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Love in literature essay
Love in literature essay
Love in literature essay
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Theme of Love in Joyce’s Dubliners, A Portrait of the Artist as a Young Man, and Ulysses
A central theme in James Joyce’s works is that of love: what is it, and how can we discuss it? Joyce could not bring himself to use the word ‘love;’ when Nora asked him if he loved her he could only say that he "was very fond of her, desired her, admired and honored her, and wished to secure her happiness in every way; and if these elements were what is called love then perhaps his affection for her was a kind of love" (Ellmann 6). One can read Molly Bloom’s "Oh, rocks. Tell us in plain words" as Nora’s answer to Joyce’s intellectual, complicated answer (Joyce, Ulysses 64). Perhaps as a result of Joyce’s own concern and questions about love, many of his characters are also confused and looking for a definition of love. There are many kinds of love discussed in Joyce’s works, including love for ideals, family, friends, God, and most importantly, husband and wife. This paper will explore the theme of love in Joyce’s work and show that love is a basic concept in life; characters unsure of this concept need to find a concrete definition before they can be comfortable. To do this I will analyze characters from Dubliners, A Portrait of the Artist as a Young Man, and Ulysses, using the Greek ideals of agape; spiritual love, storge; familial love, philia; the love between friends, and eros; sexual love.
Godlike Love: Agape
Ulysses opens with Buck Mulligan calling Stephen a "fearful jesuit" and mocking church rituals as he shaves (Joyce, Ulysses 3). The two main characters of this novel, Stephen Dedalus and Leopold Bloom have each fallen from their respective faiths. They both suffer for their religious affiliations; Bloom is excluded and h...
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...me to terms with the part of love that is comprised of forgiveness. Stephen is yet doomed to wander in search of the meaning of love, but Bloom has found an incomplete definition, at least of eros.
Works Cited
Burton, John. "ClassicNote." GradeSaver. http://www.gradesaver.com/ClassicNotes/Titles/ulysses/. July 5th, 2000.
Dibattista, Maria. First Love. University of Chicago Press. Chicago, 1991.
Ellmann, Richard. Joyce in Love. Cornell University Library. Ithaca, NY. 1959.
Joyce, James. Dubliners. Portrait of the Artist as a Young Man. The Portable James Joyce. Harry Levin, ed. Penguin. 1976, New York. Ulysses. Vintage, New York. 1961.
Lockett, Joseph. "Four Loves, No Loves." http://www.io.com/~jlockett/Grist/English/ulysses.html
Valente, Francesca. "Joyce’s Dubliners as Epiphanies." The Modern Word. http://www.themodernword.com/joyce/paper_valente.htmls
"Selections from Gandhi : Complete Book Online." WELCOME TO MAHATMA GANDHI ONE SPOT COMPLETE INFORMATION WEBSITE. Web. 01 Oct. 2011. .
James Joyce uses sexuality throughout his works to establish an intimate and relatable bond between the reader and the characters in his works. All of Joyce’s works address issues in sexuality, which presents the idea that sexuality was of upmost importance to him. Given that sex is a large part of human existence, it is a good way to get the attention of the reader. A substantial amount of characters throughout Ulysses and A Portrait of the Artist as A Young Man are driven by sexual desire. In fact, there is so much sex throughout in Ulysses that “early publishers and critics refused to publish it because of its vulgarity; the sexuality featured in Ulysses was part of the claims that the novel was obscene” (Ivie). Sex is a wonderful way to connect the reader to the character, and Joyce is talented in being able to bring the reader right into the sexually suggestive minds of the characters. Each character in all of Joyce’s works are defined by their sexuality and are in search of some type of self-identity, and through that idea is how Joyce best portrays that sexuality itself may be defined by adultery, prostitution, and masturbation and other bodily functions.
Dalton, Dennis. “Mahatma Gandhi Selected Political Writings.” Indianapolis, Indiana. 1996. Hackett Publishing Company, Inc. 125. Text
James Joyce wrote the book Dubliners; Joyce expresses many different types of emotions throughout the book. The emotions portray individuals in society, and light and dark. The emotions of individuals are examined throughout the stories by other members in society. The stories that express the ideas are: “The Encounter,” “Eveline”, and “The Dead.” The symbolism of individuals in society expresses many different situations that are happening in the characters lives. The symbolism of light goes along with the idea of feeling happy and enjoying life. The theme of dark shows the individuals fighting, and having a negative outlook on life.
Diener, Sam. "A Pacifist Critique of Gandhi." 1 September 2006. PeaceWork Magazine. 10 March 2014 .
Cystic fibrosis is a particularly fatal disease, it affects primarily young children and adolescents but a diagnosis later in life is not unheard of. “It is an inherited disease of the secretary glands” ("What is cystic," 2011) that can affect many of the body's organs, most characteristically the lungs. One of the reasons CF (the short form for cystic fibrosis) is so life-threatening is because of the amount of organs it can affect inside the body. It can affect organs such as the “pancreas, liver, intestines, sinuses and sex organs” ("www.medincinet.com," 1996). Mucus lines many body tissues, it naturally is a “thin and slippery” (Mayo Clinic Staff, 2010) secretion but in a client with cystic fibrosis these secretions “become thick and sticky. [Reference Figure 1.] Instead of acting as a lubricant the secretions plug up tubes, ducts and passageways especially in the pancreas” (Mayo Clinic Staff, 2010). These blockages in the pancreas mean that “digestive enzymes that your pancre...
