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One of the ultimate goals for teenagers is to become independent individuals. The need for independence comes from the desire to have maturity and freedom. In many cases, this need for independence is the stereotyped idea of adulthood; to do what you want, when you want, and how you want. In the short text “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Oates distinguishes the difference between fantasy and reality of a young girls mind who demands her independence perhaps too fast. Connie exhibits two personalities in this short story. The way portrayed herself with her friends and with her family are two different personalities. When at home, Connie’s mother complains about Connie and implies that she is …show more content…
Connie’s desire for attraction from an older man is altered when she realizes this man’s intentions are not respectable. When Arnold shows up at her house, she no longer felt desire but fear instead and immediately feels dizzy. Oates uses dizziness to portray Connie’s internal conflict. There’s the side of her that craves the attention of an older man but when she realizes this isn’t like her daydreams, she becomes alarmed and feels faint. The realization makes her more vulnerable and causes her to give in to the man’s demands. Throughout the entire text, there’s been confusion between fantasy vs. reality. Although Connie works hard to present the appearance of being a mature woman who is experienced with men, her encounter with Arnold reveals that this is only a performance. When confronted upfront, her mature, adult persona is diminished as calls for her mother’s help. Although Connie does experiment with sexuality, such as when she goes into the alley with Eddie, she is afraid of becoming an adult. When Arnold Friend figuratively takes her by force into adulthood, she resists and proves to herself that she is not ready for
Oates shows archetypes throughout the story. The symbolic archetype shown is “the friendly beast” or “the tempt”. The friendly beast, of course, would be Arnold Friend; Arnold never hurts or does anything to Connie, he just tempts her by saying, “we’ll drive away, have a nice ride.” The temptation for Connie is that she wants to grow up, get away from her family and live her own life. Although, Connie is very ignorant; Connie believes her looks will get her very far in life, but what she doesn’t realize is that ignorance does not equal bliss. In The Sitting Bee Dermot McManus talks about how Connie struggles with independence and how she wants to do things on her own. McManus says “that Connie still relies on others to take her home and other things, and how
First of all, Connie was not happy at home. The story says that her father "was away at work most of the time," and "didn't bother talking much to them," so Connie didn't have love from him and had to find male attention somewhere else. Connie found her happiness in escaping with her friend to the drive-in restaurant and daydreaming about boys. But the happiness she found in both of these things had nothing to do with actual events; it is based on a fantasy. When she was out at the drive-in with a boy, her face gleamed "with the joy that had nothing to do with Eddie or even this place; it might have been the music." When she daydreamed about boys, they all "fell back and dissolved into a single face that was not even a face, but an idea, a feeling mixed up with the urgent pounding of the music..."
As teenagers, we feel like we know all the complexities of life, and that the changes we experience during puberty are the ultimate variabilities of our lives, but the irony of this is that they still have so much more to learn. The story “Where Are You Going, Where Have You Been?” was written by Joyce Carol Oates, an influential, feminist author in the 1960s. The story was inspired by the real-life serial killer, Charles Schmid, also known as the “Pied Piper of Tucson”, who like the antagonist in the story, Arnold Friend, preyed on young girls as his victims (Sharma 5). An important element that influenced the story is that it was written in the 1960's, a period known as the Second-Wave of feminism, this was a time when women across America began to break free from the patriarchal system and assert their rights as citizens outside of the home (The 1960s-70s American Feminist Movement: Breaking Down Barriers
In her famous short story, “Where Are You Going, Where Have You Been,” Joyce Carol Oates shows the transition from childhood to adulthood through her character Connie. Each person experiences this transition in their own way and time. For some it is leaving home for the first time to go to college, for others it might be having to step up to a leadership position. No matter what, this transition affects everyone; it just happens to everyone differently. Oates describes Connie's unfortunate coming of age in a much more violent and unexpected way than the typical coming of age story for a fifteen year old girl.
As I began reading “Where are you going, where have you been?” by Joyce Carol Oates I found myself relating the experiences of Connie, the girl in the story, to my own personal experiences. She spoke of going to a friend’s house and having her friend’s father drive them to the shopping mall so that they could walk around and socialize or go see a movie. I found that this related very closely with my own experiences of being fifteen years old because it was always someone else’s parents driving my friends and I to the movies or to the mall.
