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Racism in Joseph Conrad’s Literary Work
In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. He claims that Conrad broadcasted the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (Achebe 13). Africans were portrayed in Conrad's novel as inhuman savages with no language other than sound and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (Achebe 7). To Joseph Conrad, the Africans were not just characters in his story, but rather props. After reading Achebe’s famous essay and Conrad’s novella I’ve come to side with Achebe. Conrad “was a thoroughgoing racist”; Heart of Darkness platforms this clearly. Throughout the novella Conrad describes and represents the Africans and Africa itself in a patronizing and racist way.
Constantly throughout the novel, Joseph Conrad was describing Africans by using words bearing a negative connotation. For example, he describes “Kurtz’s African mistress as “savage and superb, wild-eyed and magnificent.” (5; part 3). The term savage is frequently used when describing Africans in the novella. Conrad used Kurtz’s mistress to contrast with the European girl who loved Kurtz. He also used her to show that Africans who knew their place would receive “better” treatment from their masters. Achebe clams that Conrad uses a different tone in attitude when referring two these women, whereas the diction he uses when discussing Africans consists of nothing but racism. The word “savage” as well as many other racist words are constantly used...
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...urtz is a way of emphasizing the cruelty of the Blacks and the great, noble and self-sacrificial colonial development of the 'White Man's Burden'.
In “An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe takes notes the ways that Conrad degrades Africans by reducing their religious practices to misconception, belittling their complex geography to just a single mass of jungle, telling them to remain in their place, and taking away their capability of speaking. Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. Achebe also sensibly labels these stereotypes and shows that Africa is in fact a rich land full of intelligent people who are, in fact, very human.
`Works Cited
Achebe, Chinua. JSTOR. Indiana University Press, 1978. Web. 06 Feb. 2014.
Conrad, Joseph. Heart of Darkness. New York: Knopf, 1993. Print.
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
As far as china Achebe's article of Heart of Darkness is considered, I disagree with his narrow approach towards Joseph Conrad's novel. Achebe does not take into account that Heart of Darkness is narrated from the perspective of the main characters Marlow who has never been exposed to the African culture before. As a result, Marlow does not aware of the African's way of living and also their traditions. The book contains several racist thoughts towards the Africans, but it also provides a deep sharp criticism towards the Europeans as well. Although the discrimination towards the Africana is obvious in the novel, but the readers must be aware of the historical text in which the novel was written.
In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a novel, Things Fall Apart: an antithesis to Heart of Darkness and similar works by other European writers. In Things Fall Apart, Achebe tells the story of an Ibo man, Okonkwo, and the tragedies which he has to endure. Africans are represented as individuals capable of speech, not just one massive conglomerate of natives. Their customs are not regarded as eccentric or bizarre, but as the norm-functioning no differently than the variety of Western customs do. And the land itself is described as a mix of towns and farms, not a mysterious land which breeds insanity. In almost every respect, Things Fall Apart contradicts the stereotypes set up in Heart of Darkness.
In the present era of decolonization, Joseph Conrad’s Heart of Darkness presents one of fiction’s strongest accounts of British imperialism. Conrad’s attitude towards imperialism and race has been the subject of much literary and historical debate. Many literary critics view Conrad as blindly accepting the arrogant attitude of the white male European and condemn Conrad to be a racist and imperialist. The other side vehemently defends Conrad, perceiving the novel to be an attack on imperialism and the colonial experience. Understanding the two viewpoints side by side provides a unique understanding that leads to a commonality that both share; the novel simply presents a criticism of colonialists in Africa.
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
A. Michael. Matin. Introduction to Heart of Darkness and Selected Short Fiction. New York: Barnes & Noble Classics, 2008. Print.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
In the novel, Heart of Darkness, the author Joseph Conrad makes some comments, and he uses different terms to describe people of color that may offend some people. Also the readers can see how racist the Europeans were toward blacks not only because they were turned into slaves. We can see how the European people seem to think the Africans are not equal to them. There are many examples of discrimination towards woman in this story. Women were looked down and they were considered to be worth less then men, or even not as important. Racism and discrimination are all over in this novel.
Bradley, Candice. "Africa and Africans in Conrad's Heart of Darkness." (24 Jan. 1996). Online Internet. 3 October 1998. Available: http://www.lawrence.edu/~johnson/heart.
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)
Depiction of Africa in Heart of Darkness Chinua Achebe believes that Joseph Conrad's Heart Of Darkness is racist based on Conrad's descriptions of Africa and it's people. Achebe, author of Things Fall Apart, stresses Conrad's depiction of Africa as the antithesis of Europe and civilization, and the animal imagery present throughout the novella. Heart of Darkness, written in 1899 during the period of British Imperialism, concerns a British trading company and their expedition into the Congo for ivory. The African natives are treated brutally by the Europeans, and despite Conrad's casual condescension towards the Africans, one cannot help feeling resentment at the unnecessary cruelty they must endure.
Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe. He first states Conrad as “one of the great stylists of modern fiction.” [pg.1] He praises Conrad’s talents in writing but believes Conrad’s obvious racism has not been addressed. He later describes in more detail that Conrad’s “methods amount to no more than a steady, ponderous, fake-ritualistic repetition of two antithetical sentences.”
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.
Heart of Darkness is a story in which racism presents itself so deliberately that, for many, the dilemma of race must be tackled before anything else in the book may be dealt with. Conrad used derogatory, outdated and offensive terminology to devaluate people’s color as savages. This use of language disturbs many readers who read this book. Although Conrad uses racist language in this book, it doesn’t mean that he is really racist. When we look at the language, we are just looking at the very surface of the story.