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The idea of justice and injustice in Antigone
The idea of justice and injustice in Antigone
Importance of antigone today
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When it comes to pride, when do we know that we have too much? A perfect example of having too much pride lies in the Greek tragedy, Antigone. In my opinion, it is the perfect example because the main character, Creon, is dealing with all the things that are happening because of Antigone’s decision to go against his law and many people are telling him that he is wrong, but he is too confident in his own choice that nothing bad will happen.
Throughout the play, Creon appears too stubborn and so sure of himself, but do we really know that? Do we really know that he is confident? We don’t know what he is thinking so who are we to say and judge him. There must be reasons why he was stubborn and so hesitate to let his own niece off the hook. When you do not go into deep thinking about why Creon doesn’t let Antigone off the hook, you might think that Creon is just thinking he is just too prideful like mention in the beginning, but it could be because he does not want to be taken advantage off. It can also be that just because he is king, he can’t give his family special treatment cause that would be wrong of him to do but at the same time putting him in a bad situation.
This topic, just like any other topics, has it pros and cons of why we believe that both Antigone and Creon suffered. Both Creon and Antigone suffered a large amount but in my opinion, I think Creon suffers the most for many reasons. My reason for choosing Creon is because Antigone does suffer a lot but in the end where is she? She dies and because of that, she is in peace in heaven or where she is. Also she was the first ones to die besides Polyneices and Etocles. Creon, first of all, yes, it is his fault for not listening when Teiresias, Haimon and Antigone herself...
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...e worst of deaths – death without honor.” In a way Antigone is blaming Ismene for not helping her but in a way she is not.
By the end of the play, if Antigone were still alive if anything, I think she would be the second person with the most blame because if she had not had the thought to bury her brother, nothing would’ve happened and her and Haimon would have probably been able to get married. While Antigone has the second to the most blame, I think Creon would be the one with the most blame along with having the most guilt have the end because if Creon hadn’t had the law that Polyneices couldn’t be buried, Antigone would not have had to go against the law when she did bury him. Also, techniquely, Creon caused all the death because of just one little thing that happened. Therefore, I think Creon suffered the most and also he would have the most blame or guilt.
Creon’s hubris is the strongest case that can be made about Creon being the most tragic character in Antigone. For example, Creon says,”Am I to rule this land at someone else’s whim or by myself?”(Antigone 835-836). This is truly a profound statement that reflects Creon’s excessive self-pride; moreover, Creon refuses to listen to Haemon, the Chorus at some points, and even Theresias for while. Furthermore, Creon refuses to acknowledge that he has done wrong of any kind, and this eventually leads to the death of his entire family. In conclusion, this is why Creon is the most tragic character in this play.
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
In most cases pride always results from great accomplishments. Pride can lead to deception where people especially the ones in power, base their decisions on their ability to have dominion over everyone else. It is the major cause of broken relationships within family members. Pride has and will always be root of evil unless people change and humble themselves. Pride is most evidently seen in Antigone by Sophocles where Creon, the leader, refuses to listen to reasons as seen through Teiresias and Haemon. Teiresias gives him an advice that states; “And your house will be full of men and women weeping, And curses will be hurled at you from far Cities grieving for sons unburied, left to rot Before the walls of Thebes.” (Ant. 214). Instead of listening to the advice and taking actions, Creon mocks Teiresias and tells him that his prophecy is for sale. Creon's human flaws and emotions such as pride and arrogance lead to his ultimate downfall as well as his family’s, which ties into him being the tragic ...
In Antigone, especially with the feminist movement now holding the title character, as prototypical downtrodden woman, the king Creon is often villified. While accepting the fact that Creon has misogynist tendencies, the gender issues can cause the pure argument of validity of actions, to fall by the wayside. So supposing for a moment, that Antigone's rebellion had been undertaken by a male, would Creon's choices have been different. Did he choose such harsh punishment and intractable course because Antigone was a woman ? As I read him, this is not the case. He has made a value judgement as to who is traitor and who is worthy. He has made a secondary judgement as to the rights of traitors, and the need of the people to know the consequences of traitorous acts. While one may disagree, with the value judgements he has made, as king he is well within his rights, indeed his obligation, to rule according to what he believes best at the time. Outcomes are not always the best vantage point from which to judge a man. Creon did not have the advantage the reader has of seeing final outcomes, indeed we must remember these outcomes were contrived by Sophocles, to illustrate his point of view. Is it not conceivable that in real life, these outcomes are far from assured, indeed a bit preposterous ? So then to summarize, Creon simply made his best decision, and that decision was with in his right to rule as the recognized sovereign.
