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Australia cultural analysis
Australia cultural analysis
What is the importance of character development in literature
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Gary’s House, Debra Oswald, features the story of an Aussie couple facing the reality of adversity. Oswald has represented common beliefs and representations through the four protagonists mainly focusing on Gary and Dave. Many beliefs and values in the book symbolize the dominant stereotypes of an average Australian. Oswald explores the concept of an Aussie battler and how it perpetuates and challenges the common stereotype of Australians. Born in 1959, author Debra Oswald began writing as a teenager. She rose to prominence with the debut of Gary’s House where it was shortlisted for the NSW Premier’s Award. Many of her works features abandoned and neglected children that grow into adults to fight their own demons in the past. Oswald writes about the importance of a family’s psychology, both real and surrogate. In Gary’s House, Gary had a bad relationship with his father that lead to neglection and eventually hate but when Gary himself becomes a father he disregards his past to provide for his future child. This is the author’s intention of representing how important family is. With only four characters in the play, each of these individuals plays a vital role in each other’s lives. Gary and Dave are juxtaposing characters in the play, with Christine and Sue-Anne being the other two. Prior to their first meeting, Gary was hardworking and determined, a classic Aussie tradie striving to build a house on a block of land he inherited from his passing father in hopes of providing a future for his unborn baby. Dave however, is quite contrasting in comparison to Gary. Dave is known for being laidback and lazy, playing a passive role. Despite not revealing much about himself, Dave is socializes well with the rest of the characters with c... ... middle of paper ... ...ges Dave’s carefree attitude into compassionate and empathetic. Characters in the play aren’t the only way Oswald interpreted common representations. Throughout the text in the play Oswald is able to create a vivid image of the location and background in the play. Oswald demonstrated how even setting and location could represent the dominant stereotype. The main location in the play is a building site on a remote bush block where Gary attempts to finish his house for Sue-Anne and their baby. This revolves around the general landscape in Australia. This includes the remote outback and the bush lands hence Oswald’s perpetuation of the setting in the play. The house plays a significant role as well. The state of the house often reflects on the emotions on the characters. Such as when Gary ended his own life the house was shown to be ‘deserted and abandoned’ (pg. 41).
Every day the safety and well-being of many children are threatened by neglect. Each child deserves the comfort of having parents whom provide for their children. Throughout the memoir, The Glass Castle, Jeannette Walls explains the childhood from being born into the hands of parent who neglect their children. Many may argue that children need to grow with their parents; however, the removal of children is necessary if the parents disregard the kid’s needs and cannot provide a stable life for their children.
The fourth Chapter of Estella Blackburn’s non fiction novel Broken lives “A Fathers Influence”, exposes readers to Eric Edgar Cooke and John Button’s time of adolescence. The chapter juxtaposes the two main characters too provide the reader with character analyses so later they may make judgment on the verdict. The chapter includes accounts of the crimes and punishments that Cooke contended with from 1948 to 1958. Cooke’s psychiatric assessment that he received during one of his first convictions and his life after conviction, marring Sally Lavin. It also exposes John Button’s crime of truancy, and his move from the UK to Australia.
The suburban house, as the film’s setting and sphere of action, is extraordinary partly because it is ‘next-door’ to an airport. The odd layout of this backyard is underlined because their suburb meets the kind of architectural cast-offs often found at the margins of big cities. This mix of the humble backyard with the international vectors of travel, tourism and international trade plays out in the film’s narrative which connects the domestic and the distant. The Castle displays many locations and landscapes easily identified as being unique of Australia- The ‘Aussy’ barbeque and patio setup, greyhound racetrack and poolroom, just to name a few. The neighbours of the Kerrigan’s are a symbol representing the multicultural diversi...
No matter what actions or words a mother chooses, to a child his or her mother is on the highest pedestal. A mother is very important to a child because of the nourishing and love the child receives from his or her mother but not every child experiences the mother’s love or even having a mother. Bragg’s mother was something out of the ordinary because of all that she did for her children growing up, but no one is perfect in this world. Bragg’s mother’s flaw was always taking back her drunken husband and thinking that he could have changed since the last time he...
In John Connolly’s novel, The Book of Lost Things, he writes, “for in every adult there dwells the child that was, and in every child there lies the adult that will be”. Does one’s childhood truly have an effect on the person one someday becomes? In Jeannette Walls’ memoir The Glass Castle and Khaled Hosseini’s novel The Kite Runner, this question is tackled through the recounting of Jeannette and Amir’s childhoods from the perspectives of their older, more developed selves. In the novels, an emphasis is placed on the dynamics of the relationships Jeannette and Amir have with their fathers while growing up, and the effects that these relations have on the people they each become. The environment to which they are both exposed as children is also described, and proves to have an influence on the characteristics of Jeannette and Amir’s adult personalities. Finally, through the journeys of other people in Jeannette and Amir’s lives, it is demonstrated that the sustainment of traumatic experiences as a child also has a large influence on the development of one’s character while become an adult. Therefore, through the analysis of the effects of these factors on various characters’ development, it is proven that the experiences and realities that one endures as a child ultimately shape one’s identity in the future.