Coming-of-age stories commonly record the transitions—sometimes abrupt, or even violent—from youth to maturity, from innocence to experience of its protagonist, whether male or female. Greasy Lake by T.Coraghessan Boyle and Where Are You Going, Where Have You Been? by Joyce Carol Oates are great examples of traditional coming-of-age stories. The roots of the coming-of-age narrative theme are tracked in the male protagonist’s perspective for Boyle’s short story, while the Oates’ story captures the coming-of-age theme from Connie; a female protagonist’s perspective. In both short stories, the authors fulfill the expectations of a coming-of-age genre when they take us through the journey of rebellion and self realization, as the
During the teenage years they no longer want to be labeled the “child; matter of fact, they have a strong desire to rebel against the family norms and move quickly into adulthood. This transition and want for freedom can be a very powerful and frightening thing as there are evils in this world that cannot be explained. Most parents try to understand and give their teens certain freedoms, but at what expense? Joyce Oates gives us a chilly story about a teenager that wanted and craved this freedom of adulthood called “Where Are You Going, Where Have You Been?”. This is a haunting story of a young girl by the name of Connie who gives us a glimpse of teenager transitioning from childhood with the need for freedom and the consequences of her actions. Connie is described as a very attractive girl who did not like her role in the family unit. She was the daughter who could not compare to her older sister and she felt her Mom showed favoritism towards her sister. Connie is your average teen who loves music, going out with friends, and she likes the attention she receives from boys. During this time, Connie is also growing into her sexuality and is obsessing with her looks as she wants and likes to be noticed by the opposite sex. Her sexual persona and need to be free will be what is fatal to her character’s life and well-being.
Oates takes us to a journey of rebellion as the protagonist sorts through self-created illusion in order to come to terms with her own sexual inexperience. Connie’s desires for attention from the opposite sex, her vanity and immaturity blind her to think of the real intentions of guys, in this case Arnold Friend. A character that many critics argue is real, yet, others argue it was created by Connie’s mind.
In the story “Where are you going, Where have you been?” by Joyce Carol Oates, the main character, Connie, experiences life not having an actively participating mother or father. Most adolescents struggle with the transition from teen-age years to adulthood. For many, this is where the parents step in. Parents are meant to support and help an adolescent when needed, especially during this difficult transition; however, this is not always true. In Connie’s case, her parents allowed her to make the change alone and endure hard times. As a result, she lacked the values needed to survive. Such values are used to equip a young person for the real world and the tragedies that come with it. As seen in “Where are you going, Where have you been?”, Connie was a victim of poor guidance and empty judgment. The dysfunctional family’s behavior was reflected in Connie. Her mother envied her, and her father was not an active figure in her life. Connie 's
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
In turn, her home life is also a large reason she is so easily manipulated. Her father is mostly absent from her life, which causes emotional distress, especially for girls her age. Because of this, Connie craves for attention from guys because she is not able to get it from her father. Additionally, Connie is not able to view her parents as an example of a healthy relationship, since her father is not around a lot. This enables Arnold to manipulate her because she doesn’t know what healthy attention is. Along the same lines as her father, Connie’s mother is dissatisfied and hates that Connie is so obsessed with her looks, often “[scolding] Connie about it” (Oates 2203). This causes Connie to be distant from her mother. Thus, Connie feels little, compared to her sister, who gets all the attention from their mother. The absence of both parents allows Connie to be manipulated because she feels alone, often rebels against the rules, and wants to be away from her family. All of the aforementioned traits make Connie a target, so much so, that Arnold, a master conniver, cleverly uses them to his
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
When dreaming it can be confusing and terrifying distinguishing if you are in reality or unreality. In ,Joyce Carol Oates, Where Are You Going, Where Have You Been? Connie crosses into a dream like state that can be proven by the bewildering dialogue, characterization and plot.
due to her family leaving to attend a barbeque. Like Chet, Connie also has to rely on herself to overcome her obstacles, such as the threatening Arnold Friend. Stegner and Oates both use this plot point in order to establish that their characters cannot rely on their family for help or protection, which emphasizes their transition to adulthood. In Stegner’s depiction, the purpose seems to be the successful overcoming of obstacles that a child, specifically a boy, has to go through in order to become a man.
Some differences between Connie and the unnamed boy such are that they’re different genders, and Connie desires the admiration of all boys and the unnamed only wants the love of one girl. Although, there are some differences between Connie and the unnamed boy there are many similarities. First, Connie is displayed as a very naïve character because she thinks that it is perfectly fine for her as a fifteen-year-old girl to walk around drive inns flaunting her body. She does not contemplate possible dangerous consequences. Connie thinks that she is invincible when she is out looking for boys. Also, she is very credulous meeting a boy at the restaurant for the first time and lets him take her out for dinner, and then goes with him into an alley. She was not alarmed whatsoever when Arnold friend pointed at her and said ‘Gonna get you, baby” (Oates 325). Connie clearly didn’t think anything of it because she just turned away and didn’t mention it to Eddie. She barely remembered Arnold Friend when he showed up at her door because she didn’t think anything was to come of the encounter. Connie simply thought that the appreciation and attention of a male was what she needed to make her happy. “But all the boys fell