Creon is passionate. Antigone is full of rage. They are so similar they cannot see eye to eye. Although they may seem quite different, Creon and Antigone share many similarities throughout the story. They are both very independent people. Antigone is extremely independent. She doesn't mind doing anything on her own. For example, in the beginning of the story when Antigone is talking with Ismene, she asks for her help. When Ismene refuses she is furious with her. Then Ismene decides to act independently. Creon is also very independent. He refuses to accept anyone's opinions except his own. When his son Haimon comes to talk with him he refuses to listen, claiming that Haimon is "girl struck" (Sophocles page #) and corrupted. Teirsesais comes and tells him a morbid prophecy. Creon will not listen to this either. He claims that Teirsesais has been corrupted by money, like many prophets at that time. He finally listens to the Charagous when reminded that Teiresias has never been wrong.
Creon's pride is that of a tyrant. He is inflexible and unyielding, unwilling throughout the play to listen to advice or Antigone. Creon’s love for the city-state cause him to abandon all other beliefs. He tries to enforce this upon the people of Thebes. He wants them to think that his laws should be followed before any other personal, moral, or religious belief. This is where the conflict of character occurs between Antigone and Creon. Antigone knows that the sacred laws held by heaven are far more important...
“There are two kinds of pride, both good and bad. ‘Good pride’ represents our dignity and self-respect. ‘Bad pride’ is the deadly sin of superiority that reeks of conceit and arrogance”-John C. Maxwell, American author. In Antigone by Sophocles, Creon, the king of Thebes, typifies the tragic hero and Maxwell’s quote. Initially, he makes a huge error in judgment that eventually leads to his downfall. Also, his pure arrogance caused to go against the will of the Gods. After he gets over his self-pride, his view shifts away from that of ignorance.
Of the tragic figures in Antigone, Creon is the most obviously evil because his motives are self-serving and his fate the worst. As the play begins, we learn that Antigone has defied Creon's royal decree by performing sacred burial rites for her exiled brother, Polyneices. Polyneices has been declared an enemy of the state by Creon. The sentence for anyone attempting to bury him is death by stoning.
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Throughout Greek literature, the blind prophet Tiresias makes several appearances. In Sophocles’ plays Oedipus the King and Antigone, Tiresias tries in vain to warn the kings of Thebes of their wrong doing. In Antigone, Creon, the king of Thebes, refuses to reason with Tiresias after sentencing his niece Antigone to death for burying her brother. Throughout the text Tiresias and the Chorus to help Creon see the errors he has made, but he is blinded by his stubbornness.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
During the last play, Antigone, Creon has finally obtained the title he had desired the entire time. Creon has all the power, and has created himself as the stable King of Thebes. Oedipus is out of the equation, and Creon doesn’t have any worries in the world. The audience, during Antigone, still sees Creon as the greedy power seeker, until Creon starts making mistakes as ruler. He doesn’t listen to the oracle’s advice, and eventually starts losing control. He doesn’t believe in himself, and the city of Thebes starts becoming a city without a ruler. Towards the end of Antigone, the audience starts to pity the powerless ruler Creon, because of how helpless he seems to himself and
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
Antigone if she is caught. As the play moves on there is a building of this fear and pity that is felt for many of the characters that finally is resolved at the catastrophe. At that point the reader learns that Creon, the king, has lost his wife, his son, and his niece Antigone, all because he was too stubborn to give in as well as to afraid that if he did give in that he would be judged as an easy king. In a way this ending brings the two emotions together. The reader feels pity for Creon because of his great loss, but at the same time he feels a bit of fear because he wouldnt want this type of tragedy to ever occur in his life.