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More handpicked essays just for you.
Features of postcolonial literature in contrast to colonial literature
Cultural identity and sense of belonging
Cultural identity and sense of belonging
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As an immigrant myself watching the play for the first time, I was drawn to the shockingly realistic similarities my family encountered as immigrants, emotional as they maybe. It lifted the veil on past and current immigration issues plaguing Australia and the western world (Blake, 2018). The play's liberal usage of reference to the Bianchis family as "New Australians" reflects the general attitudes of that period especially since some of those "Old Australians" felt uncomfortable integrating with new cultures, languages and customs while fearful of becoming tainted. I do find it rather ironic that these "Old Australians" would refer themselves as natives or the stance, "I was born here," when they themselves were at one time immigrants whilst …show more content…
Recent news with the country turning away Syrian refugees show how this unethical and immoral cycle of the dominant community's stance and fears towards refugees constantly repeats itself within Australia. Thus, the Shifting Heart's relevance in contemporary Australia is simply too hard to ignore and which I believe is the main reason for its return back into the theatre scene.
It is undeniable that the Shifting Heart is and was part of the Australian theatrical repertoire since its premiere at least until the late 90s. Questions are raised why it suddenly disappeared from almost all the major theatre companies save for a pair of local amateur productions in 2007 and 2016. The latter which was produced by the Geelong Repertory Theatre Company raised some interesting theories; especially as Geelong as a suburb does have a considerable migrant population from World War II. In 2016 the Australian government made major headlines across the globe for their decision to turn away Syrian refugees arriving by boat, "The Boat People". Widespread protests and news coverage were prevalent on social media platforms as a result. It is unquestionably an anti-immigrant stance
The movie depicts what it was like to be Australian in the decades of the 50’s and 60’s and the decisions of the Australian government over this period, through the journey of four Aboriginal women and one Irish man. The movie explores the treatment of indigenous people living in this era in comparison to white Australians. The unique ways in which the characters made their living provided for scrutiny, judgement and vulnerability. In the movie you see just how differently the Aboriginal community was treated compared to the white Australians during these era’s.
Good afternoon fellow HSC students my name is Mr Zec from the University of Wollongong and I’m here to talk about the play The Shifting Heart and the related text Hospital Evening. The Shifting Heart is a play written in 1957 by Richard Beynon, and it is set in Collingwood in Melbourne. The scene consists of an untidy backyard with a large garbage can, the right fence has barbed wire running across it and the left fence is broken with rusty nails in it. It takes place at the afternoon of Christmas Eve to the morning of Christmas day. Throughout the play the language used is usually either stereotypical Australian or Italian.
In Australia the Aboriginals face discrimination daily. The film opened with four young Aboriginal girls singing on a makeshift stage facing their community. When the camera panned to show the smiling faces in the crowd it gave a feel of unity and love. Later it showed two sisters who were trying to hitch a ride into the city from the main road. Yet every vehicle passed them by; once they saw who they were, frustrated the older sister. Gale stated it was because they ‘were black’. When in the town playing their song on the stage in a bar, the youngest sister turned up and took
All three authors recognize that difference constructs discrimination. The concept of othering (Hall 1997) and Anglo dominance presented by Moreton-Robinson (2015) help understand Judith Butler’s findings as to why oppression and exclusion cannot be reduced completely. It is same fear of the ‘other’ and white dominance in Australia that keep Australian institutions from reaching integration and equality—film being one these institutions. The filmmakers of The Sapphires attempt to tell the Aboriginal narrative. The scenes mentioned in the previous paragraphs, educate a diverse audience about Aboriginal discrimination in Australia in the 1960s. However, even though the filmmakers reveal some truths of Aboriginal discrimination, they do it in a way which the Aboriginal narrative is suppressed and Anglo dominance is maintained. “The Sapphires” plot is not centered on Aboriginal discrimination, rather a story of how four Aboriginal girls learn about love and friendship. Aboriginal discrimination in the 1960s forms only a small part of the journey to entertain American Troops in Vietnam. By presenting a musical comedy-drama film, the filmmakers sugar coat Australia’s dark past. The movie also ends on a good note. Cousin Kay who at some point rejected her Aboriginal roots, overcomes her prejudice and gets more in touch with the Aboriginal culture by partaking in an Aboriginal ceremony. By the end of the film the audience barely recalls the discrimination scenes and only remembers a happy ending. This is dangerous, as the film deceives its white Australian audience to believe that racial inequality in Australia is an issue of the past not the present. Therefore, promoting the idea that the Australia does not continue to privilege white people over Aboriginals
Watching the documentary “Go Back To Where You Came From” regarding the issues of Asylum Seekers and Refugees, I am disgusted about the way that Australia has been treating Asylum Seekers and Refugees. That is why I am writing you this letter to promote and voice my view on the treatment to refugees, the Stop the Boats Policy and ways to minimise this Issue.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
