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Identity. It’s a broad and difficult concept. As Australians, our identity is multi-faceted, having various different expressions. One aspect of my sense of Australian identity is masculinity and the idea of the “Aussie Battler.” An Aussie Battler is a man from the working class, a person who has pride in the country they live in. An Aussie battler is a patriarchal figure who works hard to support their family, often spending their spare time with the family or at the pub. The Piper’s Son, an Australian novel by Melina Marchetta, reflects my sense of Australian identity through it’s representation of Australian masculinity in the depiction of Dominic Finch-Mackee as the archetypal “Aussie Battler.”
The “Aussie Battler” is a facet of my sense of Australian identity. In the Piper’s son, Dominic Finch-Mackee exemplifies an Aussie Battler. Dominic works for the Australian Council of Trade Unions - representing the small guy or the disadvantaged. Dominic unifies with his fellow workers to ensure they have a fair-go — an ideal the working class strongly believe in. This is seen when Dominic protests along with the wharf workers in the 1998 protest on the waterfront, over the unfair dismissal of their entire workforce as a threat against unionism. Dominic exhibits the patriarchal figure as the people of the community said “If Dom’s going, we’ll go too.” Dominic is paid no more than the rest of the people in the community but his father-like figure unites the rest of the community together to fight for their people - the working class. Dominic has a large and close family that he supported, prior to the death of his brother and best friend, Joe. The family all lived together at some stage in an impractical situation and their furniture a...
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...eads to violence and sexual aggression in men if the drinking becomes out of control. In First Dance, Roy and his group of mates hang out outside the local surf club, drinking beer in a controlled environment until Chrissie and Toni show up, too drunk to control themselves. This causes the men to take advantage Toni and as a consequence, rape and kill her as a result of sexual aggression. This action is reflects alcoholism and sexual aggression in Australian adolescent men.
My sense of Australian identity is that it is multi-faceted and there are multiple incarnations of Australian identity. This is reflected in my reading of Australian masculinity in The Piper’s Son, where Australian identity is depicted as the archetypal “Aussie Battler” and in First Dance, where alcohol, sexual violence and a “pack mentality” are elements of Australian adolescent masculinity.
Gary’s House, Debra Oswald, features the story of an Aussie couple facing the reality of adversity. Oswald has represented common beliefs and representations through the four protagonists mainly focusing on Gary and Dave. Many beliefs and values in the book symbolize the dominant stereotypes of an average Australian. Oswald explores the concept of an Aussie battler and how it perpetuates and challenges the common stereotype of Australians.
Mate-ship is a concept that can be drawn back to colonial times, It is particularly used to symbolise the bond between men and often used frequently in times of adversity and hardship. Mate-ship is reflected throughout Nick Enright’s ‘Property Of The Clan’, Peter Weir’s ‘Galipoli’ and the image chosen by me’ shown through the characteristics of courage and empathy which shape our individuals lives as Australians today. Many characters experience different aspects of mate-ship for the duration of property of the clan. Mate-ship takes all forms and is affected by the circumstances of many different situations.
One of the many factors that have contributed to the success of Australian poetry both locally and internationally is the insightful commentary or depiction of issues uniquely Australian or strongly applicable to Australia. Many Australian poets have been and are fascinated by the issues relevant to Australia. Many in fact nearly all of these poets have been influenced or have experienced the subject matter they are discussing. These poets range from Oodgeroo Noonuccal Aboriginal and women’s rights activist to Banjo Patterson describing life in the bush. Bruce Dawe is also one of these poets. His insightful representation of the dreary, depressing life of many stay at home mothers in “Up the Wall” is a brilliant example of a poem strongly relevant to Australia.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
The notions of the Australian voice as multifaceted and diverse, is insightfully expressed in Tim Winton's short story anthology The turning and the Drover's wife by Henry Lawson. Australian voice in literature often explores the quality inherent to the Australian identity of overcoming hardships. The stories Fog, On her knees, and The Drover's wife explore these hardships through the notions of mateship,and the importance of family in facing these challenges.
