Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Research paper on history of animations
Research paper on history of animations
Influence of Walt Disney Company
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Research paper on history of animations
Animation could be defined as the process of making animated films, television programs, computer games, and many more things in that case. There were different eras of animation such as the Silent Age, Golden Age, Dark Age, Renaissance Age, and Millennium Age of animation. Animating has be a worldwide phenomenal since it was created. When the first animated film came out people were star struck because that was the start to a new era in film making. There was an animated film in the year of 1900 by the name of “Enchanted Drawing” but it was not considered the first animated film. Technically, the very first animated film ever made was in the year of 1906 and it was named “Humorous Phases of Funny Faces” (Nusair). From then on, cartoonist and …show more content…
What the golden age of animation was, was the time period in animations history where it was the beginning of “Steamboat Willie” by Walt Disney Cartoons. It also included numerous animation studios’ to rise to their eminences. The gold age begun November 18th, 1928 and it faded out in the late-50’s or the early-60’s. This era ended because new medium of television animation was taking over and made theatrical animated shorts lose ground because the budget was far lower than the theatrical animated shorts (TVTropes). During this time period, the development of classics were born, such as Snow White and the Seven Dwarfs, Fantasia, Dumbo, and Bambi. Early cartoons were full of music and they were simply drawn as well. Animation was a very expensive medium and cartoons had to be produced and rushed out as quickly as possible to remain profitable. The “Technicolor Process” was developed in cartoons in the year of 1930. What the Technicolor Process was, was a motion picture process using dye-transfer techniques to produce a colour print (Chauhan). Before this process, color got off to a slow start when cartoons were initially hand colored on early occasions. This process was first used when the Universal film “The King of Jazz” was created by Lantz and Nolan. Later on in this era, animation was not getting enough treatment. The treatment it deserved. That when Walt Disney stepped in and when out of his was to do so. He put so much time …show more content…
Errors were stacked in new television animation, and they were even cheaply and quickly produced. The amount of movies that were supposed to be released during this era were drastically reducing due to severe budget cuts. Limited animation was introduced in the dark age of animation. Limited animation was the style of making animated films which they utilized as few frames as they can to make the animation come out faster (Gaines). That is why the quality was cheaply and quickly produced. The results of limited animation were choppy, simplified motions of the character(s). It was bad for the animators because their hard work for high quality animations were going down because they were in a rush. The characters motions looked bad because it looked as if they were changing position without even moving a muscle. The dark age of animation was seriously a dark age for cartoon animations because everything happened to go downhill for animators for some
Some of the special effect used in these films are animation. For example, the penguin scene in Mary Poppins. Another example of this is transitioning and flashbacks. An
The Stories Behind Lotte Reiniger’s The Adventures of Prince Achmed The word “animation” defines as the technique of photographic successive drawings to create an illusion of movement, bringing a sense of life and vigor. Animation is usually associated with a sequence of drawings, bringing fluidity and character to a sketch. The same is said to miniature models, by the use of stop-motion; but what about cutouts?
...ee dimensional animation, and stereophonic sound are all commonplace in today’s times. One can question a group of young people and find that most are unaware of the existence of silent or black-and-white movies. We can thank Disney for his work and the revolution it spurned that continues to evolve today’s media almost one-hundred years later.
A few examples of cel based animation is any of the Disney movies especially Snow White and the Seven Dwarfs. All cels were hand drawn and painted in the film.
Bliss, John, Art that Moves: Animation Around the World. Chicago, Illinois: Heinemann Raintree, 2011. Print
He discovered new ways to animate films and make the quality better (2). The use of color in Disney’s movies also set a new precedent in technology. Many critics still consider his work a masterpiece (12). In today’s world, one of the most important cultural aspects to most countries is the accessibility to tv and movies (6). If people want to learn something, they can take to the television, and voila. Disney played a huge part in the task of broadening communication through his important strides in technology. Without tv, knowing what is going on in the world would be a lot harder, and without Disney’s important discoveries in animation, recreational tv would be less
I am going to show you how he made this possible. Walt impacted the movie industry by adding color and sound to cartoons. He created a whole new kind of animation. Reality to Cartoon, by doing this he added a live person to a cartoon. Filmmakers wanting to pursue cartooning may be interested in my paper.
In the late 30s, two beloved films, The Wizard of Oz (1939) and Gone with the Wind (1939), were expensively produced with Technicolor - what would the Wizard of Oz (with ruby slippers and a yellow brick road) be without color? And the trend would continue into the next decade in classic MGM musicals such as Meet Me in St. Louis (1944) and Easter Parade (1948). Special-effects processes were advanced by the late 1930s, making it possible for many more films to be shot on sets rather than on-location (e.g., The Hurricane (1937) and Captains Courageous (1937).) In 1937, the Disney-produced Snow White and the Seven Dwarfs (1937) was the first feature-length animated film - a milestone.
...he audience. Not to mention the structure of film and timing placed in this era of films. Compared to the sound era of movies with less audience imagination and participation so the viewing experience becomes something totally different. Instead of having to imagine you are able to hear the sounds and voices of the characters and things that are going on. Plus the structure is something different than silent era films. With scenes not needing to have dialogue cards, making it so that less time is spent on having to read the plot and more time is spent on being able to let the sound help you visualize the plot. Making it more of a straight forward experience rather than something you have to think about. Syncopation with the soundtrack also creating a new addition on how animators structured the films. It's safe to say there are differences in both eras of animation.
“Whenever someone hears the word ‘anime’ they immediately think of Japanese animation or in the very least Asian cartoons. Really, though the word ‘anime’ is derived form the word ‘animation’. And the definition of animation is the making of movies by filming a sequence of slightly varying drawings or models so that they appear to move and change when the sequence is shown.” (par. 1)
If a girl was going to search for her Prince Charming, the first place she should look is in the world of animation. Animation has probably been around since the beginning of time. Although, the artwork that originally resembled animation was only one or two cels, animation today is made up of hundreds or thousands of cels.
...w any other animation out of the water. On November 28th, 1928 Mickey Mouse debuted in his first animation as Steamboat Willie. Thus begins the start of one of the most revolutionary companies ever in the art of animated cartoon features. The Walt Disney Company would soon take it’s feet as Mickey Mouse features incorporated the first picture and sound films of it’s time. Walt’s journey through life led him to take on a new found love for animation where he wanted to better it so that all sorts of families could enjoy motion pictures. From his influences in the theatres as a child, to his new ideas on how to improve animation, Walt began shaping the way animated cartoons functioned. From 1928 to The Walt Disney Company’s current operation, the success of one mouse has put Walt Disney into the history books as one of the most prominent managerial leaders of our time.
Animations are a series of drawings, computer graphics, or photographs of objects, like puppets and models, which are different from each to create a variety of entertainment for the audiences. Animations are what brings excitement and mystery, hooking the audience in through interest. It is a form of some sort of “magic” where things that aren’t real but from the imagination comes to life in front of people who live these mundane, ordinary lives, adding color to the eyes and mind. The creators of such amazing arts and creation are animators.
In this chapter, it has shown a brief history of animation and how it started in the early days of animation. It also discussed about 2D in brief and 3D. Also the techniques applied in making of animation since early ages with the evolution of 2D to 3D animation.
Computer Graphics is the bond between humans and computers. Computer graphics is a large field that branches into almost all fields of computer science; however its roots are young. Computer graphics has massively grown over the past 40 years and is now our primary means of communication with computer applications. Do to technological limitations in the 1950s, computer graphics began as a small, specialized field. The Whirlwind project at the Massachusetts Institute of Technology is marked as the origin of computer graphics (Machover 14).