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How has religion affected literature
Analysis the poem preface
The meaning of the hollow men
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Thomas Stearns Eliot was perhaps one of the most critical writers in the English language’s history. Youngest of seven children and born to the owner of a Brick Company, he wasn’t exactly bathed in poverty at all. Once he graduated from Harvard, he went on to found the Unitarian church of St. Luis. Soon after, Eliot became more serious about literature. As previously stated, his literature works were possibly some of the most famous in history. Dr. Tim McGee of Worland High School said that he would be the richest writer in history if he was still alive, and I have no choice but to believe him. In the past week many of his works have been observed in my English literature class. Of Thomas Stearns Eliot’s poems Preludes, The Journey of the Magi, The Hollow Men, The Waste Land, and Four Quartets, I personally find his poem The Hollow men to be the most relatable because of its musical allusions, use of inclusive language, and his opinion on society. To begin, Eliot’s poem The Hollow Men is relatable to me because of its allusions to other texts. Many of these are references too religious beliefs. As a weekly attendee of church, some of these allusions really hit home with me. Even though I have grown up Baptist, and it is in no way expected of me to know it because of that, I have known the Lord’s Prayer for too many years for me to keep track of. T.S. Eliot uses the ending of the Lord’s Prayer toward the end of his poem, the same line in lines77 and 91, both “For Thine is the Kingdom.” Following the second of these two recitations, he makes an interesting and meaningful argument without actually completing a sentence. He repeats the line again, however does not seem capable of finishing the statement, like something religious h... ... middle of paper ... ... is to say, we aren’t passionate enough to stick up for what we know is right. How does this relate to anything? This argument seems to be the same one Eliot is conveying in The Hollow Men. I agree very much so with this argument. I feel as though our society has diverged from maintaining some sort of faith and something to stand for because they are too concerned about being ridiculed, which also is Eliot’s intent in the poem. T.S. Eliot had very philosophical and religious meanings behind this poem, and that helped me relate personally very well with this work of his. He used allusions to other poems, letting me make connections with works I have read before. He also used inclusive language and had the same opinion as me portrayed in this work. Based on these, T.S. Eliot has convinced me of his messages in this poem, as well as made this by far my favorite of his.
Terrance Hayes’ poem, Mr. T is about a 1980’s pop icon and it describes his place in African American history. The poem starts out describing Mr. T but it soon becomes stern when it asks serious questions and then answers mockingly about this pop icons absurdity.
The novel tells us that we do not have to accept the world as it is, that we can find our own, individual answers to everything and, if not change the world (the book does not end with a promise of a perfect world), then at least help it. And Eliot succeeds. Even though he is considered to be crazy, he helps hundreds of people in need.
Despite the beauty described in the first few stanzas of the poem, it was the feeling of doubt and pondering that approached at the end of the poem that truly was the most thought provoking. Instead of just writing of beauty, Poets must realize that they may be leading people to false ideals, and in doing so that they may actually be causing individuals to believe in something that is nothing more than a dream. This realization makes the image of the questioning poet by far the most important in the piece.
Form often follows function in poetry, and in this case, Eliot uses this notion whe...
Eliot, T.S. The wasteland. In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1447-1463.
Though its more lyrical passages present detailed and evocative imagery, substantial portions of T.S. Eliot's Four Quartets afford no such easy approach. Since the initial appearance of "Burnt Norton" it has been a critical commonplace to regard these portions of the text as at once its most conceptually profound and its most formally prosaic. Of course, the Quartets offer enough cues toward this critical attitude that it may fairly be said to reside within the poem at least as much as it is imposed from without. As the text of the poem itself apparently gives license to the view that its "poetry does not matter," the preponderance of critical attention to the Quartets' non-lyrical passages has been devoted to philosophical and theological paraphrase of its argument, to explicating the system of belief or thought behind the words. Meanwhile, relatively little attention has been paid to the working of the poetry itself, to the construction of the presumed meaning, in these "discursive" or "conceptual" passages. Seduced by the desire for a systematic argument, criticism has overestimated these passages' straightforwardness and largely neglected their ambiguity and indeterminacy. The seductive voice of argument – which is already a voice within the poem – invites conceptual scrutiny but repels formal analysis; it displaces the concerns of "poetry" in order to work its poetry undetected. I will be reading critically several critical discussions, but always in the belief that the criticism's concerns are not projected onto the poem from without, but express the critical voices within the poem.
Karl, Frederick R. George Eliot; Voice of a Century. New York: Norton & Co., 1995.
In order to accomplish this goal Eliot incorporated allusions into his work. These references added historical context and depth to his poetry. On the other hand Wallace Stevens opposed Eliot’s large reliance on allusion, calling it overly intellectual and a hindrance to the sound and rhythm of the poem. While Stevens’s portrayal of the desolate present was similar to Eliot’s imaginings, Stevens chose to focus on an American future rather than a European past.
The narrator is preoccupied with the passing of time and often thinks of tranquil, imaginary places to elude his plaguing thoughts of social ostracism. The theme of this poem, suggesting the era of time and the narrator's tone, is that age is a burden and man is deeply troubled by it. The author is stating the trouble the narrator is having dealing with middle age and the inhibition to communicate. There are several meanings in the poem that suggest this. Eliot uses the words, '
In East Coker one is confronted with this challenge. It seems that in this second of the Four Quartets Eliot is not so much displaying scholarly references, as testing the finite nature of language to probe the limitations and the extremities of human thoughts, conditions and existence.
"T. S. Eliot and Modern Poetic Drama." T. S. Eliot and Modern Poetic Drama. N.p., n.d. Web. 06 Dec. 2013.
The tone of the poem is described as a weary, self-depressed outlook. He is uncertain about life and his place in it. T.S Eliot uses the
The symbolism within the opening lines do not obscure the message of Eliot’s poetry as it encourages people to live their life to the fullest and “dare to eat a
In the poem, one must be able to interpret Eliot’s comparison
The first core issue present in the poem is a low self esteem or insecure sense of self. Most of the poem is centered around the speaker’s indecisiveness and low self confidence. An unknown and overwhelming question is introduced in the first stanza and is revisited later on through “A hundred indecisions. . . a hundred visions and revisions” (Eliot). According to the chapter on Psychoanalytic Criticism, “This core issue [insecure sense of