Death and Reality in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life. Connie is only concerned about her physical appearance. She can be described as being narcissistic because "she had a quick, nervous giggling habit of craning her neck to glance into mirror or checking other people's faces to make sure her own was all right" (Oates 148). Connie wants her life to be different from everyone else's in her family. She thinks because she is prettier, she is entitled to much more. She wants to live the "perfect life" in which she finds the right boy, marries him, and lives happily ever after. This expectation is nothing less than impossible because she has not experienced love or anything like it. She has only been subjected to a fantasy world where everything is seemingly perfect. This is illustrated in the story when Connie is thinking about her previous encounters with boys: "Connie sat with her eyes closed in the sun, dreaming and dazed with the warmth about her as if this were a kind of love, the caresses of love, and her mind slipped over onto thoughts of the boy she had been with the night before and how nice he had been, how gentle, the way it was in movies and promised in songs" (151).
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
In the film "What's Eating Gilbert Grape?" directed by Lasse Hallstrom in 1993, one of the main ideas is that of struggle and hardship. This idea is significant to the film because it relates to each character in a different way, making the storyline more interesting. Three different techniques used by Lasse Hallstrom to illustrate the idea of struggle and hardship include Gilberts voice over, the extra close-ups of Bonnie as she climbs the stairs and the double up of dialogue, where Mrs Carver is talking to Gilbert, and Mr Carver is heard tying to entertain their children in background.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Joyce Carol Oates intrigues readers in her fictional piece “Where Are You Going, Where Have You Been” by examining the life of a fifteen year old girl. She is beautiful, and her name is Connie. Oates lets the reader know that “everything about her [Connie] had two sides to it, one for home, and one for anywhere but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the majority of her time absorbed with daydreams “about the boys she met”(28). This daydreaming behavior is observable to the reader throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to believe that Connie’s experience with Arnold Friend is a nightmare used to awaken her to the consequences that her behavior could result in.
Oates, Joyce Carol. "Where Are You Going, Where Have You Been?" Exploring Literature: Writing and Arguing about Fiction, Poetry, Drama, and the Essay. By Frank Madden. 5th ed. New York: Pearson Longman, 2012. 436-48. Print.
Connie's character plays a big role in what ultimately happens to her. Connie is a vain girl that thinks the way you look is everything. She plays the stereotypical part for girls in today's society. She thinks that as long as you are pretty and dress a certain way then you are everything. This comes across when Oates writes "Connie thought that her mother preferred her to June because she was prettier" (980). By flaunting her looks she could easily give a guy like Arnold Friend perverted ideas about her. It could make them see her as easy, which he did.
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
The narrator in “The Tell-Tale Heart,” the narrator realizes that he absences a reason for killing the old man he lives with. He even starts to admit having to love the man. He states, “There was no reason for what I did. I did not hate the old man; I even loved him. He had never hurt me. I did not want his money. I think it was his eye” (Poe 64). Psychosis is seen in the difficult rationality the narrator uses to defend his murder. The logic the narrator provides is that he thinks the desire to murder the old man results from the man’s eye, which bothers him. He says, “When the old man looked at me with his vulture eye a cold feeling went up and down my back; even my blood became cold. And so, I finally decided I had to kill the old man and close that eye forever!” (Poe 65). The fact that by this man’s eye is what makes him very angry is such a irrelevant reason for the narrator to kill him. This proves that he is not mentally stable, anyone in their right state of mind would not want to commit such a crime due to an irritation of someone’s eye. This represents the idea that this narrator expresses his complete lack of sanity through the premeditation and planning he put into committing the murder. In the beginning of the story, he says “vulture eye” giving the impression that he is uncertain that the eye is the reason for the murder, he also says how he thinks it’s the eye, he uses past tense as opposed to declaring with certainty that this is why the killing of the man. This shows the contrast to how as a sane person would be sure that this is their reason for killing another person before committing.
There is a huge difference between life in the United States as it is today and in the 1950s/1960s. The greatest change is the way in which people lived back then verses how they live today and there are many things that influence these changes. For example, after World War II ended, there was a large increase in childbirth throughout the United States. As a result of this, many Americans moved to the suburbs in hopes of a better life. This would create not only more job opportunities, but some leisure as well. There also has been a significant change in the roles that both men and women played in society in the 1950s/1960s verses today. For instance, women are no longer looked upon as just a “House Wife”. Back in the 1950s/1960s, after a woman started a family her main job was to take care of the household while the men
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
Oates uses a great number of symbols in her short story "Where are you going? Where have you been? to create an aura of unease and Devilishness. Her principal symbols are Arnold Friend, his disguise, and the music Connie listens to. Oates' use of symbolism and Biblical allusions to Satan force the reader to raise an eyebrow to the character of Arnold Friend and the doomed future of Connie.
Oates, Joyce Carol. Where Are You Going, Where Have You Been? Backpack Literature. Upper Saddle River, New Jersey: Pearson Education, 2010. Print.
In the short story “Where Are You Going? Where Have You Been?”, by Joyce Carol Oates, the use of the symbolism of Connie’s clothes, her fascination with her beauty, Arnold Friend’s car and Arnold Friend himself help to understand the story’s theme of evil and manipulation. The story, peppered with underlying tones of evil, finds Oates writing about 15-year-old Connie, the protagonist of the story, a pretty girl who is a little too into her own attractiveness, which eventually gets her into trouble with a man named Arnold Friend. The story is liberally doused with symbolism, from the way Connie dresses to the shoes on Arnold Friend’s feet. In “Where Are You Going? Where Have You Been?” the reader can pick up on some of the symbols very easily, while others need deeper thought. The subtle hints of symbolism throughout the story create a riveting tale that draws the reader in. Connie finally succumbs to Arnold Friend at the end of the story, it then becomes obvious that he represents the devil and the symbolism of her clothing and Arnold’s car all tie together to create a better understanding of the story.
The Tale Tell Heart” is a short story in which Edgar Allen Poe, the author, illustrates the madness and complexity of an individual. The unnamed narrator, who is Poe’s main character, is sharing his story of him murdering an old man on the sole reason of his dislike for his filmy blue eye, which reminds him of a vulture. He meticulously plans the murder of this old man, and attempts to cover up the act through his twister persona. In the "Tell-Tale Heart", Poe uses satire, imagery, and symbolism to portray how startlingly perverted the mind of the narrator is and how guilt always prevails.