core. Jason's betrayal awakens this knowledge in her. She feels joy at the freedom of rebirth and self discovery, but she is also all too familiar with the vengeful heart full of venom which has been unleashed. The audience does not need to look to the heavens, hoping for a glimpse into Medea's heart and mind. The modern Medea effectively articulates her inne...
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...tely unconcerned with this world. If they exist, they have had no impact on his fate past or present. It is possible to infer, thus, that these same gods will be equally absent in his future. In their absence, for Jason there is the ongoing struggle for happiness. His diligence coupled with the survival of the Nurse and her optimistic attitude give Anouilh's conclusion a spark of hope for the audience to latch on to and leave with. Perhaps Anouilh suggests that as long as we have the capacity to question and search for insights within the human mind, there is a place for hope.
Works Cited
Anouilh, Jean. Medea. Trans. Luce and Arthur Klein, Rpt in. Jean Anoiulh: Seven Plays, Vol. 3. New York: Hill and Wang, 1957.
Euripides. Medea. Trans. Rex Warner, Rpt in Euripides I. Ed David Green and Richmond Lattimore. Chicago: University of Chicago Press, 1955.
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
Medea has a conversation with Jason at the end of the story he tells her that he hoped the children who bring down curses on her; she looks at him and says “the gods know who the author of this sorrow.” (Lawall 719) Medea killed his children and yet she’s blaming him for her doing it. The conversation just got uglier and ended with her leaving.
Beowulf is a good example of a courageous and strong hero. He shows all of
By the end, the husband and wife are left devoid of love and purpose as the tragedy closes. In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways.
The two contemporary productions of Medea were selected for this essay in an effort to contrast the ancient Greek version of the play with two modernized versions, which would demonstrate a wide distinction between the styles of production. Furthermore, both modernized versions of the play add their own innovation to the production, making for an even broader dissimilarity among the plays. Moreover, both recent productions are fashioned within cultures which have borrowed their political, social, and moral ways of life from Ancient Greek society, specifically, South Africa¹ (British Colonies), and The United States².
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
Throughout the whole story, you are torn with emotions between the characters. At first, you feel sorry for Medea. Her husband, who she has saved from death, has left her for another woman. She has been "all/obediant" their entire marriage, transforming herself into the sort of wife required by society. You can't help but sympathize with her.
... takes matters into her own hands and doesn’t wait for a man to handle things for her. Also, her internal conflict that is visible throughout the entire play signify that she actually thinks for herself, and is strong enough to need to make serious decisions on her own, regardless of her gender. All of this goes back on the traditional Greek society, and helps make Medea into a play that is ahead of its time. With Euripides challenging the notion of misogyny, he creates Medea to show how powerful and dangerous a woman can be in a story, even though it was never heard of in the modern eras.
Although Medea killed and did things that people felt were wrong it is evident that through out the play that along with her other characteristics, she was a caring and loving person. The first time we are shown this is when we discover everything she did for Jason. If she did not love him she would not have done those things. We are also shown that Medea can be a caring person by the love that she had for her children. Although she killed them in the end during the play she was a mother to her children, she showed affection to them, and she did think twice before she killed them. It is because Medea was a caring and loving person that she did what she did. Her feelings were hurt and her heart was broken; and she did what she felt she had to do to hurt Jason for hurting her.
Some of the actions in Beowulf’s legend are questionable as to why they were included such as giving the golden torque to Hyglec, accepting Unferth’s terribly unhelpful sword, and the great lamenting at the end of the story. All of these details help shape Beowulf’s moral character and how he exhibited loyalty and somewhat kindness even among those whom he was insulted by. In contrast to Beowulf, most heroes that only fall into the loyal and kind-hearted categories are usually looked over in recognition and fame. Fortunately, this setback is changing rapidly with the rapid fire power of the Internet. The Internet can be used for good, and it is when people rally up stories and tales of good deeds so that a hero can be honored for what they are doing out in the world. Dobri Dobrev would have gone unnoticed in the world if it hadn’t been for the Internet taking an interest in him. This 99-year old man gives most or all of his money to local orphanages in his town and lives on virtually nothing. The townspeople have even dubbed him as saint to the children, and he is one of the most beloved citizens. Dobrev is proof that today, a person does not need strength to accomplish heroic deeds and that a person can still be regonized for compassionate efforts and
Medea is a tragedy of a woman who feels that her husband has betrayed her with another woman and the jealousy that consumes her. She is the protagonist who arouses sympathy and admiration because of how her desperate situation is. I thought I was going to feel sorry for Medea, but that quickly changed as soon as I saw her true colors. I understand that her emotions were all over the place. First, she was angry, then cold and conniving. The lower she sinks the more terrible revenge she wants to reap on Jason.