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The relationship between postcolonialism and postmodernism
Features of the post colonial literature
The relationship between postcolonialism and postmodernism
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Postcolonialism is a literary period that existed since around the middle of the 20th century. This period or in other words this literary era followed the colonialism era. It is regarded after the colonized countries or nations got their independence and got a way out under colonials. This era like the rest of other literary eras has various particular characteristics and aspects. Most commonly the aspects of Post-colonial literature fall into; history, literature, politics, culture and identity of both the countries that were colonized and colonial countries. However, Postcolonialism can take the colonial time into consideration as well as the time after colonialism. Postcolonialism also deals with conflicts of identity and cultural belonging. Colonial powers came to foreign countries and destroyed the most important parts of their native traditions and culture. People from colonized countries were seen as lesser and powerless people because their land, home and everything were controlled by colonized countries. This often led to conflicts when countries became independent and suddenly faced the challenge of developing a new national identity and self-confidence. People from former colonized countries tried to discuss the problems and difficulties they had during the period of colonization and effects of the period by producing a literature which is called postcolonial literature. Postcolonial literature is writing which has been “affected by the imperial process from the moment of colonization to the present day” (Ashcroft et al, 2). Postcolonial literature seeks the richness and legitimacy of original cultures in an effort to restore pride in practices and traditions that were systematically degraded under colonialism. Ther...
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...(Emory U) Chinua Achebe’s works also reflect the theme of language.
Postcolonialism as a literary period defined by the time when colonialism faced another phase and colonized nations no longer accepted to be under the power of a foreign nation. During which the most fundamental elements of national identity and tradition were highly affected. Language and identity as noticeable factors of a country or a nation mostly went under foreign impacts, more than the other factors. Identity was one of the most important aspects of post-colonial literature was significantly reflected in the works of period’s authors. Achebe’s Things Fall Apart is one of the globally known works that expressed a nation’s enthusiasm towards preserving its own rituals in other words identity. In another hand Language of colonized nation went under the same effective impacts of the colonizers.
Post-colonialism is a discourse draped in history. In one point in time or another, European colonialism dominated most non-European lands since the end of the Renaissance. Naturally, colonialists depicted the cultures of non-Europeans incorrectly and inferior. Traditionally, the canon has misappropriated and misrepresented these cultures, but also the Western academia has yet to teach us the valuable and basic lessons that allow true representations to develop. Partly in response, Post-colonialism arose. Though this term is a broad one, Post-colonialists generally agree on certain key principles. They understand that colonialism exploits the dominated people or country in one way or another, evoking inequalities. Examples of past inequalities include “genocide, economic exploitation, cultural decimation and political exclusion…” (Loomba 9-10). They abhor traditional colonialism but also believe that every people, through the context of their own cultures, have something to contribute to our understanding of human nature (Loomba 1-20). This is the theme that Lewis prescribes in his, self described, “satirical fantasy”, Out of the Silent Planet (Of Other 77).
... century. In conclusion, The Empire Builders can be interpreted through a postcolonial perspective since it produces many elements of the hierarchy of difference.
In different ways, the novel’s narrated the construction of diasporic sensibility subjects effects a evaluation of the postcolonial nation-state without subscribing to a unified, one-world vision of global belonging.
The colony is not only a possibility in the geographical; it is a mental dominance that can imperialize the entire self. Entire continents have be domineered, resources completely dried, and at colonialism’s usual worst, the mental devastation of the indigenous culture has left a people hollow. Indigenous culture is no longer that. In the globalized world, no culture is autonomous; culture cannot breathe without new ideas and new perspectives, perspectives that have traditionally come from the people who have lived within the culture. But, the imposition of dominant cultures has certainly benefited from culture’s own vulnerability, as global similarities now exist throughout most different, yet not separate cultures. Postcolonialism is imperialism with a mask on, nothing less. As Franz Fanon puts it “that imperialism which today is fighting against a s true liberation of mankind leaves in its wake here and there tinctures of decay which we must search out and mercilessly expel from our land and our spirits.”
Postcolonial criticism, as suggested in the textbook, “has developed because of the dramatic shrinking of the world and the increasing multicultural cast of our own country” (1603). As described by Andrea Smith in his book “From Heteropatriarchy and the Three pillars of White Supremacy”, “The
Traditional canonical discourse contains conventional concepts of marginality, hegemony, and dichotomy, but these concepts are always displayed in the same manner. The concept of dichotomy is typically depicted as white people always having power, while everyone else is supposedly powerless. Marginalization usually consists of white people being the focus of canonical texts, while other cultures are usually focused on less. As far as hegemony is, concerned, canonical works mostly contain British or American ideals, and portray other cultures as being savage. There have been a “rewritingâ€� of canonical texts that alters the concepts of traditional marginality, dichotomy, and hegemony. These alterations are very evident in Chinua Achebe ’s “Things Fall Apart.” Achebe creates nontraditional portrayals of these concepts, which creates a completely new genre of literature. By re-defining these concepts, Achebe gives voice to people who are usually not given one, and forces people to realize that the people who are usually considered savages in canonical works have their own side of the story. “Things Fall Apart” is an excellent example of a rewriting of the standard concepts of hegemony, marginalization, and dichotomy. The type of work that Achebe writes has a very significant impact on traditional concepts because of the way these concepts are used in “Things Fall Apart.”
