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One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Ismene believes that women are “underlings” (76) and not “contend[ing] with men” (76) because she knows that men will always control society. This viewpoint of men’s domination of women depicts Ismene to be submissive to males while being fearful of men’s authority. Ismene is unable to have control over her destiny and decisions because she is fearful of men’s power over women, which leads to her refusing to bury Polynices. Later in the play, Ismene questions Creon’s judgment by saying “you’d kill your own son’s bride?” (641) which indicates that she is now aware that woman should have a voice and power in society. Her new understanding of Antigone’s message gives her the strength to query Creon, while additionally highlighting his cruelty. Ismene’s original belief of “submit[ing] to this” (77) and being a proper Greek girl, eventually transforms into becoming an advocate for Antigone. Her transformation defies men’s authority, the opposite of what she used to believe in.
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously.
In Antigone, translated by Elizabeth Wyckoff, the struggle between Creon and Antigone’s wills lead to their eventual downfalls. Croen believes that his decision to not have a proper burial for Polyneices is defended by the Gods, among other things. However, Antigone believes that her decision to bury Polyneices is also justified. A compromise is unable to be reached because of their inelastic viewpoints, not necessarily the views themselves. These extreme views are shaped by Antigone and Creon’s personalities, families, and social statuses. The rigidity of their viewpoints leads us to wonder about the principles that these characters hold, and why they hold them.
Although both sisters have lost their brothers, Antigone is the only one who will go against her king to do what she knows is right. When Antigone asks her sister if she will help her bury their brother Polyneices, Ismene responds with, “We are only women; we cannot fight with men, Antigone! The law is strong; we must give into the law…” (Ismene 774). Naturally, Ismene should be afraid for herself, as well for the safety of her sister because what Antigone is asking of her will mostly likely cause them both to be killed. However, she should be braver like Antigone, and realize that she must do what is morally right for their family, and give her brother the proper burial that he deserves. Afterward, when Antigone has already been captured, Ismene then comes forth to try and share the punishment that has been given to Antigone, but Antigone tells King Creon that she has done nothing. In addition, when Creon asks Ismene if she had anything to do with the crime, and Antigone denies it, Ismene then replies, “But now I know what you meant; and I am here to join you, to take my share of punishment” (Ismene 785). Although now Ismene feels like she needs to stand up to the King and do what is right for her
"You ought to realize we are only women, not meant in nature to fight against men, and that we are ruled, by those who are stronger, to obedience in this and even more painful matters." In the opening of the play, Antigone and Ismene meet in the night. Antigone laments Creon's decree that whoever tries to bury Polyneices or mourn for him must be stoned to death. Although Ismene declares that the sisters lack any power in the situation, Antigone insists that she will bury Polyneices, and asks for Ismene's help. Ismene states that though she loves Polyneices, she must abide by the king's decree. Ismene, unlike Antigone, fears death. She believes that there is nothing that she can do. She reminds Antigone that they are on...
In the beginning of the story Antigone went to Ismene to warn her about the new decree of King Creon. King Creon had sworn that no one was to bury him or even mourn for him. Antigone then told Ismene of her intentions of going against the new law and giving their brother the burial he deserved. Antigone then gave Ismene the choice to prove herself loyal to her family or betray it. Ismene stated that she could not go against the law of Creon. She felt that they could not go against Creon because they were only women and she was afraid of what their deaths would be like. At this point in the story Ismene was not willing to sacrifice her life for her brothers honor. She still wanted to help, but she was too afraid of what the punishment would be. For example Ismene stated, “I beg the Dead to forgive me, but I am helpless: I must yield to those in authority.”
The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.”
The discussion of gender roles in the play Antigone, written by Sophocles fuels different arguments between Creon and Haemon. Creon believes that women are inferior to men and that they should obey every order from men. Although, his son, Haemon fights against his father patriarchy and
In one of the opening scenes, the fluctuating emotions of the heated dialogue between Ismene and Antigone takes place. The two sisters take turns evoking passion and subjectiveness on their role as people in this world, but more specifically as civilians of Greece. Antigone has the mentality that she owes her duty of being an obedient family member (Johnson 370). Likewise, Ismene fears for her sister’s life and tries to persuade her that her allegiance may lay too strongly in the wrong place. Both women ultimately value family, however, they are split between whom they are most considerate to and immediately cause the audience to take sides.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
These two examples alone give us the impression, which degrades women and the power they had. On the contrary, Antigone goes against society view and a norm to do what she considers is morally proper. Ismene, Antigone’s sister and foil of the story, is compared with her throughout the story since Ismene believes that adhering to the law is more important over family loyalty. Ismene says: “I shall obey those who are in authority, for deeds that are excessive make no sense at all” (Antigone, Page 22, Line 67-68).
Karen Hawkins once stated, “I’ve often thought it unfair that women are expected to stay at home when there’s a fight to be won. If a woman has the strength to bear a child, she can swing a sword as well as any man.” Women have the power to persuade and support a cause they believe in, despite men being supposedly stronger. This holds true in Sophocles’ play Antigone, in which the title character is not afraid to stand up for her beliefs during a time where women were mostly ignored. Antigone contradicts the stance that literary critics hold on classic literature; given the unique characterization of Antigone that is unusual for her time. Her portrayal as a feminist figure, her static character, and the opposing views of Antigone and Creon show that Antigone promotes awareness of feminism.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
When Antigone comes to her sister for assistance in burying their brother’s body, Ismene refuses. While this may be seen as an example of her cowardly, docile nature, such as how the line “You ought to realize we are only women” (61) is often interpreted, it shows that Ismene was aware of where she stood in Theban society. It is common knowledge that Ancient Greece was a patriarchy, with women holding little to no political power. Even beyond the fact that she and Antigone are women living in a male-dominated society, Ismene recognizes how low their family has fallen, with herself and Antigone being the children of a kin-slayer and his wife. A reasonable person in Ismene’s situation would most likely have acted in a similar manner, as it would be far too great of a risk to defy Creon. Ismene was simply aware that no one would come to the aid of Oedipus’s daughters when they faced “the edict of death”
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
/ And even if I die in the act, that death will be a glory” (85-86). This act and Antigone's loyalty to her brother forms the main plot of the play that helps enhance the play. Antigone shows her true bravery, because she is willing to die to honor her brother, that even death does not scare her from doing the proper thing. Ismene on the other hand, shows her true cowardice by denying Antigone’s request to help her with the burial and is scared to disobey Creon’s law “I’d do them no dishonor . . . / but defy the city? I have no strength for that” (92-93). Ismene admits that she doesn’t have the strength like Antigone to disobey the law that is set forth, therefore it shows her inaction to make a change. Antigone responds by saying “You have your excuses. I am on my way, / I’ll raise a mound for him, for my dear brother” (94-95). Antigone believes that Ismene is just making excuses, because she is too scared to break the law and is just trying to find a way to get Antigone’s approval so that she doesn’t feel like a coward letting down her