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Allusions inThe Waste Land
Examine the poetic style of Ts Eliot
Examine the poetic style of Ts Eliot
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The Waste Land: Water and Religious Motifs
In his poem "The Waste Land," T.S. Eliot employs a water motif, which represents both death and rebirth. This ties in with the religious motif, as well as the individual themes of the sections and the theme of the poem as a whole, that modern man is in a wasteland, and must be reborn.
In the first section, "Burial of the Dead," water (or the lack thereof) has a primarily negative meaning. It is first mentioned in lines four and nine, in reference to April, which the narrator calls "The cruellest month." Later, the narrator describes an arid scene, in which the "Dry stone [gives] no sound of water" (24). Next, the narrator describes "The hyacinth girl" (36) (who may or not be the narrator himself): "Your arms full, and your hair wet" (38). It is implied in this scene that the girl has either just been raped, or has had at least a negative sexual experience. Each of these references to water corresponds to the waste land; the usually pure symbolism of water is twisted to become negative, and in each scene there is some perversion such as rape.
After the hyacinth scene comes "Madame Sosostris, famous clairvoyante" (43), who speaks of the Tarot cards and the "Drowned Phoenician sailor" (47) as well as "Belladonna, the Lady of the Rocks" (49). Sosostris advises the person she is reading, presumably the narrator, to "fear death by water" (55). However, the psychic's words are deceptive. Although water implies death in both cases (Belladonna is a siren, a creature who calls men to their deaths by singing), which would seem to be negative, the theme of the section is that death must precede transformation and rebirth. Death in this case is tied to religion; in many re...
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...ie, ed. T. S. Eliot The Waste Land: A Facsimile and Transcript of theOriginal Drafts Including the Annotations of Ezra Pound (1971; rpt. Faber, 1980)
---. The Letters of T. S. Eliot, vol. 1 1898-1922 (Harcourt Brace Jovanovich, 1988)
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---. The Composition of Four Quartets (Faber, 1978)
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T.S. Eliot had very philosophical and religious meanings behind this poem, and that helped me relate personally very well with this work of his. He used allusions to other poems, letting me make connections with works I have read before. He also used inclusive language and had the same opinion as me portrayed in this work. Based on these, T.S. Eliot has convinced me of his messages in this poem, as well as made this by far my favorite of his.
When read for the first time, The Waste Land appears to be a concoction of sorts, a disjointed poem. Lines are written in different languages, narrators change, and the scenes seem disconnected, except for the repeated references to the desert and death. When read over again, however, the pieces become coherent. The Waste Land is categorized as a poem, but exhibited visually, it appears to be a literary collage. And when standing back and viewing the collage from afar, a common theme soon emerges. Eliot collects aspects from different cultures or what he calls cultural memories. These assembled memories depict a lifeless world, in which the barrenness of these scenes speak of a wasted condition. He concentrates on women, including examples of violence committed against them and the women's subsequent lack of response to this violence, to show how apathetic the world is. But The Waste Land is not a social commentary on the plight of women. Rather, the women's non-reaction to the violence against them becomes a metaphor for the impotence of the human race to respond to pain. Violence recurs throughout time, and as Eliot points to in his essay "Tradition and Individual Talent" in the epigraph, we can break this cycle of violence and move ahead only by learning from the past and applying this knowledge to the present.
Eliot, T.S. The Waste Land and Other Poems, New York, London, Harcourt Brace Jovanovich Publishers, 1988
Nordqvist, Christian. "What is Autism? What Causes Autism?." Medical News Today, 01 Aug 2013. Web. 19 Mar 2014. .
Pearle, Lauren. "Kids and Guns: By The Numbers." ABC News. ABC News Network, 29 Jan. 2014. Web. 22 Mar. 2014.
Through her usage of water as a motif, Morrison expresses her feelings and helps us to better understand the novel. Water comes to represent birth, re-birth, and freedom and escape from slavery. There is also a deeper meaning to all of this. Water also comes to represent a sort of life force for Beloved. When she just appears for the first time, she comes out of the water. But she also needs to drink a vast amount of water. It seems as though she needs the water to survive. For Sethe, water comes to mean both a sort of re-awakening and a symbol of freedom. This is apparent through her actions and emotions when she was bathed by Baby Suggs. Water also represents freedom for Paul D. This is because he escaped due to the mud created by the water. The motif of water is well used throughout the book to come to signify many things to the characters.
RW Printing just received a long term contract with a customer and is in a position to hire full time employees to meet the new demands of this contract.
