Chinua Achebe's Things Fall Apart Contradicts Stereotypes in Conrad's Heart of Darkness
In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a novel, Things Fall Apart: an antithesis to Heart of Darkness and similar works by other European writers. In Things Fall Apart, Achebe tells the story of an Ibo man, Okonkwo, and the tragedies which he has to endure. Africans are represented as individuals capable of speech, not just one massive conglomerate of natives. Their customs are not regarded as eccentric or bizarre, but as the norm-functioning no differently than the variety of Western customs do. And the land itself is described as a mix of towns and farms, not a mysterious land which breeds insanity. In almost every respect, Things Fall Apart contradicts the stereotypes set up in Heart of Darkness.
Achebe opens his lecture, "An Image of Africa," with the story of a student who sent him a letter saying how he was "particularly happy to learn about the customs and superstitions of an African tribe," not realizing that "the life of his own tribesmen in Yonkers, New York, is full of odd customs and superstitions" as well (1784). Western thou...
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...nters many of the degrading stereotypes that colonial literature has placed on Africa. In his lecture, "An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe documents the ways that Conrad dehumanizes Africans by reducing their religious practices to superstition, saying that they should remain in their place, taking away their ability of speech, and depreciating their complex geography to just a single mass of jungle. Achebe carefully crafts Things Fall Apart to counter these stereotypes and show that Africa is in fact a rich land full of intelligent people who are, in fact, very human.
Works Cited
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York: Norton, 2001. 1783-1794.
Achebe, Chinua. Things Fall Apart. New York: Anchor Books, 1994.
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
The central conflict of F. Scott Fitzgerald’s The Great Gatsby, is the clash between Gatsby's dream and the unpleasant, real world reality—“the foul dust [that] floats in the wake of his dreams" (Fitzgerald 2). Gatsby, the dreamer, remains as pure and unbreakable as his dream of greatness, an accomplishment "commensurate to his capacity for wonder" (Fitzgerald 180). However, it is the reality, of course, that turns out to be evil: Gatsby is murdered and the charmed universe is discovered to be a world of corruption and violence. The symbolic colors provide clarification pertaining to, with a packed and subtle prejudice, both Gatsby’s dream and reality—and both in their separateness and in their tragic intermingling.
Have you ever asked the question, how we know if a pedophile or sex offender can ever be cured or rehabilitated. Would I be comfortable with them living in my neighborhood? If you have you are just like the rest of the world. Pedophilia is a true illness, and not just in my opinion it also in the DSMIV 302.2. We may never truly be comfortable with the thought that researchers say Pedophiles can not be cured, but they can be rehabilitated in time with and they have test to prove it,
The fries people eat today are so unnatural that each fast food place has a different taste. "Their distinctive taste does not stem from the type of potatoes, that McDonald’s buys, the technology that processes them, or the restaurant equipment that fries them"(Schlosser 119). McDonald’s and other companies use fries now with distinguished taste, one that is different than its competitor. They also put chemicals in other things like their milk shakes and burgers. Almost everything there is chemically enhanced.
Achebe, Chinua. An Image of Africa: Racism in Conrad's Heart of Darkness. New York: Wylie Agency, 2006. Print.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Acclaimed Nigerian author, Chinua Achebe’s 1958 novel, Things Fall Apart, is a story about Okonkwo, a man from the fictional village of Umuofia. Okonkwo’s attempt to form an idealized self-identity and the stress he experiences in living up to its image wears his life, and eventually destroys the very identity he so desperately sought. Okonkwo’s end is analogous to the end of his tribe and its culture—Achebe refers to the Igbo peoples’ culture as the Ibo culture in his book. Furthermore, Okonkwo’s end shows the pain experienced by the change in power balances as the rulers became the ruled, with the white man colonizing Africa. The Heart of Darkness hardly needs an introduction; Joseph Conrad, its writer, wrote the novella based on his experiences as a captain on the Congo. The protagonist is Charles Marlow, whose impression of the colonized Congo basins along with its tribal inhabitants and the raiding white men amidst the deep, dark, disease-infested forests of Congo form the basis of the story. Things Fall Apart and Heart of Darkness are both based around situations that instigate the awe-inspiring, and yet horrifying confluence of races and cultures. However, while the former tells the story from the colonized peoples’ perspective, the latter tells it from the colonizers’ perspective. This paper attempts to highlight the differences and similarities in these novels by exploring the underlying themes and unusual circumstances portrayed in them.
* Watts, Cedric. “‘A Bloody Racist’: About Achebe’s View of Conrad” in Joseph Conrad; Critical Assessments, Keith Carabine, ed., Volume II: ‘The Critical Response: Almayer’s Folly to The Mirror of the Sea’ (Mountfield: Helm Information Ltd., 1992)
Pedophilia is a sexual preference for children. There are several laws that prevent adults from having sexual relations with minors, but this of course does not stop these crimes from being committed. Sex offenders and pedophiles believe that they are in love with the children that they have sexual relations with. They claim that they can help children discover their sexuality. There is even a group to defend the rights of pedophiles called NAMBLA, The North American Man/Boy Love Association. NAMBLA was founded in 1978 by David Thorstad, they are headquartered in New York CIty and San Francisco. Persons convicted of the production of child pornography are given a minimum of 15 years. Section 3559 (e) states that persons convicted of a second certain sex offense will be imprisoned for life. Because the victims of these crimes are left traumatized and often are unable to continue to lead normal lives pedophiles should be in prison for life before they can become a repeat offender.
It is my opinion that the laws pertaining to juvenile sex offenders need to be adjusted. School officials should be made aware of the presence of convicted sex offenders within their own schools so that they can be more alert and active in counseling and monitoring of such students and their behaviors. I believe that there are not enough laws enforcing the schools to take an active roll in informing, while protecting the perpetrators rights to privacy and protecting the rest of the student body. I also believe that there are more offenders in public schools than most people would think.
In “An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe takes note of the ways that Conrad degrades Africans by reducing their religious practices to misconceptions, belittling their complex geography to just a single mass of jungle, telling them to remain in their place, and taking away their capability of speaking. Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. Achebe also sensibly labels these stereotypes and shows that Africa is, in fact, a rich land full of intelligent people who are, in fact, very human. Works Cited Achebe, Chinua. JSTOR.com - "The New York Times" Indiana University Press, 1978.
Depiction of Africa in Heart of Darkness Chinua Achebe believes that Joseph Conrad's Heart Of Darkness is racist based on Conrad's descriptions of Africa and it's people. Achebe, author of Things Fall Apart, stresses Conrad's depiction of Africa as the antithesis of Europe and civilization, and the animal imagery present throughout the novella. Heart of Darkness, written in 1899 during the period of British Imperialism, concerns a British trading company and their expedition into the Congo for ivory. The African natives are treated brutally by the Europeans, and despite Conrad's casual condescension towards the Africans, one cannot help feeling resentment at the unnecessary cruelty they must endure.
An Image of Africa Heart of Darkness by Joseph Conrad has been depicted as “among the half-dozen greatest short novels in the English language.” Chinua Achebe believes otherwise. In Chinua Achebe’s An Image of Africa: Racism is Conrad’s Heart of Darkness he simply states that, “Joseph Conrad was a thoroughgoing racist” [pg.5]. Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe.
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.
Achebe writes Things Fall Apart to revise the history that has been misplaced. He writes to the European and Western culture. This fact is evident because the book is written in English and it shows us the side of the African culture we wouldn’t normally see. Achebe is constantly ...