Religion In James Joyce's Dubliners

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An Analysis of Religion as a Captor in Dubliners by James Joyce A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped …show more content…

The boy feels the need to get away from the priest, but this proves to be impossible. When he ran away into his "pleasant and vicious region", the priest was still there—haunting him. In fact, even before the narrator is thoroughly convinced that the priest is dead, he is worried that Father Flynn will haunt him (Stone 169): "In the dark of my room I imagined that I saw again the heavy grey face of the paralytic. I drew the blankets over my head and tried to think of Christmas". These passages convey the idea that the boy was afraid of the priest and felt somewhat freed by his death. This is further proven when the boy, after having seen the card announcing the death of the priest, thinks it "strange that neither [he] nor the day seemed in a mourning mood and [he] even felt annoyed at discovering in [him]self a sensation of freedom as if [he] had been freed from something by [Father Flynn's] death". This feeling of freedom suggests that the boy understood that he was a captive of Father Flynn, and thereby, also a captive of the church. With the Father's death, perhaps the death of his captivity came as well. The idea of religious bondage can be seen in An …show more content…

In fact, even the narrator proves to understand the religious symbolism when he says "I recognized a silence like that which pervades a church after a service". The narrator's trip to the bazaar is journey, but even here he can not escape the images of religion. Even here he can not escape the image of the Virgin Mary. He sees a young saleslady standing at a door of one of the stalls, flirting with two men. This is paralleled by the image of Mangan's sister standing in her doorway flirting with the narrator. When he realizes the parallelism, he experiences an epiphany. His worshiped angel is only a girl, just like the ordinary girl who stands before him now (Stone 175). When he realizes how he has been deceiving himself, his "eyes burned with anguish and anger". When the boy realizes the hold the church has had on him, he feels enraged and disgusted. Religious imagery and the use of religion as a captor from which the protagonists yearn to escape can be seen in each of the first three stories of Dubliners. Just as Father Flynn haunts the boy in The Sisters, and the boys in An Encounter can not escape the presence of Father Butler, the protagonist of Araby is obsessed with Mangan's sister and can not escape seeing her image

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