Do you have any friend or relatives that are considered to be broken or disorganized family? Do you know that many disorganized family are likely to ties with their extended family? If you know any broken or disorganized families, you may realized that a broken family usually faced many difficulties, such as financial problem, missing family members, and they tend to be unhappy comparing to others. Moreover, missing a father figure in the house for a child could cause numbers of problems. In the novel “Looking for Work” the main character and also the author who named Gary Soto, a nine year old Mexican American boy, he was from a disorganized and broken family. That Gary desire to live out a life style just like the standard white American
The lack of support and affection protagonists, Sula Peace and Nel Wright, causes them to construct their lives on their own without a motherly figure. Toni Morrison’s novel, Sula, displays the development of Sula and Nel through childhood into adulthood. Before Sula and Nel enter the story, Morrison describes the history of the Peace and Wright family. The Peace family live abnormally to their town of Medallion, Ohio. Whereas the Wrights have a conventional life style, living up to society’s expectations.The importance of a healthy mother-daughter relationship is shown through the interactions of Eva and Hannah Peace, Hannah and Sula, and between Helene Wright and Nel. When Sula and Nel become friends they realize the improper parenting they
Sociology relates to this novel in so many different ways. The family in the story, Flowers in the Attic, written by V.C. Andrews, starts off as a family of procreation, a family established through marriage, which includes the mother (Mrs. Dollanger), the father (Mr. Dollanger), and the four children: Cathy (the oldest daughter), Chris (the second oldest son), Carrie and Corey (the young twins). A conflict begins when the father dies in a car wreck, so the mother and her four children must move in her rich parents estate because they have no money and nowhere to stay. After the father's death, the norms of the children changed. The norms of the children were to stay hidden in the basement by them selves because Mrs. Dollanger may only earn back the right to inherit her father's estate by falsifying that she has no children by her husband who was also her half-uncle. The original agreement was that they can leave the basement when their grandfather dies. The rules of the house were given by the dying grandfather that stated if Mrs. Dollanger was found to have children that she would be disinherited again.
The thought of her brothers still being in her former home environment in Maine hurt her. She tried to think of a way to get at least one of her brothers, the sickly one, to come and be with her. She knew that her extended family was financially able to take in another child, and if she showed responsibility, there would be no problem (Wilson, 40). She found a vacant store, furnished it, and turned it into a school for children (Thinkquest, 5). At the age of seventeen, her grandmother sent her a correspondence, and requested her to come back to Boston with her brother (Thinkquest, 6).
Let's begin by talking about the way Stanley's aggressiveness affects the climax of the play. During scene three, while the boys were playing poker, Blanche and Stella come into the kitchen and, as a result, disrupt the games.
One of the cases found in the novel by Cynthia Crosson-Tower dealt with a little girl by the name of Jessica Barton. Although still a small child, her foster family had an issue trying to raise her in which she gave them behavioral issues and she would not react to them and was hard to ...
The pointedness of the play is created through a distinct plot path. The observer is lead through the story, seeing first how greatly Amanda Wingfield influences her children. Secondly, the play-goer notes how Tom Wingfield desperately struggles and writhes emotionally in his role of provider- he wants more than just to be at home, taking care of his all-too-reminiscent mother and emotionally stunted sister. Tom wants to get out from under his mother’s wing; his distinct ambitions prevent him from being comfortable with his station in life. Lastly, Laura struggles inside herself; doing battle against her shyness, Laura begins to unfurl a bit with Jim, but collapses once again after Jim announces his engagement and leaves her, again. Each character struggles and thrashes against their places in life, but none of them achieve true freedom. This plot attests to the fact that true change and freedom can only come through the saving power of God Almighty and Jesus Christ, and by letting go of the past.
We have all heard the African proverb that says, “It takes a village to raise a child.” The response given by Emma Donoghue’s novel Room, simply states, “If you’ve got a village. But if you don’t, then maybe it just takes two people” (Donoghue 234). For Jack, Room is where he was born and has been raised for the past five years; it is his home and his world. Jack’s “Ma” on the other hand knows that Room is not a home, in fact, it is a prison. Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story but give significance as well. The Point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side with conflict, both internal and external, are shown throughout the novel.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
In Doll’s House,” Ibsen presents us with the drama of Torvald and Nora Helmer, a husband and wife who have been married for eight years. Nora leaves at the end of the play because she just want to experience her freedom, also she is tired of her husband torald treats her like his doll. Nora independence would affect the kids and her marriage positively. After she left her husband, she would be able to build herself to be a woman every man would want to marry because she has learnt from her past experience. If Nora will return to the home she will have learned self-discipline and her kids will have to learn how to be independent because that will be all Nora is used to, so she will not accept any other behavior that the kids learnt with their father. In the end the kids will benefit because when they want and need something they will know how to work for it. But if she stay the children may struggle to find their independence When we see the relationship of Nora and Torvalds We hear a reference to her father, whom Nora says is