Fantasies, Frustrations, and Failures “Araby” by James Joyce is the story of a young boy growing up in bleak and dim Northern Dublin. He is completely captivated by his friend’s sister and spends a majority of the story waiting for a chance to go explore the Bazaar for the first time. He is planning buy a gift for her hoping that she will feel the same admiration for him. Another story that shares a character with similar qualities is “Where Are You Going, Where Have You Been?” by Joyce Carol Oates. In this story the protagonist is Connie a stereotypical teenage girl who is in the midst of an adolescent rebellion. She spends her days daydreaming about boys, while she is constantly in conflict with her mother for not being as responsible …show more content…
and mature as her sister June. Both works are both coming of age stories, in which both the protagonists are going through the phase of puberty and are eager to explore their independence, and sexuality.
Some differences between Connie and the unnamed boy such are that they’re different genders, and Connie desires the admiration of all boys and the unnamed only wants the love of one girl. Although, there are some differences between Connie and the unnamed boy there are many similarities. First, Connie is displayed as a very naïve character because she thinks that it is perfectly fine for her as a fifteen-year-old girl to walk around drive inns flaunting her body. She does not contemplate possible dangerous consequences. Connie thinks that she is invincible when she is out looking for boys. Also, she is very credulous meeting a boy at the restaurant for the first time and lets him take her out for dinner, and then goes with him into an alley. She was not alarmed whatsoever when Arnold friend pointed at her and said ‘Gonna get you, baby” (Oates 325). Connie clearly didn’t think anything of it because she just turned away and didn’t mention it to Eddie. She barely remembered Arnold Friend when he showed up at her door because she didn’t think anything was to come of the encounter. Connie simply thought that the appreciation and attention of a male was what she needed to make her happy. “But all the boys fell …show more content…
back and dissolved into a single face that was not even a face, but an idea, a feeling, mixed with the urgent insistent pounding of music and the humid night air of July.’’ It wasn’t even the boys that fulfilled her fantasies it was the music she loved and the sensation of feeling alive and experiencing the world instead of being cooped up in her house. The boy in “Araby” is also very naïve because he thinks that this girl who he has barely ever talked to will love him back just because he buys her a gift from the Bazaar. He comes to believe that the Bazaar is some kind of enchanted place that will bear a gift that he can buy to sweep his love off her feet. He is childishly naïve expecting everything to go as planned since he does not have much experience in the real world. The unnamed boy wishes to “annihilate the tedious intervening days” (Joyce 318), waiting for his plan to unfold but as the story unravels his expectations for having enough money for a gift, having time to explore the Bazaar, and the setting of the Bazaar itself soon crumble. Both characters create fantasies, as a way to escape from their dull lives.
When you are going through a tough time it’s much easier to have something to believe in. Both Connie and the unnamed boy use fantasies to remove their minds from their struggles at home or monotonous lives. The unnamed boy in “Araby” wants to escape from his dreary day-to-day life of hiding in the shadows. So he developed his own fantasy of winning over his idealized love (Magan’s sister) hoping she would bring light to his life. He watches her from a far and sees this Bazaar as an opportunity to take her on a date and win her over. But, she cannot go since she has to go on a religious retreat. Therefore, he fantasizes about going to this amazing exotic fair and getting her a gift that he promised and winning her heart. He is soon faced with the grim reality that his uncle forgot about him. Since the unnamed boy had to wait to receive money from his uncle he arrives late to the Bazaar. His family is also faced with poverty, which is evident when did not give him enough money to buy her a gift. Then, the boy realizes that his slight chance of making her fall for him is over. Next, Connie sought to escape her everyday struggles at home by daydreaming of boys and music that fill her head with romance and love. She dreams of meeting boys that will make her feel how the songs and movies do. “She wore a pull-over jersey blouse that looked one way when she was at home and another way when she was away
from home. Everything about her had two sides to it, one for home and one for anywhere that was not home” (Oates 324). She would dress how she pictured herself in her fantasies to attract all the boys’ attention when she was out with her friends. “Connie couldn’t help but let her eyes wander over the windshields and faces all around her, her face gleaming with a joy that had nothing to do with Eddie or even this place; it might have been the music” (Oates 325). It was not the attention of Eddie that was making her happy it was the fact that she was finally out living her fantasies instead of just sitting home dreaming of them. Both characters cope with extreme frustration whether it’s caused by a family member or from family issues. Connie faced frustration from always being compared to her elder sister who was much more mature; she would save money and help around the house while Connie didn’t do much but daydream. Whether it was how clean Connie’s room was or how she did her hair, Connie was always scorned by her mother claiming she should be more like her sister. Similarly, Connie’s mother was always disapproving when she saw Connie looking at herself in the mirror because her own wicked mother was jealous of Connie’s good looks because she was once that beautiful like that as well. “Connie wished her mother was dead and she herself was dead and it was all over. ‘She makes me want to throw up sometimes’ she complained to her friends” (Oates 325). Connie did not get much