Ionica, Cristina. English 207: Speculative Fiction: Fantasy Notes. London, ON: University of Western. 2014. Lecture Notes.
. Cape Hatteras Lighthouse is the 208-foot tall landmark was just hauled more than a quarter-mile back from its former perch, where it was threatened by the encroaching sea. Coastal erosion chewed away about 1,300 feet of beach, bringing the waves to within 150 feet of the 4,800-ton sentinel. When the light was erected in 1870, it stood about 1,500 feet back from the waves. The lighthouse, on the Outer Banks, North Carolina's long barrier beach, was built to warn ships from waters called "the graveyard of the Atlantic." Ironically, the move should serve as a warning about the growing problem of coastal erosion. Erosion is not just plaguing the Outer Banks. Coastal residents up and down the United States are worrying about undermined cliffs, disappearing beaches, and the occasional dwelling diving into the briny. Beaches are constantly moving, building up here and eroding there, in response to waves, winds, storms and relative sea level rise. Yet when commoners like you and me, and celebs like Steven Spielberg, build along the beach in places like Southampton, N. Y., we don't always consider erosion. After all, real-estate transactions are seldom closed during hurricanes or northeasters, which cause the most dramatic damage to beaches. Yet Southampton, like all the barrier beaches that protect land from the sea, is vulnerable to obliteration by the very factor that makes it so glamorous: the sea. And the problem is increasing because the sea is rising after centuries of relatively slow rise, and scientists anticipate that the rate of rise will continue to increase in the next century. Land, in many places, is also slowly sinking. The result is a loss of sand that places the occasional beachside home inconveniently near -- or in -- the water. Still, erosion cuts in two directions. Without the process of erosion, we would not have the beaches, dunes, barrier beaches, and the highly productive bays and estuaries that owe their very existence to the presence of barrier beaches. Erosion of glacial landforms provides most of the beach sand in Massachusetts. A popular destination The beach-erosion problem has many causes. Among them are: · The ubiquitous desire to live near the sea. · A historically rapid ri...
To understand and interpret the Bible correctly, one must first have accepted the fact that he is a sinner and has ask Jesus into his heart as his own personal savior. The interpretation of the Bible is difficult and can be time consuming. A lack of time in studying the bible can lead to serious errors and faulty interpretations. For one to prevent this, attention to the principles involved in interpretation of the scriptures must be understood and followed. The first principle is hermeneutics which is the “science (principles) and art (task) by which the meaning of the biblical text is determined” (Zuck p.20). The second principle exegesis “the determination of the meaning of the biblical text in its historical and literary contests (Zuck p.20). The third principle a systematical study of the Bible where one must approach each scripture with sound judgement and reason, being as objective, without being prejudice or having preconceived notions. Utilizing the above principles and following general, historical, doctrinally, grammatical rules of interpretation, I will give my insight into Revelation 1:9-20 starting with verse 9
11. T.S.Eliot, “Poetry and Drama” in On Poetry and Poets (New York: Straus & cudaly,1957,
...lot, and Lisa Hollingsworth. "Internet Addiction: a logotherapeutic approach." Journal of Addictions & Offender Counseling 33.1 (2012): 18+. Gale Power Search. Web. 7 Feb. 2014.
The extended concept of capital, which was largely developed by the French sociologist Pierre Bourdieu dates back to an entanglement of the perspectives of Marx and Weber. In particular, he draws on the concept of capital by Marx, whilst picking up the theory of Weber where capital is a product of the accumulation of collective labour. But Bourdieu further generalizes the theory in order to develop a concept of capital in all its forms. Thereby, he dissociates his perspective sharply from a merely economist perspective and criticizes such concepts as only related to the exchange of goods, in a market driven and profit oriented processes. With this view, according to Bourdieu, all other process of exchange and calculation (social, cultural, symbolic, religious) implicitly (or explicit) are perceived as relations without interest and thus are left out of accounts as study objects. (Bourdieu, 1983; Fuchs-Heinritz & König, 2005)
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
On the most superficial level, the verbal fragments in The Waste Land emphasize the fragmented condition of the world the poem describes. Partly because it was written in the aftermath of World War I, at a time when Europeans’ sense of security as well as the land itself was in shambles, the poem conveys a sense of disillusionment, confusion, and even despair. The poem’s disjointed structure expresses these emotions better than the rigidity and clarity of more orthodox writing. This is evinced by the following from the section "The Burial of the Dead":