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Racism in english literature
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An Image of Africa
Heart of Darkness by Joseph Conrad has been depicted as “among the half-dozen greatest short novels in the English language.” [pg.1] Chinua Achebe believes otherwise. In Chinua Achebe’s An Image of Africa: Racism is Conrad’s Heart of Darkness he simply states that, “Joseph Conrad was a thoroughgoing racist” [pg.5]
Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe. He first states Conrad as “one of the great stylists of modern fiction.” [pg.1] He praises Conrad’s talents in writing but believes Conrad’s obvious racism has not been addressed. He later describes in more detail that Conrad’s “methods amount to no more than a steady, ponderous, fake-ritualistic repetition of two antithetical sentences.”
Allow me to elaborate by stating some of Achebe’s arguments and my critiques. Achebe first points on Conrad’s “adjectival insistence upon inexpressible and incomprehensible mystery.” He states that many of Conrad’s critics simply see this as a stylistic flaw. Achebe believes that Conrad’s choose “the role of purveyor of comforting myths,” this being, according to Achebe, to guarantee him not to be in conflict with the “psychological predisposition of the reader.” [pg.2]
He first moves to analyzing Conrad’s distinction of the two rivers in the novel, but later moved to a more important topic, the “racism” towards blacks in the novel. He argues that their lack of speech is viewed as “dehumanized.” Achebe believes that Conrad views dialect as being a downgrade. This relation to Conrad’s “withholding of language from his rudimentary souls.” [pg.7] His first claim is of the dis...
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...ation of Central Africa.” [pg.6] Achebe states that Conrad’s image of Africa is not of his own, but of the Western imagination and that Conrad is simply showing the norm.
Achebe’s main point is as much of Joseph Conrad’s racism but more of Western society’s need for change. We need to look beyond the stereotypical image that which the West holds “to its heart.”[pg.8] We must look in today’s society, today’s media and books read in schools. We must realize that “offering bribes to the West in return for its good opinion of Africa” [pg.9] is preposterous. He sees now as the time for change. He doesn’t but blame of Conrad but on western society. “The victims of racist slander who for centuries have had to live with the inhumanity it makes them heir to have always known better than any casual visitor even when he comes loaded with the gifts of a Conrad.”[pg.9]
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
The novella Heart of Darkness has, since it's publication in 1899, caused much controversy and invited much criticism. While some have hailed it's author, Joseph Conrad as producing a work ahead of it's time in it's treatment and criticism of colonialist practices in the Congo, others, most notably Chinua Achebe, have criticized it for it's racist and sexist construction of cultural identity. Heart of Darkness can therefore be described as a text of it's time, as the cultural identity of the dominant society, that is, the European male is constructed in opposition to "the other", "the other" in Heart of Darkness being defined as black and/or female. Notions of cultural identity are largely constructed through language and setting and are essential to the reader's understanding of the text.
As far as china Achebe's article of Heart of Darkness is considered, I disagree with his narrow approach towards Joseph Conrad's novel. Achebe does not take into account that Heart of Darkness is narrated from the perspective of the main characters Marlow who has never been exposed to the African culture before. As a result, Marlow does not aware of the African's way of living and also their traditions. The book contains several racist thoughts towards the Africans, but it also provides a deep sharp criticism towards the Europeans as well. Although the discrimination towards the Africana is obvious in the novel, but the readers must be aware of the historical text in which the novel was written.
...nters many of the degrading stereotypes that colonial literature has placed on Africa. In his lecture, "An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe documents the ways that Conrad dehumanizes Africans by reducing their religious practices to superstition, saying that they should remain in their place, taking away their ability of speech, and depreciating their complex geography to just a single mass of jungle. Achebe carefully crafts Things Fall Apart to counter these stereotypes and show that Africa is in fact a rich land full of intelligent people who are, in fact, very human.
