Devica Davis-Kilpatrick
Professor Babbitt
Modernist Poetry
May 1, 2015
T. S. Eliot vs. Wallace Stevens
During T. S. Eliot’s time many of his contemporaries including himself were in the custom of alluding to classic works of poetry. They incorporated references to notable texts like Dante. Eliot especially is a main perpetrator of alluding. Eliot has the ability create a picture for the reader and provide historical context to his works. A contemporary of Eliot, Pound, once said you should try to “be influenced by as many great artists as [they] can” (Pound 95). Eliot is following what Pound said by incorporating allusions in his works.
Throughout Eliot’s works, references to Greek epics were used. Eliot was able to interweave the other
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In order to accomplish this goal Eliot incorporated allusions into his work. These references added historical context and depth to his poetry. On the other hand Wallace Stevens opposed Eliot’s large reliance on allusion, calling it overly intellectual and a hindrance to the sound and rhythm of the poem. While Stevens’s portrayal of the desolate present was similar to Eliot’s imaginings, Stevens chose to focus on an American future rather than a European past.
List of Works Cited
Eliot, T. S., and Michael North. The Waste Land: Authoritative Text, Contexts, Criticism. New York: W.W. Norton, 2001. Print.
Eliot, T. S. "The Love Song of J. Alfred Prufrock." Prufrock, and Other Observations. New York: Alfred A. Knopf, 1920. N. pag. Bartleby.com. Aug. 2011. Web. 11 Mar. 2014.
Pound, Ezra. "A Few Don 'ts by an Imagiste." Poetry Magazine 1.6 (1913): 95-97. The Poetry Foundation. Web. 11 Mar. 2014.
Ramazani, Jahan, Richard Ellmann, and Robert O 'Clair. The Norton Anthology of Modern and Contemporary Poetry. New York: W.W. Norton, 2003. Print.
Stevens, Wallace. "The Man with the Blue Guitar." Wallace Stevens - Collected Poetry & Prose. N.p.: Library of America, 1997. 135-51.
Allison, Barrows, Blake, et al. eds. The Norton Anthology Of Poetry . 3rd Shorter ed. New York: Norton, 1983. 211.
The most obvious stylistic device used by Eliot is that of personification. She uses this device to create two people from her thoughts on old and new leisure. The fist person is New Leisure, who we can infer to be part of the growth of industry in the 19th century. He is eager and interested in science, politics, and philosophy. He reads exciting novels and leads a hurried life, attempting to do many things at once. Such characteristics help us to create an image of New Leisure as Eliot sees him.
Despite the similarities between these two poems, Corso and Eliot shared little in common. Corso spent much of his early life between foster parents and prison, the latter being where he was introduced to poetry. Now credited as a key member of the “Beat Generation”, a group of poets who were opposed to social conformity and the traditional forms of poetry, Corso typically wrote poetry “on serious philosophical issues” (Olson 53). On the other hand Eliot’s upbringing was more traditional where he attended Harvard and went on to become a figure of immense influence in the literary world. Eliot’s first major poetic publication: The Love Song of J. Alfred Prufrock bares many resemblances to Corso’s postmodern poem Marriage, a poem written to criticize the philosophical issues associated with marriage.
Thomas." The Norton Anthology of Modern and Contemporary Poetry. New York: W. W. Norton, 2003. 101-10. Print.
Thomas Stearns Eliot was perhaps one of the most critical writers in the English language’s history. Youngest of seven children and born to the owner of a Brick Company, he wasn’t exactly bathed in poverty at all. Once he graduated from Harvard, he went on to found the Unitarian church of St. Luis. Soon after, Eliot became more serious about literature. As previously stated, his literature works were possibly some of the most famous in history. Dr. Tim McGee of Worland High School said that he would be the richest writer in history if he was still alive, and I have no choice but to believe him. In the past week many of his works have been observed in my English literature class. Of Thomas Stearns Eliot’s poems Preludes, The Journey of the Magi, The Hollow Men, The Waste Land, and Four Quartets, I personally find his poem The Hollow men to be the most relatable because of its musical allusions, use of inclusive language, and his opinion on society.
Form often follows function in poetry, and in this case, Eliot uses this notion whe...
T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.
The recurring sensory images that Eliot uses appeal to the reader’s fear of the loss
Ellmann, Richard and O'Clair, Robert, ed. The Norton Anthology of Modern Poetry, Second Edition. New York: W. W. Norton & Company, 1988.
Mar. 1972: 86-100. pp. 86-100. Major, Clarence. American Poetry Review.
“In Tradition and the Individual Talent”, T.S. Eliot affirms that the greatest writers are those who are conscious of the writers who came before, as if they write with a sense of continuity. T.S Eliot addresses literary tradition as well as poetic tradition, and states that it is important to focus on “significant emotion, emotion which has its life in the poem and not in the history of the poet” (18). In this sense, the importance of tradition in poetry relies on the fact that a poet must be aware of the achievements of his predecessors, for, as we shall see in the case of Stevens and Ashbery, “the emotion of art is impersonal. And the poet cannot reach this impersonality without surrendering himself wholly to the work to be done. And he is not likely to know what is to be done unless he lives in what is not merely the present, but the present moment of the past, unless...
Moody, Anthony David. The Cambridge Companion to T.S. Eliot. Cambridge, England: Cambridge University Press, 1994. 121. Print.
T.S. Eliot’s poems are mainly what got him famous. When “Murder In The Cathedral” was out there was a reviewer That actually said, “it may well mark a turning point in English drama.” When his poem, “The Waste Land”, got published he won a two thousand dial award. In 1954 he got the Hanseatic Goethe prize; Confidential Clerk. Two years later he got to lecture an audience of fourteen thousand people at the University of Minnesota.
Faced with a world lacking variety, viewpoints, vibrancy, and virtue- a world without life- a fearful and insecure T.S. Eliot found himself the only one who realized all of civilization had been reduced to a single stereotype. Eliot (1888-1965) grew up as an outsider. Born with a double hernia, he was always distinguished from his peers, but translated his disability into a love of nature. He developed a respect for religion as well as an importance for the well-being of others from his grandfather at a young age, which reflected in his poetry later in life. After studying literature and philosophy at Harvard, Eliot took a trip to Paris, absorbing their vivid culture and art. After, he moved on to Oxford and married Vivien Haigh-Wood. Her compulsivity brought an immense amount of stress into his life, resulting in their abrupt separation. A series of writing-related jobs led Eliot to a career in banking and temporarily putting aside his poetry, but the publication of “The Waste Land” brought him a position at the publishing house of Faber and Gwyer. His next poem, called “The Hollow Men” reflected the same tone of desolation and grief as “The Waste Land.” Soon after, he made a momentous shift to Anglicanism that heavily influenced the rest of his work in a positive manner. Eliot went on to marry Valerie Fletcher, whom he was with until the end of his life, and win a Nobel Prize in literature. T.S. Eliot articulates his vast dissatisfaction with the intellectual desolation of society through narrators that share his firm cultural beliefs and quest to reinvigorate a barren civilization in order to overcome his own uncertainties and inspire a revolution of thought.
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.