Keats’s Ode to Melancholy is best described by one word, melancholy. The Oxford English Dictionary defines Melancholy as a feeling of pensive sadness, typically with no obvious cause. In this poem, melancholy is the art of embracing sorrow and a sort of madness in order to be able to cherish the joy to truly live. Keats accomplished the idea of melancholy by using his imagery to reinforce the idea of sustaining opposites such as sorrow and joy in a person’s life. In the beginning of the poem, the speaker warns, “No, no go not to Lethe” which is the forgetful water of Hades (Keats 932). The direction the speaker is giving a person is very clear and direct as if they are headed down a wrong path or set of actions and must change or correct an
Here the speaker clearly warns against Melancholy’s fit as if she is a force of nature. As a force of nature beauty is drowned out by “a weeping cloud” or Melancholy’s fit when she “fosters the droop-headed flowers” (Keats 932). The force of her fit drowns out the beauty as seen in spring time flowers. Furthermore, in order to personify Melancholy, she is referred to her as, “thy mistress some rich anger shows, / Emprison her soft hand, and let her rave, /And feed deep, deep, deep upon her peerless eyes” (Keats 932). The depiction of this mistress is another personification, but this time it is of Death as a Goddess. These confusing lines of the poem could refer to Melancholy or Death in this stanza as either goes from an untouchable Goddess to a Goddess with a human nature that includes anger and pain. A distinct opposition to Melancholy or Death’s choler is the soft hand that the speaker is asking someone to restrain. This opposition shows Keats highlighting the delicate correspondence between happiness, death and melancholy having humanistic
In order to experience true sorrow one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions. In this poem, the speaker tells of how to embrace life by needing the experience of melancholy to appreciate the true joy and beauty of
Time is endlessly flowing by and its unwanted yet pending arrival of death is noted in the two poems “When I Have Fears,” by John Keats and “Mezzo Cammin,” by Henry Wadsworth Longfellow. Keats speaks with no energy; only an elegiac tone of euphoric sounds wondering if his life ends early with his never attained fame. He mentions never finding a “fair creature” (9) of his own, only experiencing unrequited love and feeling a deep loss of youth’s passion. Though melancholy, “Mezzo Cammin,” takes a more conversational tone as Longfellow faces what is commonly known as a midlife crisis. The two poems progressions contrast as Keats blames his sorrow for his lack of expression while Longfellow looks at life’s failures as passions never pursued. In spite of this contrast, both finish with similar references to death. The comparable rhyme and rhythm of both poems shows how both men safely followed a practiced path, never straying for any spontaneous chances. The ending tones evoking death ultimately reveal their indications towards it quickly advancing before accomplish...
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Keats presents his feelings on how he no longer wishes for impossible goals, and how it is much more preferable to enjoy life as much as possible. It is of no use longing for things we cannot have, and so we must learn to live with the myriad of things we already have, of these one in particular appeals to Keats: the warmth of human companionship and the passion of love.
Overall, dwell on this process of changing throughout the poem, it can be understood that the poet is demonstrating a particular attitude towards life. Everyone declines and dies eventually, but it would be better to embrace an optimistic, opened mind than a pessimistic, giving-up attitude; face the approach of death unflinchingly, calmly.
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
The poem says that "since feeling is first" (line 1) the one who pays attention to the meaning of things will never truly embrace. The poem states that it is better to be a fool, or to live by emotions while one is young. The narrator declares that his "blood approves" (line 7) showing that his heart approves of living by feeling, and that the fate of feeling enjoyment is better than one of "wisdom" (line 9) or learning. He tells his "lady" (line 10) not to cry, showing that he is speaking to her. He believes that she can make him feel better than anything he could think of, because her "eyelids" (line 12) say that they are "for each other" (line 13). Then, after all she's said and thought, his "lady" forgets the seriousness of thought and leans into the narrator's arms because life is not a "paragraph" (line 15), meaning that life is brief. The last line in the poem is a statement which means that death is no small thi...
However, she also portrays pregnancy in a negative light by associating it with death and weakness. In this poem, the speaker connects whiteness with death. That connection is evident when she says that the flowers “cast a round white shadow in their dying” (“Moonrise” 6), emphasizes a falling pigeon’s white fantail, and mentions a dead “body of whiteness” (...
Further, in the second stanza, the theme of feeling grief due to a loss is implied again with her explanation that she cannot share the ecstasy in which the birds are singing around her. The feeling of pain becomes more and more prominent throughout the poem and she even questions how everything can go on so pleasurably around her, when her world is so painful.
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
Imagery and symbolism merged to express his imagination, he became a unique poet in an evolving world where Romanticism was quickly expanding globally, not into a movement, but a way of thinking. Keats’ mother and brother, and eventually he too, passed away of tuberculosis. At the time of his brother 's passing, he developed ‘La Belle Dame sans Merci’. ‘La Belle’ expressed Keats’ intellect and creativity, although at the same time he himself expressed his angst and depression for the loss of his brother. His poem ‘Bright Star’ was written in a part of his life in which a woman had influenced Keats’ greatly, so much in fact that he was driven to write ‘Bright Star’ in appreciation and celebration of the love of his life. These poems reflect Keats’ intellect, originality, creativity, and his ability to merge the contextual aspects of his life and his imagination with the ideals and concepts of Romanticism to create powerful
However, underneath the surface, Keats has finally begun to accept the difficult truth that death is inevitable. Through the poem “To Autumn”, Keats urges humankind to accept death as a natural part of human life and to recognize the beauty in death. The first stanza is crowded with sensual and concrete images of nature and its ripeness during the first stages of Autumn. Autumn is characterized as a “season of…mellow fruitfulness” (1).
In Keats “Ode to a Nightingale” we see the sense embodied through a variety of different literary techniques and in particular his use of synaesthesia imagery. The dejected downhearted nature of the poem promotes emotion in the reader even before noting poetic devices at work. The structure of the meter is regular and adds to the depth of this poe...
In “Ode to the West Wind”, death is a recurrent theme, but death is also mentioned in “To Autumn”. In Keats’s poem, however, it is clear that the creative power of autumn dominates the references to death. In “Ode to the West Wind”, the autumn is not only the brutal power it seemed to be at first: according to Shelley, autumn also has the ability to preserve life, by letting it die symbolically first. All in all, both poems show that autumn has a number of different facets, and it cannot be described by one or the other, but all.
Keats presents a stark contrast between the real and the surreal by examining the power of dreams. For the narrators of each work, dream works as a gateway to the unconscious, or rather, a more surreal and natural state of mind. Keats presents the world as a place where one cannot escape from his/her troubles. For the narrator in “Ode to a Nightingale” he attempts to artificially medicate himself as a means of forgetting about the troubles of the real world which cause him to feel a “drowsy numbness” (Ode to a Nightingale 1) which “pains / My senses, as though of hemlock I had drunk,” (1-2). The narrator, seemingly in search for both inspiration and relief, drowns out these feelings through an overindulgence in wine as a way to “leave
Arguably one of John Keats’ most famous poems, “Ode to a nightingale” in and of itself is an allegory on the frail, conflicting aspects of life while also standing as a commentary on the want to escape life’s problems and the unavoidability of death. Keats’ poem utilizes a heavy amount of symbolism, simile and allusion to idealize nature as a perfect, almost mystical, world that holds no problems while using imagery taken from nature, combined with alliteration and assonance, to idealize the dream of escape from the problems life often presents; more specifically, aging and our inevitable deaths by allowing the reader to feel as if they are experiencing the speaker’s experience listening to the nightingale.