Achebe has chosen the appropriate title for his work, Things Fall Apart. Under the invasion of Christians, Ibo society fell apart. Achebe illustrates a traditional and unified society that little by little broke apart because of white missionaries that introduced their religion to the Ibo society. The collapse of Ibo society cannot be completely blamed on the Christians but also on the Ibo customs and beliefs that troubled some of the peoples mind. Achebe included some of the positive and negative aspects of Ibo culture and it is through some of his characters that he voiced objection to some of the Ibo the customs and beliefs.
Recent developments in the humanities, usually grouped under the common label of "post-structuralist theory," have contributed to making us sensitive to the politics of culture, in general, and of literature, in particular. Much thought has been given in the last few decades to how the literary canon emerges and holds its ground, and to the relations between canonical and non-canonical, between the centre and the margins. Post-colonial theorist Edward Said reminds us that "[t]he power to narrate, or to block other narratives from forming and emerging, is very important to culture and imperialism, and constitutes one of the main connections between them" (xiii). Here as in other respects, the political agendas of feminism and post-colonialism overlap; both aim at challenging the canon and at inscribing the experiences of the marginal subject (female and/or post-colonial).
Bibliography w/4 sources Cry , the Beloved Country by Alan Paton is a perfect example of post-colonial literature. South Africa is a colonized country, which is, in many ways, still living under oppression. Though no longer living under apartheid, the indigenous Africans are treated as a minority, as they were when Paton wrote the book. This novel provides the political view of the author in both subtle and evident ways. Looking at the skeleton of the novel, it is extremely evident that relationship of the colonized vs. colonizers, in this case the blacks vs. the whites, rules the plot. Every character’s race is provided and has association with his/her place in life. A black man kills a white man, therefore that black man must die. A black umfundisi lives in a valley of desolation, while a white farmer dwells above on a rich plot of land. White men are even taken to court for the simple gesture of giving a black man a ride. This is not a subtle point, the reader is immediately stricken by the diversities in the lives of the South Africans.
In this paper feminist aspect of post colonization will be studied in “Season of Migration to the North” novel by Tayeb Salih. Postcolonial feminism can be defined as seeks to compute for the way that racism and the long-lasting economic, cultural, and political influences of colonialism affect non-white, non-Western women in the postcolonial world, according to Oxford dictionary. As it mentioned earlier about the application of Feminism theory in literature, the provided definition of postcolonial feminism also is not applicable in literature analysis. Therefore, Oxford defines another applic...
Colonization in Nigeria affected the Igbo culture and its people in many different ways. In the novel, Things Fall Apart by Chinua Achebe, the author portrays events in the novel that reflect real experiences that he had. Many of the events in the novel deal with the act of colonization and how it affects different members in society, an idea that Achebe has experienced for himself. The author 's first hand experience with colonization allows the story to depict how colonization affected the Igbo people more accurately. Chinua Achebe creates an accurate representation of colonialism with his use of real events that occurred.
Achebe wrote Things Fall Apart to be an antithesis to much of European literature, and his characterization of Okonkwo as almost a tragic hero serves that purpose. Because Okonkwo has similarities to Oedipus and others, such as Thyestes or Hamlet, he shows Western readers that Africans and members of other marginalized cultures are not completely foreign. As a corollary, Okonkwo 's failures to meet some of the qualities of a tragic hero demonstrate the failure of the mainly Western archetype to represent universal standards, a main point for postcolonialist writers. However, just because Okonkwo is an inversion of the traditional tragic hero does not mean that the archetype cannot hold for cultures outside of Europe; instead, it merely means that archetypes can be modified to create more literary variety in the same way that novels written by Africans, Europeans, and other cultures introduce essential diversity into the literary
Postmodernism is an intellectual movement that promotes itself as the 'antithesis' of modernism, resulting from the intensification, radicalization, or transformation of the processes of modernity. (Barfield, 368) The term was introduced in the late 1940's, however, the turn towards, if not the origin of postmodernism in anthropology, can be traced to a single publication: Writing Culture (1986). It consisted of contributions from nine scholars, edited by Clifford and Marcus, and attempted to sketch out the basic premise of the postmodern perspective. (Harris, 153) Anthropologist are forced to contend with the changes created by postmodernism in a variety of ways, beginning with the challenge to anthropological authority. It is felt by many that it is incredibly arrogant for anthropologists to assume that they have both the capacity and mandate to dissect, interpret and describe the lives of people in other cultures, given the power and wealth imbalance of the colonial past, leaving the 'other' unable to speak for him/herself. This argument finds itself in the whole 'West vs.
In 1958 Chinua Achebe published his first and most widely acclaimed novel, Things Fall Apart. This work-commonly acknowledged as the single most well known African novel in the world-depicts an image of Africa that humanizes both the continent and the people. Achebe once said, "Reading Heart of Darkness . . . I realized that I was one of those savages jumping up and down on the beach. Once that kind of enlightenment comes to you, you realize that someone has to write a different story" (Gikandi 8-9); Achebe openly admits that he wrote Things Fall Apart because of the horrible characterization of Africans in many European works, especially Heart of Darkness. In many ways, Chinua Achebe's Things Fall Apart can be seen as an Afrocentric rebuttal to the Eurocentric depi...
Every human being, in addition to having their own personal identity, has a sense of who they are in relation to the larger community--the nation. Postcolonial studies is the attempt to strip away conventional perspective and examine what that national identity might be for a postcolonial subject. To read literature from the perspective of postcolonial studies is to seek out--to listen for, that indigenous, representative voice which can inform the world of the essence of existence as a colonial subject, or as a postcolonial citizen. Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.