David Denby's "Jungle Fever" is an article written in response to Achebe's speech. It disputes Achebe's assertion that Heart of Darkness is without literary value because of its racist background. The article is an account of a discussion about Heart of Darkness that took place over the course of two days in a class at Columbia College. In between episodes it disputes Achebe's conclusion. Denby is of the opinion that the book is a scathing attack on imperialism and cannot be condemned as evil and worthless. It makes significant contributions to literature and to the intellectual environment of its time, and is therefore a worthwhile work. The fact that Conrad appeared to share the prevailing opinion at the time about the humanity of Africans does not outweigh the point of the novella, which is that imperialism is a "rapacious folly".
Achebe, Chinua. An Image of Africa: Racism in Conrad's Heart of Darkness. New York: Wylie Agency, 2006. Print.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
* Watts, Cedric. “‘A Bloody Racist’: About Achebe’s View of Conrad” in Joseph Conrad; Critical Assessments, Keith Carabine, ed., Volume II: ‘The Critical Response: Almayer’s Folly to The Mirror of the Sea’ (Mountfield: Helm Information Ltd., 1992)
In “An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe takes notes the ways that Conrad degrades Africans by reducing their religious practices to misconception, belittling their complex geography to just a single mass of jungle, telling them to remain in their place, and taking away their capability of speaking. Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. Achebe also sensibly labels these stereotypes and shows that Africa is in fact a rich land full of intelligent people who are, in fact, very human.
Educated people reading Conrad's novel should understand the differences between the past and the present, and be forgiving of his language. The deeper the expedition progressed into the center of the continent, the more isolation was felt by the crew. In a sense, Central Africa IS the antithesis of Western Europe -- it lacks not only the hectic urban structures but also the Social Darwinist attitudes of the time. It is in this remote environment that man must face his true self without any illusions, and the darkness of the human soul is apparent. The uncivilized environment may mock western civilization's refinement, but this is not derogatory towards the jungle, but rather an eye-opener to the European audience.
In "An Image of Africa: Racism in Conrad 's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad 's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a novel, Things Fall Apart: an antithesis to Heart of Darkness and similar works by other European
We are locked out of Conrad’s (the narrator in this case) world, allowed to feel only what he let’s us, see the savages as he does, through his eyes, feel with his body. We are not able to see how the world views him. Is he seen as superior, a drone, a sailor? His dreamlike consciousness navigates us, the readers, down the river as if we are a part of the flow of things, ripples in the water, patches of the darkness.
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.
Heart of Darkness is a story in which racism presents itself so deliberately that, for many, the dilemma of race must be tackled before anything else in the book may be dealt with. Conrad used derogatory, outdated and offensive terminology to devaluate people’s color as savages. This use of language disturbs many readers who read this book. Although Conrad uses racist language in this book, it doesn’t mean that he is really racist. When we look at the language, we are just looking at the very surface of the story.
Heart of Darkness. That title rings with agony, loneliness, and the sense of evil. The words produce an image of a black heart entangled with unbreakable vines. To have a heart that is figuratively black and bounded to the ties of evil is a bitter and deathly symbol. Who could possibly have that heart? Joseph Conrad, for example, was a man with a heart of darkness. His life reeked with self deception and inner conflicts. Conrad’s book, Heart of Darkness is based upon imperialism and racism. Racism is cleverly hidden within the text, but imperialism is innocently depicted as the civilization of the Congolese people. Conrad’s writing can be interpreted two different ways. One approach is the reader might interpret his writing as an attack on the Europeans as the imperialists trying to help the Congolese, but the African people refuse their help. In contrast, the other approach might be that they feel sympathetic to the Congolese people. They see the Europeans has cruel and heartless. If we seek to understand the racism and the imperialism of that day and age, we can see racism in between the lines. I agree with many of Conrad’s critics when they say that he is completely racist, however I tend to see that no matter what race we are we all have a seed of darkness inside our hearts. Why are we infected with his powerful bug of a race overpowering any minority that is inferior to us due to any significant difference? In the case of Conrad’s book Heart of Darkness, it seems like Congolese people are nothing more than disposable and insignificant.