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Symbolism and Allusion in Poetry
Symbolism and Allusion in Poetry
Edna st. vincent millay renaissance
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“The Spring and the Fall” is written by Edna St. Vincent Millay. The poem is about two people, the poet and her significant other that she once had love for. The poem integrates the use of spring and fall to show how the poet stresses her relationship. Of course it starts off briefly by having a happy beginning of love, but the relationship soon took a shift for the worst, and there was foreshadow that there would be an unhappy ending. “I walked the road beside my dear. / The trees were black where the bark was wet” (2-3). After the seasons changed, the poet begins to explain why the relationship was dying, and all of the bad things she endured during the relationship. So, to what extend did the poet’s heart become broken, and did she ever …show more content…
The poet is explaining the relationship and where she currently stands after the fact. Reading the line “There’s much that’s fine to see and her” can suggest that she is relieved to be broken up and she can start life over again. Although she’s not a part of the relationship, there was something more too why she was hurting. The final two lines of the poem can clarify more, “ Tis not love’s going to hurt my days, / But that it went in litter ways” (17-18). She is not hurt that she had a break up, she is trying express how it relates to spring and fall. As stated before, the spring time is a fresh, new start of the relationship while the fall is a downfall of the relationship. With that being said, the final two lines of the poem is stating that the relationship she had was more than just the average love, she had to watch her relationship deteriorate over time. As readers can see the spring come, then soon the fall time approach; all of what was bloomed during the spring has now died in the fall. Hence her relationship with her ex-lover is very similar to how the season’s …show more content…
The poet illustrates both her blissfulness and sorrow through the repetition of “In the spring of the year,” and “In the fall of the year” to bring her emotions to life. Overall the poem is well structured. All three of the stanzas contain six lines a piece. The rhyme schemes in the first two stanzas are very similar to each other. Unlike the first two stanzas, the last stanza has a slightly different rhyme scheme and tone. For an example, the first two stanzas follow the AABACC rhyme scheme while the last stanza follows the AABBCC rhyme scheme. The fact that the poet may have chosen to change the tone or rhyme scheme is because she is no longer in a relationship anymore, and is trying to cope with her broken heart. Some may even suggest that whenever the spring or fall season is present, her past tribulations may still be thrown in her face but she is able to move forward with life. Reading lines out of the three stanzas, readers can see what state the speaker was in, whether it was either dealing with a break up or coping with an emotion breakthrough. In the line for an example, “He laughed at all I dared to praise, / And broke my heart, in little ways” (11-12), or “Tis not love’s going to hurt my days / But that it went in little ways” (17-18). Another way to determine how Millay was going through an emotional moment is by some of her word choices. From a common gender stereotype, women are more prone to be emotional
Without the use of stereotypical behaviours or even language is known universally, the naming of certain places in, but not really known to, Australia in ‘Drifters’ and ‘Reverie of a Swimmer’ convoluted with the overall message of the poems. The story of ‘Drifters’ looks at a family that moves around so much, that they feel as though they don’t belong. By utilising metaphors of planting in a ‘“vegetable-patch”, Dawe is referring to the family making roots, or settling down somewhere, which the audience assumes doesn’t occur, as the “green tomatoes are picked by off the vine”. The idea of feeling secure and settling down can be applied to any country and isn’t a stereotypical Australian behaviour - unless it is, in fact, referring to the continental
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
The poem explains her hardships. Reading poetry is different from reading prose because you really have to dig deeper and study harder. A poem is not always straight forward like many other writings. You have to use context clues and understand imagery, tone, and sense. Summarizing a poem becomes difficult if you do not re-read several times. I learned that figurative language and lifestyle really tells a great story. Language especially helps you understand what is going on between the lines. Overall, family is always there at the end of the day. Sometimes situations get tough, but there is always a light at the end of the
In “What lips my lips have kissed, and where, and why?” Edna St. Vincent Millay says that “the summer sang in me” meaning that she was once as bright and lively as the warm summer months. In the winter everyone wants to bundle up and be lazy, but when summer comes along the sunshine tends to take away the limits that the cold once had on us. She uses the metaphor of summer to express the freedom she once felt in her youth, and the winter in contrast to the dull meaningless life she has now. There are many poets that feel a connection with the changing of seasons. In “Odes to the West Wind” Percy Bysshe Shelley describes his hopes and his expectations for the seasons to inspire the world.
