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William butler yeats poem essay
William butler years thesis of his life
W b yeats as a modern poet
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The Truth of Love Revealed in Adam’s Curse “Adam’s Curse” is a poem by William Butler Yeats that was written at a time when his first true love, Maud Gonne, had married Major John MacBride. This may have caused Yeats much pain and Yeats may have felt as cursed as Adam felt when God had punished man from the Garden of Eden. This poem, in fact, symbolizes his pain and loss of love that he once had and is a recollection of his memories during happier times with Maud. In the beginning of the poem “We sat together at one summer’s end/ That Beautiful mild woman your close friend/ And you and I, and talked of poetry”, Yeats recalls a beautiful time with Maud. Poetry could be related to the language of love, and Yeats recalls falling in love with Maud. He is reflecting on time that he has spent courting Maud, however due to the curse that Adam received from God, falling in love is not as simple as it was before. The “stitching and unstitching” tells of how hard it is to form a bond and put together love. This love is then taken apart and worthless for Yeats, because he does not acquire Maud. This development of love was not easy for Yeats and neither is the loose of love. He is writing a poem here to express the difficulty he is having losing his first love, Maud. He expresses this in a poem and compares poetry to falling in love. This is a curse from God to all men. He wants it to be told that to write poetry is just as difficult as his attempt to court Maud. It is extremely difficult to produce a beautiful poem, as it is difficult to fall in love. Many people think that writing poetry is not hard work, as falling in love seems to be easy for some people. To make, “sweet sounds together” as in a po... ... middle of paper ... ...he may have done something wrong in his relationship with Maud, and he too is being punished as Adam was in the bible. This poem is a beautiful recollection of love and how difficult it is to attain in our world. Yeats does not seem angry that he lost Maud, however he does feel God’s curse on men. He seems unsure if true love actually exists and thinks that he got as close as he ever will at finding it. Maud was unable to give Yeats the love he yearned in return, which is why Yeats felt the need to express himself through this poem. Perhaps this poem was the beginning of a healing process for Yeats. He was unable to express himself to Maud so he had to express himself through his poetry. His poetry, in turn was as difficult to write as his love for Maud was to accomplish. Yeats is just exhausted at this point and it is seen at the end of his poem.
Readers of Keats’ poetry have long spoken of the enchanting power of his language, and in one of his most famous works, “The Eve of St. Agnes”; the reader is positively enchanted by the protagonist, Madeline. She’s pure, virginal, positively otherworldly, and “seem’d a splendid angel, newly drest” (Keats 77). Madeline also displays trappings of religious symbols throughout the work. She is called a “Mission’d spirit and a “seraph fair” (Keats 72-3). The reader could scarcely read the poem without immediately associating Madeline with the most divine cherubs in Heaven. Her virginity is repeatedly mentioned and referenced; even her room, or the maiden’s chamber, is “silken, hush’d, and chaste” (Keats 76). Young Porphyro with “heart on fire” for Madeline simply couldn’t resist this angel (Keats 71). One might connect that, similarly, young John Keats could not resist his own angel, Fanny Brawne. At the time of the composition of “The Eve of St. Agnes” Keats was heavy in the thralls of his engagement to Fanny. In her book, John Keats: The Making of a Poet, Aileen Ward proclaims “The Eve of St. Agnes” to be "the first confident flush of [Keats's] love for Fanny Brawne" (Ward 310). However, if Madeline is meant to be a manifestation of Fanny Brawne, Keats must not think of his fiancé as merely an angel, but something more.
France during the 1800s was a dangerous war ground filled with distrust and greed for power. Political disputes, bloodshed, prejudice, and more tore France apart. In 1871, the Franco-Prussian war resulted in France being defeated and humiliated. The war France thought it easily could win resulted in France’s Third Republic ceding their provinces of Alsace and Lorraine to Germany, the victor (Krieger p.171). Soon after France’s defeat in war, the people of Paris formed a radical group called the “Commune.” The Commune rejected the new conservative government to be established and started a revolt in Paris. This led to a two month siege of Paris by government troops, who brutally crushed all in opposition to the new government (France, 1800-1900A.D.). This bloody suppression only intensified the citizens’ bitter hatred for the French government. In addition, in 1894, the Dreyfus Affair left the French feeling tremendously betrayed. Captain Alfred Dreyfus, a Jewish officer, was pronounced guilty of selling military secrets to the Germans and condemned to the rest of his life in prison. Though Dreyfus was completely innocent, anti-Semites and other military officers prevented Dreyfus from being vindicated until 1906 (Krieger p. 172). The clear injustice and prejudice in the Dreyfus Affair revealed the widespread anti-Semitism and deepened political divisions in France. These major events and numerous others damaged France’s appearance to the world as well as their national pride. France’s painful scars and deep divisions could only be healed by a unifying factor, the new expression of art: impressionism.
