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Symbolism in Harry Potter
Character development in Harry Potter books
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What does it mean to be a hero in an exciting fantasy adventure? The bigger question is who would not want to be the hero of their own story? In the fantasy genre, these heroes are given the typical heroic tropes that go beyond the gender norm of saving a damsel in distress and fairy tale archetypes. For students, this could be known as “The Heroic Cycles” that are often found in the fantasy genre (Thomas 60). The hero “is usually an orphan, disposing of inconvenient parental monitoring. He or she is sent on a great quest of great importance… He or she meets up with a wise person, reflecting the desire of students for guidance. The hero confronts and conquers the evil foe” (60). In J. K. Rowling’s famous series and Chris Columbus’ film adaptation of her novel, Harry Potter, the main protagonist is the epitome of the heroic protagonist. However in the first book of the series, Harry Potter and the Sorcerer’s stone (English version is Philosopher’s Stone) the first novel of the series not only introduces Harry to the wizard world, but also introduces him as the reluctant hero. From the day he was born and due to his parental lineage, Harry is thrusted into playing the hero role and is therefore elevated into a celebrity in the Wizard World. This status and fame is accompanied with the heroic acts that Harry takes on and the prophecy also calls on Harry to also take on the heroic role. In both Harry Potter adaptations, the hero is called to arms and it is what Harry is introduced to in this first part of the series.
To begin the series, Harry is introduced as an orphan child and is quickly thrusted into the wizard world into the hero’s role. In both adaptations, they present Harry living in the muggle (non-magical) world with h...
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...er and the Sorcerer’s Stone. Dir.Chris Columbus. Perf. Daniel Radcliff, Rupert Grint and Emma Watson. Warner Bros, 2001. DVD.
Ionica, Cristina. English 207: Speculative Fiction: Fantasy Notes. London, ON: University of Western. 2014. Lecture Notes.
Nel, Philip. "Bewitched, Bothered, and Bored: Harry Potter, the Movie." Journal of Adolescent & Adult Literacy. 46.2 (2002): 172-175. Web. 2 Mar. 2014. .
Rowling, Joanna. K. Harry Potter and the Philosopher’s Stone. Markham: Scholastic Canada, 1997. Print.
Thomas, Melissa. "Teaching Fantasy: Overcoming the Stigma of Fluff." English Journal. 92.5 (2003): 60-64. Web. 16 Mar. 2014. .
Zipes, Jack. "Why Fantasy Matters Too Much." Journal of Aesthetic Education . 43.2 (2009): 77-91. Web. 17 Mar. 2014. .
What is a hero? The book Mythology by Edith Hamilton has a lot of heroes and most of them have 2 things in common. The heroes are in their own ways superior whether it be strength, intelligence, and/or courage. The second thing they have in common is a quest that establishes their greatness and proving that they are good enough to be called heroes. The catch is that even though they may have the characteristics of a hero, not all of them are epic heroes.
The dictionary defines hero in mythology and legend as, "a man who is endowed with great courage and strength, celebrated for his bold exploits, and born of divine or royal blood. He is a person noted for feats of courage or nobility of purpose, especially one who has risked or sacrificed his or her life." In addition, I believe a hero is one to be looked up to and emulated. What is interesting about epic heroes is that their great deeds and exploits all have to do with defeating themselves, so with help from the gods they can truly become heroic. They can only defeat themselves with the help of the gods.
Varying from time, location and person, what it takes to be considered a hero has remained for the most part unanimous and throughout time has been represented in multiple ways. Most present in dated writing, a hero 's image and pride make up a big portion of most heroes. Their heroes aren’t so humble and they aspire to keep their title of "hero". On the contrary, most heroes in literature today are quite modest and don 't expect to be viewed as or considered heroes (more often than not they themselves do not classify with being heroes). As is the case for Beowulf and Katniss Everdeen, both different and yet also similar in terms of action, motives and thought (their personality being what really separates the two). Perhaps the biggest part of how a hero is treated and acts depends on what their society is like. Throughout time, the overall qualities of a hero have remained very similar. What has changed, is
Before one can be considered a true hero, they must complete a series of eleven steps that put them up to the test. More simply, they must start with departure, then initiation, and finally return home. Harry Potter in Harry Potter the Sorcerer's Stone, courageously completes all of these steps and is therefore considered a hero. He strong-willingly embarks on a journey that challenges his limits and tests his bravery. Without any support from his family, and being the despised child, he defeats his enemy, Voldemort. To push through the worst challenges, and starting from nothing is what makes a true hero. As Joseph Campbell stated, “You enter the forest at the darkest point, where there is no path. Where there is a way or path, it is someone
Who is a hero? In contemporary times, usage of the term has become somewhat of a cliché. Over the years, the term “hero” has become representative of a wide variety of individuals, each possessing differing traits. Some of the answers put forth by my colleagues (during our in-class discussion on heroism) as to whom they consider heroes pointed to celebrities, athletes, teachers and family members. Although the occupations differed, each of their heroes bore qualities that my classmates perceived as extraordinary, whether morally or physically. Nonetheless, Webster’s defines “hero” as “a person who is admired for great or brave acts or fine qualities.” Thus, it is worth considering that individuals become heroes relative to the situation with which they’re faced.
