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The impact of 1920s fashion
Thesis statement on the automobile industry america 1920s
The impact of 1920s fashion
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The History of Fashion on the Covers of Vogue
At the beginning of the Ancient times, clothes served not only as the protection from natural environment but also as the indicators of social class and income, the taste and intelligence of a person. The first fashion illustrations in the form of woodcuts have emerged in the 16th century. During the next four centuries, the style of clothes and the artistic mediums of fashion illustrations have significantly changed. On the example of the drawing, created by Helen Dryden in 1920, and the photograph of Norman Parkinson, created in 1949 for Vogue covers, it is easy to trace the changes in the sphere of fashion.
Vogue Cover dated on November 1, 1920, is an example of popular American fashion trends
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The wrap-over brown coats and cloche hats became the very fashionable elements of clothes in the 1920s. Red lips on woman’s face remind that the cosmetics industry also reach the peak of popularity in advertisement and everyday life. The artist depicted many cars on the background of the Cover. In the twenties, significant changes also happened in car industry, which resulted in new elements of liberation in clothes. “Two dog cars,” such as Citroen, Renault, and Bugatti were invented and provided the opportunities for the middle-classed society to buy cars (Heys). Eventually, Helen Dryden designed the models of automobiles for Studebaker, the automobile …show more content…
Norman Parkinson’s photograph of a woman in a black coat, green hat, and white gloves became the Vogue Cover in 1949. The garment emphasizes the silhouette and thin female waist. Restricted colors predominate in the palette; only small elements of the costume remain bright and colorful. By shooting the photography, Norman Parkinson took women out into the real world, pioneering “action realism,” a photographic style that exists to this day (Baring). In the background, the lively street with two more women in black is captured in the photograph. The yellow spots of light in contrast to a grey street create the feeling of the cloudy autumn day when people hurry to
Mustang is a car used predominantly by the working class. Its owner is a woman and she portrays the economic aspects of prostitution rather than its sexualized elements. The pink color of Mustang is indicative of its feminized representation. Therefore, the pink Mustang represents the socio-economic status of woman and serves to cheapen and feminize it. The l...
Baker Patricia, 1991, Fashions Of A Decade: The 1950's,. New York, Facts On File, Inc.
In many twentieth century photographs, women were portrayed in a domestic and simple way. In Riis’s photograph, Scene on the Roof of the Mott Street Barracks , a woman was
From the conventional Victorian dresses of the 1800’s to the rock-and-roll tee shirts of the 1980’s, American culture has experienced incredibly diverse trends in clothing. This ever changing timeline of fashion provokes the question: what is the cause of such differing styles? By considering the state of society throughout the era, it can be seen that clothing directly correlates with the current way of life. Specifically, American women’s fashion of the 1920’s and 1930’s proves to not simply be a meaningless trend – but rather an accurate reflection of the specific era. As the stock market booms and society prospers, women’s fashion undergoes drastic change during the 1920’s.
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
The Trickle-down theory, a well-known theory in fashion industry, has significant meaning in 19th to 20th century Europe. The American economist and sociologist, Veblen, published The theory of the Leisure Class by 1899, in which he discussed the split between the leisure class and the industrial class in the US critically. He concluded that leisure class treats dress as a sign of their status and possessions, furthermore, ‘Dress must not only be conspicuously expensive and inconvenient; it must at the same time be up to date’(Veblen 1994), by saying that, he refers to upper class was tend to create new fashion trend which was the top of the trickle-down theory. In the 20th century, Simmel, the German sociologist and philosopher, developed this theory further from a more sympathetic perspective. He drew much attention to sameness and difference amongst both classes in his book Fashion (Simmel 1973). The upper class gets self-satisfied and the proof of its priority by distinguishing itself from others, and working class follows the fashion trend which led by upper class in order to feel like he or she is ‘belonging to’ higher class. These opinions which were discussed by Veblen and Simmel were coined by a journalist in the mid-20th century, as ‘Trickle- down Theory’. During mid-18th to early 20th century, the trickle-down theory described the process of how fashion flows, and explains that fashion is a cultural and sociological phenomenon which includes the discourse of identity and uniformity, agency and structuralism. This phenomenon was not limited by geography, at the same period, in the other side of the world, similar situation happened in China which is a typical East Asian country....
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
McCutcheon, Marc. "Clothing and Fashions." The Writer's Guide to Everyday Life from Prohibition Through World War II. Cincinnati: Writer's Digest, 1995. 161-67. Print.
Fashion in the 21st century is a big business, as its production employs millions of people and generates billions of dollars in revenue. Fashion has for the past century been, and is still today, used as an indicator of social change and progress, as it changes with the social norms of the society and the political changes of the world (Finkelstein 3). Works Cited Finkelstein, Joanne. A.S.A. & Co. Fashion: An Introduction to Fashion. New York: New York University Press, 1998.
In the late 18th century the Industrial Revolution occurred causing a huge shift in the ways in which clothing was produced and subsequently altering the ways in which clothing was perceived. For decades preceding industrialisation men and women of high so...
George Simmel was born in Germany in 1858 and emerged as one of the major theorists of the turn of the century (?,?). His writings on philosophy and social sciences included one of the only insights, at the time, into the structure of fashion in society, Fashion, 1904. In this text he expressed his thoughts on society in relation to fashion and style, examining societal groups and how they used fashion as a form of segregation. He referred to the elite class as trend setters, differentiating themselves by creating new fashions, and lower classes as the mimics, in an effort to associate themselves with an elite identity. This cycle brought many different fashions over the 20th century and was described as the trickle-down effect. Although Simmels theory depicts various characteristics still currently valid there are aspects that no longer play a role in the transformation of fashion.
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
Whereas men had a so-called “head-start” with painting and sculpture, photography was pioneered by and equally associated with both genders. Sexualized images of women circulated via mass media. Described as a voyeuristic medium, photography was a powerful tool in deconstructing the male gaze and bringing private moments into the public domain (Bonney 1985: 11).
A Fashion photograph is not just there for you to look at and like or dislike and pass it through your memory. But it’s there to give you a storyline, a desire, an illusion and a fantasy. The image makes you want to buy what is being advertised to you.
Introduction Historically, multiple styles of dressing have been created during the last several decades, which played an important role in modern fashion in the UK. Everyone has a different and unique dressing style in their everyday life. Some styles are influenced by vintage styles which are attributing to the deep effects of old vogue, and another group of dressing styles are inclined into the fresh element. Despite those different styles, some of them have even evolved into the milestones in fashion history. To start this essay, it will introduce the evaluation of the first significant revolution of dressing style in the 1960s.