writing the poem, to woo his love. Or maybe is the line was not meant
France engages in quite a few secondary economic activities such as manufacturing, machinery and transport equipment production, aircraft production, and pharmaceutical items. This part of the economy makes up about 26% of France’s gross domestic product and 25% of its labor force (“CIA 2001”, 1). Manufacturing plays the largest role out of all of the secondary economic activities with a contribution of 16% to the gross domestic product. Behind it are the construction and energy generation companies which account for 4% and 3% of the gross domestic product (“Economic Structure”, 1).
On line 16 Bishop uses a long hyphen sara to pause before she breaks down and says “¬¬–̶ Even losing you (the joking voice, a gesture/”. She is remembering the qualities of the lover she lost. On line 17 when Bishop uses the present tense words “I love…” as if admitting that she still loves the person she lost. Then again as followed on line 17 “…I shan’t have lied. It’s evident”. She admits that she lied in her poem. As mentioned before the thesis repeats in line 18 of the last quatrain stanza but this time uses an extra word, “too”. The word “too” actually means that losing is “not so easy” as she had believed it was at the beginning of the poem. The use of enjambment throughout the poem goes beyond the literal meaning. Bishop’s use of enjambment within the lines interpret that when one loses someone it is not the end of that pain but rather that the pain will always be present and what matters is how one person copes with that pain and accepts the fact that one will always lose. There is much resistance in Bishop’s words from the beginning of the poem when she uses the word “master” as if having control and then switches to the opposing word “disaster” as if out of control. The use of Bishops words at the beginning of the poem refers to her earlier years when she lost her father when she was eight months old which was not so hard
...ls. This is exemplified in the book when the servants and priests refuse to be paid twice for their civil duties. These basic ideas are carried on into the nineteenth century and the period of the enlightenment.
In the first stanza the speaker standing before an ancient Grecian urn, addresses the urn, preoccupied with its depiction of pictures frozen in time. This is where Keats first introduces the theme of eternal innocence and beauty with the reference to the “unvarnished bride of quietness”(Keats). Because she has not yet engaged in sexual actions, the urn portrays the bride in this state, and she will remain like so forever. Also in the first stanza he examines the picture of the “mad pursuit,” and wonders what the actual story is behind the picture. He looks at a picture that seems to depict a group of men pursuing a group of woman and wonders what they could be doing. “What mad pursuit? What struggle to escape? What pipes and trimbels? What wild ecstasy”(Keats). Of course, the urn can never tell him the whos, whats, and whens of the story it depicts. As the stanza, slowly leads the reader to the series of questions that are asked. The tone of the poem becomes exciting and breathless until it reaches the ultimatum, “wild ecstasy”(Keats). “The ecstasy brings together the pursuit and the music, the human and the superhuman, and, by conveying an impression of exquisite sense-spirit intensity, leads us to the fine edge between mortal and immortal. Where passion is so intense that it refines itself into the essence of ecstasy, which is without passion”(Bate117). Ecstasy is therefore the end of the feelings the poem has lead to reader to feel. Since the urn does not depict anything past the chase itself, the situation is purely innocent with beauty again complying with the theme of eternal innocence and beauty.