Before we look at whether James Moloney effectively uses characterisation to convey Aboriginal issues we must look at the issues themselves. In Dougy, the issue of black and white prejudice is strongly present in the plot. The stereotyping of Aborigines and white Europeans play an important role in the events and the outcome of the story, as is individuality and the breaking of the stereotypes. The book also touches on the old Aboriginal superstitions that are still believed in by some today, though one of such superstitions plays an important role in creating the mood of the resolution. These issues impact most heavily on the character Gracey.
“Approximately half of all sexual assaults are associated with either the perpetrator 's alcohol consumption, the victim 's alcohol consumption, or both” (Abbey, Zawacki, Buck, Clinton, & McAuslan, 2004, p. 1). As such, the emphasis of this paper is on the link between alcohol and sexual assault. This paper will focus on Jamie Foxx’s (2008) disregard for consent and use of alcohol as a tool of coercion in pursuing ‘sex’ in the song Blame It. I plan to discuss the legal framework by which the use of alcohol to seduce – rather incapacitate – women can classify the sexual acts that follow as assault (or not). I will also discuss Foxx’s apparent disregard for consent in his pursuit of ‘sex’ with the woman about whom the song is
Director Ken Hannam uses the eclectic character range of the film to demonstrate the masculinity and mateship of Australian culture in the era. The competitiveness, alchoholism, gambling and distain for the daughter reak “Aussie” maleness and provide a bleak but relative humour to the film. Through out the film speech is kept to a minimum and the feel of the film is replaced by actions such as the scene where Foley and his “mate” compete in washing clothes while naked. Through similar scenes it seems that Ken Hannam is showing the nessecity and pain of masculine culture through the characters and situations presented.
Reynolds, H. (2005). Nowhere People: How international race thinking shaped Australia’s identity. Australia: Penguin Group
Australian voices are the medium used to reflect an Individual's value in the society, culture, historical and political beliefs of Australia. It expresses general opinions, perspectives, attitudes, interpretations and emotion of both individual Australians and the wider collective society. In "The Castle" by Rob Stitch, the Australian voices, both private and public voices provide the audience with an insight into a range of voices that shape Australian culture and society.
The poem “Who are We” on the other hand describes Australia from the Aborigine point of view, and the dare consequences it had for their life and lifestyle. The poem also describes the special relation that the Aborigines have with the nature, and how the white men destroyed it all, how they took their land and home from them, and made them prisoners in their own land, “Where in the world do we feel free, when born into life as an Aborigine”. The poem describes all of those things such as the lost generation and how the majority has ignored them, which became a historical amnesia in the Australian society. “Nature is screaming and crying in pain, at the loss of her children”
Through numerous poetic techniques Paterson has shown that the Australian diversity is as diverse as the country itself. The Australian identity concerns the way Australia is viewed by other people. There are a variety of different aspects that contribute to this identity of Australia which include historical icons. Paterson recognizes how lucky we are to live on a land notorious for its diverse landscape. He is signaling that we are missing out and we need to cherish the great land we were given.
...our in the development of Australian identity has been demonstrated through the ideas previously described. Our humour is very unique and is described as dry, anti-authoritarian, ironic, self-mocking and is able to stretch the boundaries of what is normally accepted by society. This humour plays an important part in the Australian Identity. Many events in Australia’s history have shaped our individual type of humour into what it is today such as the Anzacs at Gallipoli, early federation and settlement. Much of our humour has developed through times of great hardship such as the World Wars. Other countries see humour as a distinctive part of our identity. So it can now be seen that due to the overwhelming information explaining how and why humour is significant, that it can be realised that it played a very fundamental role in the development of Australian identity.
The article written by Diane Kirkby “Beer, Glorious Beer”: Gender Politics and Australian Popular Culture, is focused on the gender inequalities on the alcohol drinking of beer by the male and female sex roles. Author Cyril Pearl stated ‘Beer is a religion in Australia’ in 1969. This article shows that masculinity is proven to be to dominant gender due to for some time, only the males where allowed to drink beer and drink in the pubs. In colonial Australia in the twentieth century mostly woman were the ones to manage and work at the pubs, However woman also enjoyed their beer but drinking beer has been advertised to be a masculine beverage. Australian pubs goal was to primary sell beer to the males, Pub culture had become what it meant to be an Australian male considered to be boorish,