Mohandas Gandhi began life as the fourth son in his family— hardly the child typically expected to bring about greatness, even though his father was the small state’s Diwan, or prime minister. He was born on October 2, 1869 in Porbandar, India. From an early age, he exhibited the gentleness and compassion that he would come to cherish later in life. One story about him says that he loved nature enough to climb a mango tree and bandage its branch. Like the vast majority of Indian families, Gandhi’s was a member of the Hindu religion and its associated culture. As was tradition for many at the time, he was wed at the age of thirteen to Kasturba, another child of the same age. A few years later, when he was sixteen, Gandhi’s father passed away. This left a deep impression on the boy, and he would always remember him with fondness, as we can see from his later ...
Works Cited: Benstock, Bernard. Critical Essays on James Joyce. G.K. Hall & Co. Boston, Massachusetts: 1985. Joyce, James. Dubliners.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
Kumar, Ravindra. Mahatma Gandhi at the Close of Twentieth Century. New Delhi: Anmol Publications, 2004. Print.
... we see that life is a façade; the characters disguise their sorrow in modesty. Joyce’s portrayal of Ireland undoubtedly creates a desire to evade a gloomy life.
1) were crossed directly and reciprocally among each other as Nagarkot x Surbhi, Nagarkot x Binwa, Binwa x Nagarkot, Surbhi x Nagarkot, T-397 x Surbhi, T-397 x Binwa, Binwa x T-397 and Surbhi x T-397 to develop F1, F2 and back crosses for studying inheritance of seed colour in three environments i.e. CSK Himachal Pradesh Agriculture University Palampur, Rice and Wheat Research Centre (RWRC), Malan (Himachal Pradesh) and Shivalik Agricultural Research and Extension Centre, Kangra (Himachal Pradesh). However, for flower colour eight true breeding genetically diverse genotypes of flax viz., HimAlsi-2 (white), Chambal (blue), HimAlsi-1 (white), Nagarkot (blue), Surbhi (white), T-397 (blue), Belinka (white) and Jeevan (blue) were crossed directly and reciprocally among each other as HimAlsi-2 x Chambal, HimAlsi-2 x Nagarkot, HimAlsi-2 x T-397, HimAlsi-2 x Jeevan, Chambal x HimAlsi-2, Nagarkot x HimAlsi-2, T-397 x HimAlsi-2, Jeevan x HimAlsi-2, HimAlsi-1 x Chambal, HimAlsi-1 x Nagarkot, HimAlsi-1 x T-397, HimAlsi-1 x Jeevan, Chambal x HimAlsi-1 , Nagarkot x HimAlsi-1 , T-397 x HimAlsi-1 , Jeevan x HimAlsi-1, Surbhix Chambal, Surbhix Nagarkot, Surbhix T-397, Surbhix Jeevan, Chambal x Surbhi, Nagarkot x Surbhi, T-397 x Surbhi, Jeevan x Surbhi, Belinkax Chambal, Belinkax Nagarkot, Belinkax T-397, Belinkax Jeevan, Chambal x Belinka, Nagarkot x Belinka, T-397 x Belinka, Jeevan x Belinka, to develop F1, F2 and back crosses for studying inheritance of flower colour in three environments. The material was grown in randomised block design with three replications during Rabi 2014–15 at experimental farm of Department of Crop Improvement, CSK Himachal Pradesh Agriculture University Palampur, RWRC, Malan and Shivalik Agricultural Research and Extension Centre, Kangra with row to row and plant to plant spacing of 30 and 5 cm respectively. The
Joyce, James. A Portrait of the Artist as a Young Man. New York: Bantam Books, 1992.
Stephen's Journey to Maturation in A Portrait of the Artist as a Young Man by James Joyce
While the reactions to A Portrait of the Artist as a Young Man were not as severe as were those of Ulysses, it was still considered shocking, and was judged by critics including "The Times," "The Manchester Guardian," and even Edward Garnett, who had encouraged D. H. Lawrence. Criticisms and complaints about the book's "occasional improprieties" (The Times), and "astounding bad manners" (Manchester guardian) were common, and it is easy to see why taking into account the reserved culture in 1916. This aspect of supporting whether or not I agree with the accusations of the books morality and appropriateness is difficult because one cannot base the subject matter and use of language on today's culture and acceptance. Surely the material written by Joyce does not provoke the same feelings today as it did when it was first published, but, putting the time period in respect, I would agree that it was inappropriate material to have presented. Considering that even the bed-wetting event which takes place on the first page of the book was considered unsuitable, I feel that while it may have been practiced, such matters of prostitution and sexual promiscuity were certainly unnecessary.