Creon in Sophocles' and Anouilh's "Antigone"
In both plays, Creon sees himself as a passive agent rather than a villain, only acting out a predetermined set of instructions based upon certain laws and edicts. Creon tries to give the impression that he is not really in control; if it were up to him, as an individual, things would be different. Sophocles' Creon tries to wash his hands of Antigone's death by leaving her in a sealed cave. The gods will determine her fate, so he thinks. Anouilh's Creon goes so far as to admit the "childish stupidity" of his own decree. He even confides in Antigone that he is not certain which brother's body was buried. He insists, though, that once knowledge of her act is public, the matter is entirely beyond his control. There is a point of no return past which he is powerless to act. In becoming king, an instrument of the State, Creon can no longer assert his will as an individual, morally or otherwise. Where the original Creon tried to leave matters with the gods, Anouilh's Creon points toward the State and its will independent of his own.
Antigone's fate unfolds in both plays and Creon does not interecede. Although ironically they share a sense of powerlessness, an important distinction can be made at this point. Sophocles' Creon learns from Antigone's death. Her sacrifice acquires meaning. Anouilh's Creon is too busy with matters of state to assess Antigone's death on a personal level. Her sacrifice is inconsequential, another shot fired into the mob. The reaction of each king to Antigone's death and the carnage that ensues shapes the conclusion of each play literally and thematically.
Creon in the original play repents belatedly after learnin...
... middle of paper ...
... seems to suggest that morality must or will be compromised. For Sophocles, morality helps to reinforce order, but on a cosmic, and in many ways absurd, level. Creon is forced to submit to the laws of jealous, fickle, inconstant gods. Antigone is the only advocate for the god's place in judgement over mankind and her reward is an untimely death. This "order" is beyond human comprehension. Both plays leave a reader or audience morally unsettled. We find Creon morally culpable but are left uneasy by the order established at the conclusion. Perhaps this unsettling effect was at least part of the playwrights' ultimate goal.
Works Cited
Anouilh, Jean. Antigone. Rpt. in Masters of Modern Drama. Ed. Haskell M. Block and Robert G. Shedd, New York: Random House, 1962.
Sophocles. Antigone. Rpt. in Ten Greek Plays. Ed. L.R. Lind, Boston: Houghton Mifflin, 1957.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Creon in the play Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy. Creon highlighted as the tragic figure, initially created decisions he thought were for the welfare and well-being of Thebes. However, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
The KKK is the hooded legend of the past, present, and likely the future of the United States. Their stories of death and destruction across the United States and the midwest have frightened many of color and those of certain backgrounds and delegations for years.The history of the secret organization known as the Ku Klux Klan, goes back to 1865. The Ku Klux Klan began as a social group for Confederate veterans after the end of the civil war. On December 24th of the year 1865, the secret society that would change a nation, was born .
The KKK is a movement that has been very controversial since the Civil War. The Klan as they call themselves was created as a result of the occupation of Federal troops in the South. The KKK's purpose at the time was to provide the people of the south with the leadership to bring back the values of Western Civilization that was taken from them. In the 1920's the Klan had its most popular era. At this time the KKK was the most active politically then it has ever been in history. The KKK still exists today as a brotherhood and a new White racial community that lives and functions by the ideals it promotes. Today the Klan is in its 5th era and continues to be America's oldest and most effective White Christian Fraternal organization.
In conclusion, Creon is the tragic character of Antigone because of his pride which caused him never ending agony by the end of this tragedy. Although Antigone’s stubbornness concerning the divine law and her brother’s burial lead her to her misfortune, her suffering was cut short by her death. On the other hand, Creon had to live through having his own son and the citizens of Thebes against his decision. Also, Haimon and Eurydices died as a result of his actions, leaving Creon without a family. Hence, Creon is the tragic character of the tragedy due to eternal distress caused by his judgment.
Throughout the play, Creon appears too stubborn and so sure of himself, but do we really know that? Do we really know that he is confident? We don’t know what he is thinking so who are we to say and judge him. There must be reasons why he was stubborn and so hesitate to let his own niece off the hook. When you do not go into deep thinking about why Creon doesn’t let Antigone off the hook, you might think that Creon is just thinking he is just too prideful like mention in the beginning, but it could be because he does not want to be taken advantage off. It can also be that just because he is king, he can’t give his family special treatment cause that would be wrong of him to do but at the same time putting him in a bad situation.
The Ku Klux Klan is commonly known as the KKK, which was an organization ran by white people who advocated white supremacy, anti-immigration and racial discrimination. The Ku Klux Klan was and still is a very racist group towards all skin colors other than white, but predominately there focus was on African Americans. Klan members were nervous of the uprising of African Americans after slavery had ended in the U.S in 1865. The Klan’s goal was to hate and terrorize African Americans, making them feel as if they do not belong in the United States (U.S). The dominate force the Klan used was terrorism, both physical assault and murder, by burning, shooting, and hanging. Since the first Klan originated in 1865, there have been 2 more to follow since then.
The Ku Klux Klan, otherwise known as the KKK, was flourishing with its second era in the 1920’s. The KKK was reinvigorated by William J. Simmons, a man who was a frequent joiner of clubs, through the period of the 1920’s, The KKK launched a campaign of political correctness as well as a hidden, dark movement which included lynching, beatings, tarring and feathering, and at some points, even murder of what they believed was the inferiors. Although this status was short lived, it was a dark, mysterious portion of the United States’ history and should never be forgotten.
The main source of conflict between Antigone and Creon is the issue of the burial of Antigone’s dead brother. Both of her brothers were killed in battle, however one brother fought against their home city and was considered a traitor. Creon issued a law that whoever tries to bury this man will be put to death. Antigone is very upset because her one brother is graced with all the rites of a hero while the other is disgraced.
known as the Ku Klux Klan, the KKK in common terms. This group felt as
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other play, “Antigone”, however, he undergoes a drastic personality change. He becomes more and more like Oedipus. Creon commits acts of hubris, kills and humiliates people for no reason whatsoever. Once he realizes the folly of his ways, he punishes himself for going against the gods and destroying all that he loved, This is strikingly similar to the story of Oedipus. At first Oedipus and Creon seem like entirely different people. But through the course of events, they share almost identical personalities and even fates.
In conclusion, I think those two plays show two different personalities of the king while not altering the real facts. The Sophocles version painted Creon in dark colors so he would seem cruel and inhuman king while Anouilh version changed his personality and added some positive values making him a real model of a king and positive character of the play.