love or attention at home, being chastised by her mother, and her own father ignoring her. Connie’s father would come from work eat his dinner and go straight to bed paying no attention to his daughter. Additionally, since she did not get love and attention at home she went out with her friends and sought it from random boys that would make her feel valued. Her going out and charming boys made her feel like a woman and made her feel mature like her older sister. This kind of pretentious behavior eventually led to her demise when she enticed the wrong boy. One day, when her family leaves for a barbecue Arnold Friend shows up at her house and threatens to hurt her family if she does not come with him. This led to Connie resisting and being raped and taken by Arnold. The unnamed boy also encounters many hindrances like his uncle staying out late drinking, forgetting that he wanted to go to the Bazaar, and family financial matters. “ When I came home to my dinner my uncle had not yet been home. Still it was early. I sat staring at the clock for some time and, when its ticking began to irritate me, I left the room” (Joyce 319). Since his uncle was late getting home he was late to the Bazaar and discovered it to be nothing how he imagined it. It was not enchanted or exotic at all. He soon realized his uncle did not give him enough money to purchase Mangan’s sister a respectable present, and before he knew it the bazaar had closed. He was left sitting there alone in the darkness and his chances or capturing his crushes heart was gone. To summarize, although the unnamed boy and Connie were different genders, came from different backgrounds, and had different ideologies of what they wanted. They were much more similar in the fact that they were both naïve, dealt with frustrations from their families, and created a fantasies of a better life. Connie naively thought that she was invincible, and fantasized that the admiration of boys would make her happy. But, essentially it wasn’t the boys that made her happy it was the music and freedom she felt. She was able to get away from always being reprimanded at home. The unnamed boy childishly believes that his plan to win over his fantasized lover will go as planned and she will be his. But, complications from his uncle being late and poverty issues hinder his plans and he is left with nothing. Both of these characters failed to grasp possible obstacles in their fantasies, which left them with nothing. You can’t always get what you want in life, but if you don’t expect too much you get what you need.
First of all, Connie was not happy at home. The story says that her father "was away at work most of the time," and "didn't bother talking much to them," so Connie didn't have love from him and had to find male attention somewhere else. Connie found her happiness in escaping with her friend to the drive-in restaurant and daydreaming about boys. But the happiness she found in both of these things had nothing to do with actual events; it is based on a fantasy. When she was out at the drive-in with a boy, her face gleamed "with the joy that had nothing to do with Eddie or even this place; it might have been the music." When she daydreamed about boys, they all "fell back and dissolved into a single face that was not even a face, but an idea, a feeling mixed up with the urgent pounding of the music..."
“Araby” tells the story of a young boy who romanticizes over his friend’s older sister. He spends a lot of time admiring the girl from a distance. When the girl finally talks to him, she reveals she cannot go to the bazaar taking place that weekend, he sees it as a chance to impress her. He tells her that he is going and will buy her something. The boy becomes overwhelmed by the opportunity to perform this chivalrous act for her, surely allowing him to win the affections of the girl. The night of the bazaar, he is forced to wait for his drunken uncle to return home to give him money to go. Unfortunately, this causes the boy to arrive at the bazaar as it is closing. Of the stalls that remained open, he visited one where the owner, and English woman, “seemed to have spoken to me out of a sense of duty” (Joyce 89) and he knows he will not be able to buy anything for her. He decides to just go home, realizing he is “a creature driven and derided with vanity” (Joyce 90). He is angry with himself and embarrassed as he...
In Joyce Carol Oates's short story, "Where Are You Going, Where Have You Been?" the protagonist introduced is Connie, who is an interesting and strong character. Just like every other teenager, she is searching for a purpose and trying to find her place in society. Although Connie seems to be an incredibly self absorbed teenage girl, there is a part of her personality that is different than the rest. She lives a double life, having one personality around her house, with her family, and the other when she is hanging out with friends in public. Due to this double personality, the reader can't help but become intrigued and question which girl she truly is.
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
Connie is only concerned about her physical appearance. She can be described as being narcissistic because "she had a quick, nervous giggling habit of craning her neck to glance into mirror or checking other people's faces to make sure her own was all right" (Oates 148). Connie wants her life to be different from everyone else's in her family. She thinks because she is prettier, she is entitled to much more. She wants to live the "perfect life" in which she finds the right boy, marries him, and lives happily ever after. This expectation is nothing less than impossible because she has not experienced love or anything like it. She has only been subjected to a fantasy world where everything is seemingly perfect. This is illustrated in the story when Connie is thinking about her previous encounters with boys: "Connie sat with her eyes closed in the sun, dreaming and dazed with the warmth about her as if this were a kind of love, the caresses of love, and her mind slipped over onto thoughts of the boy she had been with the night before and how nice he had been, how gentle, the way it was in movies and promised in songs" (151).
