A Comparison of The Waste Land and Pablo Picasso's "Guernica"
The similarities are striking. This is probably due, in no small part, to the inspiration for both works. Picasso and Eliot shared a common inspiration for their masterpieces the atrocities of war. Guernica was a response by Picasso to the German Luftwaffe's bombing of the Basque town of Guernica during the Spanish Civil War. During this 1937 attack hundreds of civilians were killed.
T.S. Eliot's The Waste Land is similar to Guernica in this way. It was written as a commentary on the state of the world after WWII. Printed in 1922 it depicts more vividly the changes of the world after the war, rather than a specific moment during the war, as Picasso does.
Aside from the conditions, which lead to the creation of these works, they share a number of other common threads. Symbolism aside these works are very similar on the surface. Both are a collection of seemingly disjointed images, which when put together by the reader or observer serve up a strong social message. That messages being that the wars and conflicts of the times have twisted the world. This is reinforced by the contorted and misshapen images in both works.
There are a number of these images in the works. Many of Picasso's are fairly evident the burning man in the right corner for example or the severed head on the bottom. These show the devastation of the world, as we know it. Eliot has recurring images not unlike these in The Waste Land. Eliot continually refers to the unnatural lack of water in the wasteland or the meaningless broken sex in the society of his day.
However neither of these artists would be as highly considered, as they are, if these were the only images in their works. Indeed, it is the ambiguity of these images that makes them so great. Picasso overlaid in Guernica the images of Harlequins. The largest is hidden behind the surface imagery and is crying a diamond tear for the victims of the bombing.
Another is the interesting set of images if found if the observer flips the painting over. Here in the left half of the painting there are two images, one of a puppet and an observer kneeling to view the show.
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...etic tests, I believe that both before and after genetic tests individuals should be required to meet with genetic counselors that help explain the test and interpret the results. Finally, although legislation preventing insurance and employment discrimination based on a person's genetic makeup already exists in many states, I think that additional laws need to be enacted that deny insurance companies and employers access to genetic information without a person's consent. As Matt Ridley (1999) states, a person's genome is his or her "own property," and people should be given complete freedom to decide to whom to disclose their genetic information (p. 269).
One of his most famous paintings was “Guernica”. This giant mural represented the bombings that nearly wiped out a town during the Spanish Civil War. It was recognized as the most influential anti-war piece of artwork of the modern art world. The famous words of Picasso once stated, “I stand for life against death, I stand for peace against war.” (Artfonica 3) After his ‘Guernica’ mural was seen by others as a symbol against fascism, totalitarianism, and armed conflict, he created the ‘Dove of Peace’. Picasso’s Dove of Peace was created for the first international peace conference in Paris. This piece was used all around the world to represent the freedoms people should and still have. Many people couldn’t understand how an artist can change communities and even government’s beliefs by just putting some paint on a canvas. Picasso felt very strongly about politics, “What do you think an artist is? He is a political being, constantly aware of the heartbreaking, passionate, or delightful things in the world, shaping himself completely in their image.” (Champion 7) The ‘Dove of Peace’ was used to promote peace treaties not only in Spain and Paris but around the world. Picasso proved that art can change people's lives and influence peace
These two authors are very similar. Both use dark, surrealistic language. Both men show different aspects of the descent into madness. Also both men use a descriptive, intelligent writing style. Instead of appealing to your emotions, or telling you what you should be feeling, they describe what is happening. Their descriptions may induce certain emotions, such as disgust, fear, or sadness, but they appeal first to the mind. They appeal first to the mind, and when the mind dictates to the heart that this is wrong, or strange, then the heart stirs and provides the appropriate emotion. Their writing styles may have their differences, but on the whole they are more alike than they are different.
Human trafficking is a form of slavery, forcing victims to engage in sexual activities and labors against their will. These activities can be taken place through force, fraud, or constraint. Human trafficking is not just affecting one group of people, it is a worldwide issue, affecting all different ages, genders, ethnicities, and socio-economic backgrounds. Human trafficking is such an immense problem, apprehending the true size, knowing how to help, and how to keep the issue from reoccurring. Human trafficking is and is still becoming such a serious issue that something needs to be done about.
...e bombing of the ancient Basque town would now be almost forgotten. Picasso's monumental painting reminds humankind of one of the first acts of modern "total war" waged against a defenseless population. Picasso's painting is the quintessential example of humankind's senseless inhumanity to humankind. It creates a horrific image of humankind with which the observer must reckon. Through the art of Guernica Picasso educates us not only about April 26, 1937, but also about humankind and our tradition of war.
T.S. Eliot’s "The Waste Land" is considered by many to be the most influential work in modern literature. First published in 1922, it captures the feelings and sentiments of modern culture after World War I. Line thirty of "The Waste Land," "I will show you fear in a handful of dust," is often viewed as a symbol of mankind’s fear of death and resulting love of life. Eliot’s masterpiece—with its revolutionary ideas—inspired writers of his era, and it continues to affect writers even today.
Genetic testing has become a highly controversial issue among both the general population and the scientific community. It is a process that exposes a person’s entire genome sequence, allowing it to be read and evaluated to identify potential risks for genetic diseases or diseases that could be passed onto offspring (Holt Productions, 2012). With thousands of genetic tests already being used, and more being established, it seems logical to put this growing technology to use. Some agree that it is a person’s right to know and understand his or her genetic makeup. However, others argue that, despite the benefits of genetic testing, caution should be used to carefully inspect the risks associated with this new technology.
and etchings of George Grosz and Otto Dix, World War I reshaped the notion of what art is, just as it
The basic ideas of the two novels are also similar. They have to do with rebellion against the so-called perfect new world and the sanctuary they find at the end. John the savage found peace by hanging himself. (It was hard to notice that, but I did. It made an excellent ending to the novel.)
Over the years, a number of theoretical models have been produced each trying to understand when and how leadership is effective. The trait approach is one of the early content theories, focusing on “what” and affective leader is, not on ‘how’ to effectively lead. This approach assumes that certain physical, social and personal characteristics are inherent i...
Hence, we can clearly see a disconnect between pre joining expectations of an employee and post joining priorities. Most of the employers within an industry can provide the former; but the la...
Torres, Juan Manuel. "On the Limits of Human Gene Transfer: Drawing the Line" Journal of Medicine and Philosophy Feb. 19997: 43-53.