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
Edna St. Vincent Millay's "What Lips My Lips Have Kissed, and Where and Why" is an effective short poem, which feeds on the dissonance between the ideal of love and its reality, heartbreak. In William Shakespeare's "Let Me Not to The Marriage of True Minds," the effectiveness is weakened by its idealiality and metaphysical stereotype. In contrast to Millay, Shakespeare paints a genuine portrait of what love should be but unfortunately never really is. This factor is what makes his poem difficult to relate to, thus weakening the effect on the reader. These poems were published quite far apart from each other, three-hundred and fourteen years to be exact, which might explain the shift in idealism. Though both circumnavigate the concept of love, the effect left within both writers based on personal affairs dramatically differentiates the personas of both speakers.
It sounds like her father’s death made her angrier at the fact that she is not able to get anything from him anymore. There are several times in the poem when she switches emotions on her father. She forgives him and then is angry again. It’s hard for her because she does not know whether or not she can forgive him, considering all the pain and hardships the family was put through. She tries to justify her father’s actions by blaming his father, but is still angry because her father didn’t help the situation. At the same time, the daughter is almost as upset with her mother as she is with her father when she says “you were each other’s bad bargain, not mine” (Line 21). By the end of the poem, she is able to accept the fact that the broken relationship with her father and content relationship with her mother has to remain untouched. She is able to see that she cannot fully blame her father for being the reason why she is not emotionally content with their relationship. There’s nothing she can do about it now since both her parents are dead, but she is able to let go of it at this
Did I Miss Anything? is a poem written by a Canadian poet and academic Tom Wayman. Being a teacher, he creates a piece of literature, where he considers the answers given by a teacher on one and the same question asked by a student, who frequently misses a class. So, there are two speakers present in it – a teacher and a student. The first one is fully presented in the poem and the second one exists only in the title of it. The speakers immediately place the reader in the appropriate setting, where the actions of a poem take place – a regular classroom. Moreover, the speakers unfolds the main theme of the poem – a hardship of being a teacher, the importance of education and laziness, indifference and careless attitudes of a student towards studying.
This is also where she shifts from reminiscing on her past to her being more remorseful towards the fact that she may never experience those kinds of relationships in her future as she is getting older. Millay also breaks her past tense pattern in the very last line of the poem saying, “that in me sings no more”. Throughout the whole poem she uses past tense words such as “sang”, “vanished”, and “unremembered”, however here she says “sings” emphasizing that she now relizes that she will never have those kinds of opportunities coming to her. Here, Millay also uses more figurative language to express her sadness and bring her poem to
She is known for creating radical novels, which stuck discord in many of its early readers, and writing highly respected sonnets. Similar to Behn, Smith also captures the inner thoughts of not just women, but all human beings in the sonnet “Written at the Close of Spring” and juxtaposes the beauty of the annual spring with the frailty of humanity. In the first stanza of this poem, the speaker uses imagery in order to help readers connect with the beauty and delicacy of spring flowers. In the second stanza, she calls to attention the fact that the spring flowers are dying and, to experience the beauty again, one will have to wait until next spring to enjoy them. In the third stanza, the poem’s focus changes from nature to humanity and asserts that as people age and begins to take part in, “tyrant passion, and corrosive care” (Line 11), youth becomes wasted. The speaker comes to the realization that once youth vanishes, it will forever, unlike the yearly revival of spring. The major fault of this sonnet is that it can be difficult to understand and has several different messages, some of which are not as strong or enlightening as