Connie's character plays a big role in what ultimately happens to her. Connie is a vain girl that thinks the way you look is everything. She plays the stereotypical part for girls in today's society. She thinks that as long as you are pretty and dress a certain way then you are everything. This comes across when Oates writes "Connie thought that her mother preferred her to June because she was prettier" (980). By flaunting her looks she could easily give a guy like Arnold Friend perverted ideas about her. It could make them see her as easy, which he did.
In the short story, Connie is a young, naïve, sassy, little girl who hates her mom and sister. According to Oates, “Connie wished her mother was dead” (324). Connie enjoys going out with her friends and going to a drive-in restaurant where the older kids hang out. Connie is innocent, but thinks about love and sex. She is desperate to appeal to boys and succeeds at it when a boy with shaggy black hair says to her, “Gonna get you, baby” (325). Her encounter with this boy will change her life forever, because he is the antagonist that influences Connie’s loss of innocence. On a Sunday afternoon, the boy, Arnold Friend, visits Connie and asks her to come for a ride, which she declines. But, Arnold Friend won’t take “no” for an answer and threatens to go in the house. For example when Connie says she will call the cops, Arnold says “Soon as you touch the phone I don’t need to keep my promise and come inside”
Being sexualized by the boys around her, Connie is self-conscious and finds her worth in beauty. The story even states, “She knew she was pretty and that was everything” (Oates 422). She is concerned about her appearance and what others think of her because she has been taught that she lacks any value outside of physical beauty norms. Arnold Friend, even tells Connie, “...be sweet like you can because what else is there for a girl like you but to be sweet and pretty and give in?” (Oates 432). Between this coaxing and the consistent message about the importance of beauty, Connie is nearly forced to conform to this mentality, which displays the lack of respect for young females as human beings. This in turn leads women to self-degradation as they are consistently viewed as sexual
Connie was tired of the life she was living and, she was ready to make decisions for herself and to deal with the consequences for them. She knew that if her parents found out about her going to the diner that she would be in trouble. Connie did not care about the consequences for her actions. She felt like it was time to grow up and be a woman. She wanted to start to experiment with her sexuality. Connie wanted boys to start to notice her and talk to her. Connie thinks that guys could be her savior by helping deliver her from the pressure and anxieties from her sister and mother. Her going out on her own makes her realize that she does not have to please anyone, only herself. When Connie and her friend went to the diner she met this guy Arnold. Obviously being with Eddie for three hours in a dark alley and diner was not the best first move for her. This is the one decision that will change her life forever. This was probably the first guy that gave Connie some attention. So obviously she is going to soak him up and just...
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
Throughout “Araby”, the main character experiences a dynamic character shift as he recognizes that his idealized vision of his love, as well as the bazaar Araby, is not as grandiose as he once thought. The main character is infatuated with the sister of his friend Mangan; as “every morning [he] lay on the floor in the front parlour watching her door…when she came on the doorstep [his] heart leaped” (Joyce 108). Although the main character had never spoken to her before, “her name was like a summons to all [his] foolish blood” (Joyce 108). In a sense, the image of Mangan’s sister was the light to his fantasy. She seemed to serve as a person who would lift him up out of the darkness of the life that he lived. This infatuation knew no bounds as “her image accompanied [him] even in places the most hostile to romance…her name sprang to [his] lips at moments in strange prayers and praises which [he] did not understand” (Joyce 109). The first encounter the narrator ex...
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
The boy sees the bazaar at Araby as an opportunity to win her over, as a way to light the candle in her eyes. However, the boy is more awkward then shy, his adolescence is an impediment to his quest and he lost for words to speak. I vividly recall those times in my young life, driven by desires and struggling with the lack of experience to get through the moment.
In the story “Araby”, by James Joyce the narrator talks about life on North Richmond Street. The narrator lives with his aunt and uncle in an apartment that a former priest, who had died, had lived in. The priest left behind many books and the boy would often go and read them. The boy (narrator) became friends with a boy named Mangan, and develops a crush on his sister. He watches her almost every day. “Every morning I lay on the floor in the front parlor watching her door.” (Page 1137) He had never spoken to this girl until one day she approached him. She asked him if he is going to the Araby. She explains to the boy how she cannot go and he assures her that he will go and bring her back something. However through a series of events the boy is late to the bazaar and realizes his pocket change falls short. The boy in James Joyce’s “Araby” learns that life throws us curves, day dreams are much more pleasant than harsh reality, and he forever will remain a prisoner of his modest means and his city.
In many cultures, childhood is considered a carefree time, with none of the worries and constraints of the “real world.” In “Araby,” Joyce presents a story in which the central themes are frustration, the longing for adventure and escape, and the awakening and confusing passion experienced by a boy on the brink of adulthood. The author uses a single narrator, a somber setting, and symbolism, in a minimalist style, to remind the reader of the struggles and disappointments we all face, even during a time that is supposed to be carefree.