It was in high school that he met the girl of his dreams. They dated through college, off
The allusion to the biblical story of Adam and Eve in William Butler Yeats' poem, "Adam's Curse," reflects the poem's pessimistic theme: the tragic nature of fate. In the story, Adam and Eve, the first man and woman, had defied God, and consequently, were thrown out of paradise. Their punishment (and as their descendents, everyone's punishment and "fate") was to feel the joys and the pains of being human, including love and happiness but work and disappointment as well. Yeats parallels this tragedy of Adam and Eve's newly-found mortality with a narrative which is composed mostly of a conversation about the hardships of writing poetry, being beautiful, and staying in love. By linking the two stories, he implies that such endeavors are not only laborious aspects of life, but can be "destined" to end or fail also. Yeats further establishes the inevitability of something ending by setting the conversation "at one summer's end" (1) and later having the speakers see "the last embers of daylight die" (29) when the conversation itself dies.
My first and immediate explanation for the poem was an address from one lover to a loved one, where distance became a factor in their relationship. The lover has it far worse than the desired partner and the solitude builds nothing but longing for this person at a time when his love is the greatest. He says " What have I to say to you when we shall meet?... I am alone" with my head knocked against the sky”. He further asks, “How can I tell if I shall ever love you again as I do now?” There is uncertainty because he is wondering over the next encounter with his loved one. He says, “I lie here thinking of you” and is compelling when he wants the loved one to see him in the 5th stanza and what love is doing to his state of mind. He is hopeless and expresses it by asking questions he is unsure of, conveying his troubled state. Williams enforces imagery along with sound effects to demonstrate the despair of the man in a realm that is almost dreamlike with purple skies,spoiled colors, and birds. Stating he is alone and that his head collides with the sky may underline the man’s confusion. He also uses imagery in the “stain of love as it eats into the leaves”, and saffron horned branches, vivid and easy-to-imagine images that captivate the reader. The line stating “a smooth purple sky” and this stain which is “spoiling the colours of the whole world” easily formulate a very distinct picture. Through consonance words like “eats” and “smears with saffron” become fiercer in the eyes of this lover as they cancel out a “smooth sky”.
his love . This twenty line poem is also made memorable by the way the
The first text entitled, “When you are Old” by William Yeats has the main message of his lover leaving him, but uses the symbolism of a book. The main message of this poem is William Yeats had a lover who loved Yeats has much as he loved her; the only problem was the woman Yeats loved was a “rebellious” women’s rights activist. She thought that if she were to marry, it would look bad on her for being controlled by a man, and trying to push for women’s rights. Yeats publishes a book of poetry, giving her one of his first copies. In this Yeats hopes that one day when she is old she will, “by the fire, take down this book, and slowly read, and dream of the soft look” (Yeats, When you are Old, page 1140, lines 2-3) and then he hopes she regrets not marrying him. The book of poetry that he publishes is a representation, a symbol, of future regret for his ...
The first half of the poem begins with the poet expressing his heightening disapproval of Maud Gonne's politics. He questions whether he should "blame her that she filled my days with misery." A. Norman Jeffares writes in W. B. Yeats that "the second line's 'of late' refers to Maud Gonne's withdrawal," but the poem seems to blame her inactivity on the "ignorant men" for not having "courage equal to desire," rather than her marital problems. These "ig...
To begin, Yeats uses the universal symbol of the night sky to symbolize unimportance and anonymity in his poem When You Are Old. This poem is about Yeats personal life. The whole point of this three stanza short poem is to make the girl he loved when he was young remember him when she grew older. Starting in line 1 and skipping to line 2, he says, “When you are old. . . And nodding by the fire, take down this book.” He put this poem in a book for her and her alone, as a profession of his love for her that cannot die. The symbol itself, however, is not a personal one but more a universal relator. In the last line of the poem, referring to her view of him and all of the other young men in her life, he says he “hid his face amid a crowd o...
For centuries, animals have been known as man’s companions, a form of therapeutic relief, and a source for human joy and entertainment. However, animals are being tortured and treated cruelly for the sake of human prosperity all over the country. Animal testing as a means of researching medical advancements and product quality for consumers is a large problem in today’s society. The research experiments executed with animals in the name of scientific discovery call into question the compassion and integrity of the human spirit. If we do not put an end to animal testing in the United States, many animals will suffer in anguish through the torment inflicted upon them in a product testing lab. Product testing on animals should be illegal, because animals are killed or kept in captivity their entire life, substances that are tested on animals may never be released for human use, and there are alternatives available to testing on animals.