Chinua Achebe's Things Fall Apart: The Tragedy Of Okonkwo

n his delineation of the defining factors of a tragic hero, Aristotle drew on the archetypes established in Greek tragedies by such masters as Aeschylus, Sophocles, and Euripides. Because this type of hero occurred often, and these three great tragedians ' works served as a basis for later writers, the archetype persisted in European literature, as evidenced in works by authors such as Shakespeare. A major question that arises, then, is whether the tragic hero is a purely European archetype, perpetuated as a result of prominent Greek tragedies, or whether he occurs throughout all human culture and was captured by the Greeks in an example of a universally human character. The main character of Chinua Achebe 's novel Things Fall Apart, Okonkwo, offers a potential solution for this dilemma, given both his and Achebe 's Nigerian nationality. Despite the tragic elements of his story, however,

Achebe wrote Things Fall Apart to be an antithesis to much of European literature, and his characterization of Okonkwo as almost a tragic hero serves that purpose. Because Okonkwo has similarities to Oedipus and others, such as Thyestes or Hamlet, he shows Western readers that Africans and members of other marginalized cultures are not completely foreign. As a corollary, Okonkwo 's failures to meet some of the qualities of a tragic hero demonstrate the failure of the mainly Western archetype to represent universal standards, a main point for postcolonialist writers. However, just because Okonkwo is an inversion of the traditional tragic hero does not mean that the archetype cannot hold for cultures outside of Europe; instead, it merely means that archetypes can be modified to create more literary variety in the same way that novels written by Africans, Europeans, and other cultures introduce essential diversity into the literary