The Dead By James Joyce

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James Joyce emerged as a radical new narrative writer in modern times. Joyce conveyed this new writing style through his stylistic devices such as the stream of consciousness, and a complex set of mythic parallels and literary parodies. This mythic parallel is called an epiphany. “The Dead” by Joyce was written as a part of Joyce’s collection called “The Dubliners”. Joyce’s influence behind writing the short story was all around him. The growing nationalist Irish movement around Dublin, Ireland greatly influences Joyce’s inspiration for writing “The Dubliners”. Joyce attempted to create an original portrayal of Irish middle class life in and around Dublin at the end of the 19th century and beginning of the 20th century. The historical context for Joyce’s written work was the tense times before the Irish-English civil war broke out. An examination of his writing style reveals his significance as a modern writer.
James Joyce was born February 2, 1882 in Dublin, Ireland. Joyce was born into a predominantly large Irish family. Joyce attended a Catholic prep school called Clongowes Wood College, which was well known. Joyce only attended school for three years after his family could no longer afford the tuition. Joyce was then awarded a scholarship to attend Belvedere College in Dublin, Belvedere was a rigorous Catholic school. Joyce violently rebelled against the College’s views and found his true desire for being an artist at this time. Joyce criticized the writers of the Irish Literary Renaissance seeing them as provincial. Joyce eventually decided to distance himself from the conventions of his native country and the world’s provincial writers. Joyce wanted to explore his life experiences and dreams through his characters. He saw...

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... the epiphany his desire to focus and pursue life and the things he loves for the first time in his life.

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Puncher, Martin. The Norton Anthology of World Literature. Vol F. New Yoek: W.W. Norton
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Scholes, Robert, and A.Walton Litz. “Epiphanies and Epicleti.” Dubliners: Text, Criticism, and
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