My first and immediate explanation for the poem was an address from one lover to a loved one, where distance became a factor in their relationship. The lover has it far worse than the desired partner and the solitude builds nothing but longing for this person at a time when his love is the greatest. He says " What have I to say to you when we shall meet?... I am alone" with my head knocked against the sky”. He further asks, “How can I tell if I shall ever love you again as I do now?” There is uncertainty because he is wondering over the next encounter with his loved one. He says, “I lie here thinking of you” and is compelling when he wants the loved one to see him in the 5th stanza and what love is doing to his state of mind. He is hopeless and expresses it by asking questions he is unsure of, conveying his troubled state. Williams enforces imagery along with sound effects to demonstrate the despair of the man in a realm that is almost dreamlike with purple skies,spoiled colors, and birds. Stating he is alone and that his head collides with the sky may underline the man’s confusion. He also uses imagery in the “stain of love as it eats into the leaves”, and saffron horned branches, vivid and easy-to-imagine images that captivate the reader. The line stating “a smooth purple sky” and this stain which is “spoiling the colours of the whole world” easily formulate a very distinct picture. Through consonance words like “eats” and “smears with saffron” become fiercer in the eyes of this lover as they cancel out a “smooth sky”.
‘The Falling Soldier’ is one of many poems by Duffy which deals with the subject of human mortality. Duffy expresses what could have been over a harsh reality; this is characteristic of her as also seen in ‘Last Post’ and ‘Passing Bells’ which both seem to be largely influenced by poet peer Wilfred Owen’s personal experiences of war. In the ‘The Falling Soldier’ Duffy paradoxically captures the essence of Robert Capa’s famous photograph of a man falling after being shot during the Spanish Civil War (1936). She employs the form of an impersonal narrative voice, using second person to question the possibilities, to explore the tragic and cyclical nature of war. The futile reality of war contrasts to her central theme in ‘The Bees’ anthology of bees symbolising the grace left in humanity.
The force of her fit drowns out the beauty seen in springtime flowers. Furthermore, in order to personify Melancholy, she is referred to as, “thy mistress some rich anger shows, / Emprison her soft hand, and let her rave, /And feed deep, deep, deep upon her peerless eyes” (Keats 932). The depiction of this mistress is another personification, but this time it is of Death as a Goddess. These confusing lines of the poem could refer to Melancholy or Death in this stanza as either goes from an untouchable Goddess to a Goddess with a human nature that includes anger and pain. A distinct opposition to Melancholy or Death’s choler is the soft hand that the speaker is asking someone to restrain.
In “Written at the close of Spring,” Smith’s second sonnet, she focuses on the wonderful ability nature has in rejuvenating itself each year. Smith personifies Spring in the way it “nurs’d in dew” its flowers as though it was nursing its own children (“Close of Spring” 2). While it creates life, Spring is not human, because it has this ability to come back after its season has passed. Human beings grow old and die; we lose our “fairy colours” through the abrasive nature of life (“Close of Spring” 12). Smith is mournful that humans cannot be like the flowers of Spring and regain the colors of our lives after each year.
In the beginning of the poem “We sat together at one summer’s end/ That Beautiful mild woman your close friend/ And you and I, and talked of poetry”, Yeats recalls a beautiful time with Maud. Poetry could be related to the language of love, and Yeats recalls falling in love with Maud. He is reflecting on time that he has spent courting Maud, however due to the curse that Adam received from God, falling in love is not as simple as it was before. The “stitching and unstitching” tells of how hard it is to form a bond and put together love. This love is then taken apart and worthless for Yeats, because he does not acquire Maud. This development of love was not easy for Yeats and neither is the loose of love. He is writing a poem here to express the difficulty he is having losing his first love, Maud. He expresses this in a poem and compares poetry to falling in love. This is a curse from God to all men.