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Heart of darkness joseph conrad
Heart of darkness j. conrad
Heart of darkness j. conrad
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Imperialism in Heart of Darkness and Kipling's Poetry Imperialism sprung from an altruistic and unselfish aim to "take up the white man's burden"1 and “wean [the] ignorant millions from their horrid ways.”2 These two citations are, of course, from Kipling’s “White Man’s Burden” and Conrad’s Heart of Darkness, respectively, and they splendidly encompass what British and European imperialism was about – at least seen from the late-nineteenth century point of view. This essay seeks to explore the comparisons and contrasts between Conrad’s and Kipling’s view of imperialism in, respectively, Heart of Darkness and “White Man’s Burden” and “Recessional.” In a historical context, the two texts differ greatly: Heart of Darkness is Conrad’s autobiographical description of his trip up the river of Congo and his encounter with the atrocities of European rule in Africa.3 Conversely, Kipling’s “White Man’s Burden” was written to welcome the United States of America to the club of imperialistic nations. The event that prompted Kipling to write this poem was the United States’ intervention in the Philippines. Under the Treaty of Paris in 1898, the Philippine sovereignty was transferred from Spain to the United States and thus the United States emerged as an imperialistic nation dedicated to progress. This is the core of the matter – progress. Kipling speaks of ‘a Law’ in his poem “Recessional.” The code of behaviour and the enlightenment that Kipling wished to be aggrandised to all ‘primitive’ nations. In other words: Progress in the means of railroads across continents, telegraph lines over deep seas, commerce beyond boundaries and steam boat lines criss-crossing the earth. Imperialism was at its height... ... middle of paper ... ...55,1978) * Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000) * Islam, Shamsul. Kipling’s Law: A Study of His Philosophy of Life (London: The MacMillan Press Ltd., 1975) * McClure, John A. “The Rhetoric of Restraint in Heart of Darkness” in Nineteenth Century Fiction, Volume 32, Issue 3 (Dec. 1977), pp. 310-26 – available through www.jstor.org * Raskin, Jonah. The Mythology of Imperialism (New York: Random House, 1971) * Rudyard Kipling’s Verse, ‘Definitive Edition’ (London: Hudder & Stoughton, 1940) * Watts, Cedric. “‘A Bloody Racist’: About Achebe’s View of Conrad” in Joseph Conrad; Critical Assessments, Keith Carabine, ed., Volume II: ‘The Critical Response: Almayer’s Folly to The Mirror of the Sea’ (Mountfield: Helm Information Ltd., 1992)
Imperialism has been a constant oppressive force upon societies dating back hundreds of years. Heart of Darkness, by Joseph Conrad, illustrates this oppression by providing an instance of its occurrence in the Congo of Africa, while simultaneously setting the stage for The Poisonwood Bible, which is essentially the continuation of the story. The Poisonwood Bible, by Barbara Kingsolver, demonstrates how the Congo is still affected by modern circumstances and ideology. Conrad’s novella acts as a sort of precursor to the events later depicted in Kingsolver’s novel, and this very connection between the stories illustrates the perpetual oppression of imperialism. This oppression is shown through the characterization of the pivotal characters of each respective text.
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
Anderson, Walter E. "Heart of Darkness: The Sublime Spectacle. University of Toronto Quarterly 57(3) (1998): 404-421.
Kimbrough, Robert, ed. Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Criticism. By Joseph Conrad. 3rd ed.
Achebe, Chinua. An Image of Africa: Racism in Conrad's Heart of Darkness. New York: Wylie Agency, 2006. Print.
Joseph Conrad: Heart of Darkness, A Case Study in Contemporary Criticism , ed. Ross C. Murfin. New York: St. Martin's Press, 1989.
In Joseph Conrad's novel Heart of Darkness, the issues of Imperialism are discussed. Madness is shown as an outcome of Imperialism through the metaphor of the flabby devil and the band of men known as the Eldorado Exploring Expedition. Chaos is also demonstrated through concepts like the shackled monster and in the attack against the Europeans as well. Corruption is another result of Imperialism and can be seen through the manager's crooked personality and Kurtz's character. Thus, Conrad reveals the madness, chaos and corruption that is the very result of Imperialism.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Karl, Frederick Robert and Laurence Davies, eds. The Collected Letters of Joseph Conrad Vol. 1-6. New York: Cambridge U., 1983.
Works Cited Conrad, Joseph. A. The Heart of Darkness. Middlesex, England: Penguin Publishers, 1983. Gillon, Adam.
Bausch, Richard, and R. V. Cassill. "Heart of Darkness." The Norton Anthology of Short Fiction. New York: W.W. Norton, 2006. 126-86. Print.
In the opening of his novel, Heart of Darkness, Conrad, through Marlow, establishes his thoughts on colonialism. He says that conquerors only use brute force, "nothing to boast of" because it arises, by accident, from another's weakness. Marlow compares his subsequent tale of colonialism with that of the Roman colonization of Northern Europe and the fascination associated with such an endeavor. However, Marlow challenges this viewpoint by painting a heinous picture of the horrors of colonialist ventures as we delve deeper into the recesses of the novel. Here we find that Marlow sees colonization as "robbery with violence, aggravated murder on a great scale, and men going at it blind - as it is very proper for those who tackle darkness." Further, he sees such conquests as taking land and materials away from those people who "have a different complexion or slightly flatter noses." As he understands it, colonization is only successful if there lays within it a "devotion to efficiency" and a creation of civilization, not exploitation (Conrad, 4). In the novel, as seen through the eyes of his narrator Marlow, Conrad offers a frank critique of European imperial colonialism be alluding to the poignant differences between black and white and dark and light.
Heart of Darkness by Joseph Conrad is very clearly critical of imperialism. This is abundantly evident from the first pages, to the last, and everywhere in between. Marlow’s begins the journey as naive as the rest of Europe in his time, but is shocked by the horrors of colonialism. Conrad gives the reader a very negative view of imperialism through the setting, and actions of his characters.
Marlow's idea that the English are capable of competently approaching imperialism has no supportive evidence. In any case, the savage and inefficient methods of the Belgians prove that the idealistic claims of European imperialism are far from true. In this, it is likely that Conrad's experience in the Congo changed his outlook on imperialism, just as it did Marlow.