What comes to your mind when you hear the term hero? Is being a hero preventing villains from corrupting the universe? Yes, a hero is someone that stands up and tries to protect others from being harmed. In the book, The Outsiders, the Greasers proved to be the heroes of the story. It shows that no matter what your background is, you could always turn into a hero. They also showed that no matter how poor you are, you can still be a hero.The Greasers that I think showed bravery and fearlessness were: Ponyboy, Johnny, and Dally.
Readers tend to idolize protagonists of stories. Atticus Finch, Huckleberry Finn, Harry Potter – they are all characters that possess a positive tone from the author. In pieces of writing associated with fantasy, however, it would only be more suitable to call these characters, heroes. Particularly in high fantasy, the hero ventures on an aptly named “hero’s journey.” However, the hero will always discover the “call to adventure” at the beginning of the story. At that point, the protagonist realizes that he or she possesses a unique ability. In high fantasy, that ability generally involves magic. Ursula K. Le Guin’s A Wizard of Earthsea serves as a prime example of this notion. The protagonist, Ged, goes on a journey to quench his thirst for better understanding of wizardry. Another example of fantasy would be L. Frank Baum’s “The Dummy that Lived,” in which a fairy’s mischievous acts lead to a chain of trouble for the victim. Both Le Guin and Baum use magic in high fantasy literature to symbolize the need for maturity in a protagonist, or the creature casting the spell, and therefore promote the importance of responsibility to those who hold great power.
According to Bonnie Tyler, a hero is a man that needs to be strong and fast, straight out of battle, and have a legendary persona about them. Traditionally in mythology, heroes are characterized by their strength, physical prowess, intelligence, cunningness, and success on the battlefield. In addition, most heroes go on some type of quest or adventure, often accompanied by a trusty sidekick to rein them in. The hero’s journey archetype is often divided into three parts: the beginning setup and departure, a period of adaptation and conflict, and the resolution where the hero returns home victorious (Bronzite). Upon this journey the hero will be forced into action, undergo many tribulations, and
Harry Potter is quiet modest and humble compared to the stereotypical hero in most novels. His horrible, bullied, upbringing in the home of his adoptive relatives plays an important role in how he stays so humble and reluctant to accept his praise as a hero. As a result of this upbringing, he also does not see himself as a significant individual. Harry is neither right nor wrong to reject his praise due to the circumstances but his superior modesty shows how true of a hero Harry really is.
Belcher, C. and Stephenson, B. H. (2011). Teaching Harry Potter: The Power of Imagination in
One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby. Joseph Campbell calls the initial phase of a hero’s development the “Call to Adventure.” The call is the in... ...
A person can be a hero for saving the life of one or of millions. Heroes are not only real people, but they are also fantasy figures. Children are extremely interested with legendary and fantasy figures because they take on such tasks as: difficult journeys, challenges with dragons, discovering lost treasure, and changing the nature of the world through their singular acts of courage and selflessness. They also endure much resistance, hardship, and danger. Often the hero learns valuable lessons about survival and self-reliance. Not only do heroes teach valuable lessons they give a child a sense of belonging. To a child, a hero is an invincible person who will change the world.
Every generation has taken certain elements of popular culture, whether it be music, movies, books, or fashion trends, and deemed is as “theirs”. For instance, those who grew up in the 60s claim The Beatles and bell bottom jeans as theirs, and those who grew up in the 80s claim heavy metal music and John Hughes movies. This being said, every generation has its “story”, a film or novel, that they feel connected to, that they claim as their own, and that has ultimately shaped their identity. Harry Potter is this generation’s story; this can be seen in the overwhelming success the books and movies had, its prevalence that remains after the end of the series, and the strong connection that this
One of the most read series in all literature is Harry Potter. The seven-book succession has sold over 400 million copies and has been translated into over sixty languages. What is it that makes this series so wildly famous? What is it about the boy who lived that makes frenzied readers flock to their local bookstore at midnight on the day of the release to buy the latest installment? How is a story set in a world that doesn’t exist about wizards, witches, magic, and mystical creatures so popular? The series has been able to earn its spot on the New York Times Bestseller list and has granted author J.K. Rowling multiple awards because it is relatable. It is not the setting or the events in the plot of the story that we relate to. We relate to what Harry, his friends, mentors, teachers, caretakers, and even enemies feel. Harry is in a lot of ways exactly like us. He represents some of the good characteristics that all of us have as well as the bad. The series as a whole, is about one thing that is stressed over and over again in the novels, love. The Harry Potter series is one of the most read sequences of novels because the central theme is love and self-sacrifice, and readers are looking for a novel that shows them just that.
Literature has been part of society since pen met paper. It has recorded history, retold fables, and entertained adults for centuries. Literature intended for children, however, is a recent development. Though children’s literature is young, the texts can be separated into two categories by age. The exact splitting point is debatable, but as technology revolutionized in the mid-twentieth century is the dividing point between classic and contemporary. Today’s children’s literature is extraordinarily different from the classics that it evolved from, but yet as classic was transformed into modern, the literature kept many common features.