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The Sniper
"The Sniper" places a strong emphasis on the evils of war, and yet paints a vivid image of mankind's qualities and their society. Employing the technique of describing one particular sniper to symbolise a general subject, readers are able to gain a deep insight into the evils of war. In this story, the assembly of setting, contrasting characters and themes of fanaticism and division of loyalties are vital to conveying the horror of war. On the other hand, "The Sniper" also discusses the power of war, depicting it as the decider of life and death for men. Its force is further emphasised when neighbours are turned into enemies under war's influence.
The setting of the story, Dublin, has been written in such a way that only highly negative images are conveyed to portray evil. From the beginning to the end, Dublin is seen as an insecure, fearful, and vulnerable town abundant with weapons of war and associated horror. ¡§Dublin lay enveloped in darkness¡¨ instantly transmits a sense of mystery, weariness and fear. This negative image is strengthened by ¡§Around the beleaguered Four Courts the heavy guns roared. Here and there through the city machine guns and rifles broke the silence of the night, spasmodically like dogs barking on lone farm.¡¨ Dublin can be almost compared to a person, who has struggled under stress and is now defeated. The city is empty, apart from the roar of ¡§machine guns and rifles¡¨ which have converted the city not a place of misery and ba...
Nevertheless, one of the most important imageries is the fact the rifle itself represents war; thus, the soldier takes so much care of the rifle because the rifle, or the war, once took great care of him by shaping him into the man he is today and, most importantly, by keeping him alive. Imagery, therefore, proves how Magnus delicately transmits information so that an appropriate characterization could take place, which informs the audience about the soldier’s character and, ultimately, the importance of war to the
In conclusion, by reading the Novel by William Golding titled The Lord of The Flies we encountered many different forms of fear being from the beast, the loss of humanity, and the fear of realization. These forms of fear relate only to this novel but, many feelings these boys on the island felt we feel time and time again in our everyday society. Everyone on this earth comes to grasp with a time of fear in their lives and it is up to oneself if they are too choose to be strong and persevere or to be a cowards and let fear over power them. Ralph was a boy, a scared and broken young little boy but, as he stood on that beach and watched the rover appear he broke down and let the fear of never having peace take control of him. So I will leave you with one last thought, will you let fear overpower you? or will you persevere?
In Liam O'Flaherty s The Sniper, all of these are brought to an acute reality in a single war-torn city. Strong cerebral convictions and opposing philosophies, which people want to destroy. The Sniper How does the author depict the turmoil and plight in a war-torn city? in “The Sniper”? Anger, pain, death and remorse- all unpleasant, but all are faced and. handled in every war.
Murder is a reprobate action that is an inevitable part of war. It forces humans into immoral acts, which can manifest in the forms such as shooting or close combat. The life of a soldier is ultimately decided from the killer, whether or not he follows through with his actions. In the short stories The Sniper by Liam O'Flaherty and Just Lather, That's All by Hernando Téllez, the killer must decide the fate of their victims under circumstantial constraints. The two story explore the difference between killing at a close proximity compared to killing at a distance, and how they affect the killer's final decision.
The book, Fahrenheit 451, has a similar government to the movie, V for Vendetta. For example, they both have a totalitarian government. This means that the government has control of everything. The people in this government are under constant surveillance by the government. This shows in Fahrenheit 451 because the government has control over books. Firemen were created to burn books because they made people unhappy. In V for Vendetta, the government removed anything that was controversial, like the Quran. Homosexuality is also illegal in the movie due the strictness of its fascist leader. People were also removed if they spoke out or showed any dissent with the government. Clarisse was removed in the book because she showed signs of individuality and she was classified as antisocial. In the movie, V needed to be removed because he had a different idea of the
One thing that Bradbury and Golding did not share is their opinion on leadership and government. In Fahrenheit 451 The government had banned all of the books and there was an extreme punishment for people who were caught having them. It causes so much fear that when Montag goes to read Mildred and her friends a book one of them says "that's not right... we can't do that"
At some point in every teenager’s life, they begin to rebel and distance themselves from their family in order to find their true self and begin transitioning into adulthood. In the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, the main character, Connie, is a stereotypical and self-centered teenage girl, who appears to care about nothing but herself. Connie thought everything was perfect and great, but little did she know things would soon take a turn for the worst when a mysterious man named Arnold Friend appears. In “Where Are You Going, Where Have You Been?” Oates uses the symbolism of Connie’s home, the author’s
When Arnold and Connie’s eyes meet inadvertently, Connie sees “a boy with shaggy black hair, in a convertible jalopy painted gold” (Oates 371). To Connie, this was by pure chance and a pure stranger. To Arnold, Connie is his next victim. On the very next day, Arnold shows up at Connie’s house while her parents and sister are away at a family barbeque. Arnold entices her to go for a ride in his car by the use of appealing music and smooth conversation. However, taking an innocent girl for a ride in his car was the last of his intentions. Because of Connie’s lack of experience, curiosity, and inability to withstand peer pressure she succumbs to Arnold’s predatory hands. On that dreadful day, Connie lost her innocence and her
In Dubliners, James Joyce tells short stories of individuals struggling with life, in the city of Dublin. “It is a long road that has no turning” (Irish Proverb). Many individuals fight the battle and continue on the road. However, some give up and get left behind. Those who continue to fight the battle, often deal with constant struggle and suffering. A reoccurring theme, in which Joyce places strong emphasis on, is the constant struggle of fulfilling responsibilities. These responsibilities include; work, family and social expectations. Joyce writes about these themes because characters often feel trapped and yearn to escape from these responsibilities. In “The Little Cloud”, “Counterparts”, and “The Dead” characters are often trapped in unhappy living situations, often leading to a desire of escape from reality and daily responsibilities.