The theme of “These Shining Lives” is the desire for economic independence, it enhances a women’s self worth and shows the exploitation of women worker’s. The play is a historical drama. The play writes message was to show the audience a women desire for independence and being something other than a wife and mother. It shows the struggles and dangers that a women face in the workplace during that time period. I thought the play was really touching. It made me appreciate being young women in the 21st century. I can’t imagine living in a society that sees a women wanted independence to be strange and different. Women and men she equal and this is especially true in the workplace. It also shows how the safety and conditions in the workplace has
These difference in opinions can lead individuals to new attitudes and insight. The central protagonists of ‘Go Back To Where You Came From’ majorly hold stereotypical Australian ‘leftie’ views which empathetically convert in typical right hand perceptions. This is the case when Raye is further propelled into her journey of discovery through the exposure to the Malaysian midnight raids. This event challenged the Australians on their perceptions of illegal “in transit” refugees, by witnessing their capture and arrest. This change in perspective towards the Malaysian “shadow world” is brought about by their newfound introduction into the traumatic, confrontational experiences of Maisara and the attachment with the “in transit” Chin people. The hand-held camera footage frequently cuts between the participants and the raid to mirror the chaotic and disorderly nature of the assault. When transitioned to Raye, a medium shot reveals her shaking her head in disbelief, and frantic repeated stuttering of “I don’t know. I don’t know”. Her acute tone of agitation and body gestures suggests that she was overwhelmed by the inhumanity and abrasiveness of the raids, again forcing her to confront her views on refugees. Raye grows an empathetic heart for the refugees on her journey of discovery encompassing direct confrontation with their plight of despair. On the other hand,
"Lost Hearts" written by M R James is a disturbing yet intriguing short story. M R James uses intense descriptions and shows ghostly figures to create tension. Throughout the story unpredicted events take place. Mr Abney’s obsession with pagans and religion makes the reader question why he is so interested about taking in his orphan cousin and how it could benefit him. “The Professor of Greek at Cambridge had been heard to say that no one knew more of the religious beliefs of the later pagans than did the owner of Aswarby.” We learn about the disappearance of the two previous children who had also been taken in by Mr Abney. After the ghostly sightings of the two children with their hearts ripped out, are witnessed by young cousin Stephen, it creates a sense of foreshadowing events and suggests to the reader, the third victim will be innocent Stephen.
Throughout both ‘Rainbow’s End’ and ‘The Rabbits’, the audience discovers the plights that the Aboriginal Australians faced, due to discrimination and assimilation, in intensely confronting, yet intensely meaningful ways. We see how the discrimination and forced assimilation of cultures was common in the lead up to modern times because of composers like Harrison, Marsden and Tan reminding us of these events, allowing us to discover and rediscover our past wrongs through their works, in order to pave the way for a brighter, harmonious future. Without these documentations and retellings of events such as these, history would repeat itself, conflicts would be more apparent and we as a species would not be able to thrive and prosper due to our prejudices and superiority complexes.
In this short, poetic essay Joyas Voladores by Brian Doyle the paradox of the heart is widely recognizable. He explains love, and how the matter of the heart inflicts joy, but also a deep pain that roots in fear and vulnerability. Doyle begins by contrasting the hummingbird and the blue whale, providing two separate ironies of each creature’s heart, and eventually relates the heart of different animals to that of a human, suggesting that the heart is the driving force behind all living beings, but is also what fails us all.
Yes, I had done one or two with them, but it was actually the TCA's from that movie where my association with When Calls the Heart came about. Lori Loughlin and I are buddies. I'm golf buddies with her husband, Mossimo. She said, "Hey, the producers of the show I'm on really want to meet you." So I met Brad Krevoy, and when we met, he so wanted me on the show that he was willing to fly me up to Vancouver to do the final two episodes of this pioneer show he was doing. And it wound up happening.
...tween officers and convicts gradually fades into a society, as well as how the characters grow throughout the play, in particular due to the transforming power of theatre while rehearsing The Recruiting Officer. There is however the question of the Aborigine. It is safe to say that his evolution shows a different trend, a tragic one, but not one that is necessarily directly related to the rest of the plot, it is more of a sub-plot; Our Country's Good is a comedy mixed with slight amounts of tragedy and black humour to the extent that it deals with the First Fleet and how they set up a colony in Australia, however it changes entirely if we look at it from the Aborigine's point of view, it then becomes deeply tragic while portraying the erasure of indigenous peoples by colonists all over the globe.
My sense of Australian identity is that it is multi-faceted and there are multiple incarnations of Australian identity. This is reflected in my reading of Australian masculinity in The Piper’s Son, where Australian identity is depicted as the archetypal “Aussie Battler” and in First Dance, where alcohol, sexual violence and a “pack mentality” are elements of Australian adolescent masculinity.