Connie’s desire for attraction from an older man is altered when she realizes this man’s intentions are not respectable. When Arnold shows up at her house, she no longer felt desire but fear instead and immediately feels dizzy. Oates uses dizziness to portray Connie’s internal conflict. There’s the side of her that craves the attention of an older man but when she realizes this isn’t like her daydreams, she becomes alarmed and feels faint. The realization makes her more vulnerable and causes her to give in to the man’s demands. Throughout the entire text, there’s been confusion between fantasy vs. reality. Although Connie works hard to present the appearance of being a mature woman who is experienced with men, her encounter with Arnold reveals that this is only a performance. When confronted upfront, her mature, adult persona is diminished as calls for her mother’s help. Although Connie does experiment with sexuality, such as when she goes into the alley with Eddie, she is afraid of becoming an adult. When Arnold Friend figuratively takes her by force into adulthood, she resists and proves to herself that she is not ready for
In Lord of the Flies by William Golding, the main theme of the novel is fear. Throughout the book, the boys are face different types of fear; such as the Beast, darkness, and the evil in all humans. Golding uses the different reactions of the boys to show that humans respond to fear with either savagery, violence, madness or understanding. Golding’s message to his audience is everyone will face fear, and that it is up to them to choose how to respond to that fear, and whether to give in to it. Firstly, the Beast is one of the main sources of fear for the boys. The boys’ fear of the Beast causes them to act savagely. Secondly, the boys fear death. The boys fear what dangers could possibly befall them on the island. Lastly, the boys, especially Ralph, fear each other. There are several ways in which Golding illustrates the boys’ fear of the Beast, painful death, and themselves; however, the most important is their fear of the Beast which represents their fear of themselves.
These quixotic ideals and expectations of Connie are what put her in a vulnerable position due to the unrealistic world of love and boys she lives in. Her adult like persona and constant need for validation from others of her beauty is what leads Connie’s “two sided” self to be disconnected from the harsh realities that come alongside being an adult. Connie is forced to face this harrowing reality when the malignant antagonist, Arnold Friend, decides to show up to her house one day while her family is away at a barbecue. Arnold is almost the personification of the Devil as he lures himself into a conversation with Connie through deceit and manipulation. At first Connie “couldn't decided if she liked him or if he was just a jerk,” this statement portrays her naivety and the imaginary world she lives in as she tries to flaunt her amorous attitude in attempts of playing hard to get with a complete stranger. To achieve his sinful desire to hurt Connie, Arnold disingenuously dresses younger than his age, stuffs his shoes to appear taller and manipulatively fakes sharing the same interest in music as Connie to achieve a false sense of comfort and intimacy with her. Connie is abruptly thrown into the reality of
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
Fear can make you do amazing things but it could also lead to someone's downfall. A bunch of boys get stranded on an island without any grown-ups, and try to start civilization, but everything falls into chaos. In chapter 9, while the boys are dancing around the fire, Simion finds out the beast is just a parachute man. He tries to tell everyone, but gets beat to death in the process. This is an example of how fear can lead to savagery. In chapter 9 of Lord of the Flies, William Golding employs animal imagery, repetition, and symbolism to convey the theme that fear can lead the most civilized people to savagery.
In James Joyce’s Dubliners, the theme of escape tends to be a trend when characters are faced with critical decisions. Joyce’s novel presents a bleak and dark view of Ireland; his intentions by writing this novel are to illustrate people’s reasons to flee Ireland. In the stories “Eveline, “Counterparts”, and the “Dead”, characters are faced with autonomous decisions that shape their lives. This forlorn world casts a gloomy shadow over the characters of these stories. These stories are connected by their similar portrayal of Ireland. They clearly represent Joyce’s views on people’s discontent with Ireland.