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Langston hughes writing style analysis
Langston hughes literary style
Story thank you ma'am by langston hughes conflict more
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“Thank You Ma’am”, by Langston Hughes, is a story that communicates an effective message. Throughout the short story, there are many elements of author’s craft that Hughes uses to convey the message. To begin, Hughes uses economical diction, to make the story straightforward. Instead of using long-winded, extraneous diction, Hughes writes very simply and in a straightforward manner. For example, in the text, it states, “She was a large woman with a large purse that had everything in it but hammer and nails. It had a long strap, and she carried it slung across her shoulder,” (Hughes 1). As can be seen, the author clearly does tries to make the scene brief. The author didn’t go into further explanation about the women’s characteristics. He only informed the reader about one single characteristic. The purse had exactly no characteristics besides the fact that it could be slung across a shoulder. No texture, feel, or any characteristic was given to the woman's purse. By making the story straightforward, the economical diction makes the reader stay focused. When an author explains too much about an insignificant matter in the story, many readers will get bored because the story is not moving at an adequate pace for them. Furthermore, the author, uses economical diction closer to the end of the short story, “After he had dried his face and not knowing what else to do dried it again, the boy turned around, wondering what next. The door was open. He could make a dash for it down the hall,” (Hughes 2). This economical diction towards the end of the story, by making the events more straightforward, makes the story conclude very intriguingly. By not elaborating excessively towards the end, Hughes conveys his message more clearly.
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...nto my pocketbook nor nobody else’s—because shoes come by devilish like that will burn your feet,’” (Hughes 3). It was clear to Mrs. Luella Bates Washington Jones that the boy was poor and could not afford many of the clothing he desired most. In the text, it states, “‘Um-hum! And your face is dirty. I got a great mind to wash your face for you. Ain’t you got nobody home to tell you to wash your face?’” (Hughes 1). It can be implied from this excerpt that the young boy is poor. Therefore, Mrs. Luella Bates Washington Jones, is urged to help him because the boy is less fortunate. Hughes effectively delivers a message throughout the story. His message is conveyed adequately through his usage of economical diction, figurative language, and a clear theme. Hughes’s author’s style is sure to make any reader intrigued and more wise with its significant lesson to be learned.
Where Boy lived high, I lived - well, not low, but in the way congenial to myself. I thought twenty-four dollars was plenty for a ready-made suit, and four dollars a criminal price for a pair of shoes. I changed my shirt twice a week and my underwear once. I had not yet developed any expensive tastes and saw nothing wrong with a good boarding-house. (Page 1...
They were often forced to steal the clothes from the store because of not having money to buy new clothes. “I would create a ruckus to distract the clerk while Mom hid a dress under a raincoat she would be carrying on her arm “(Walls, 70). The authors’s life as a kid was different as compared to other kids. She just had three dresses and so had to wear them two or three times each week. She use to look pretty dirty because of the worn clothes. “They called me poor and ugly and dirty, and it was hard to argue the point “(Walls, 87) but like Erma said, “ Beggars can’t be choosers “(Walls, 82), she had no choice than to wear those dirty clothes. There were times, when they didn 't care about their health. "Mom, that ham 's full of maggots," I said. "Don 't be so picky," she told me. "Just slice off the maggoty parts. The inside 's fine “ (Walls, 106). Thus, this clearly shows how poverty left them no choice but to eat the ham full of
The story also focuses in on Ruth Younger the wife of Walter Lee, it shows the place she holds in the house and the position she holds to her husband. Walter looks at Ruth as though he is her superior; he only goes to her for help when he wants to sweet talk his mama into giving him the money. Mama on the other hand holds power over her son and doesn’t allow him to treat her or any women like the way he tries to with Ruth. Women in this story show progress in women equality, but when reading you can tell there isn’t much hope and support in their fight. For example Beneatha is going to college to become a doctor and she is often doubted in succeeding all due to the fact that she is black African American woman, her going to college in general was odd in most people’s eyes at the time “a waste of money” they would say, at least that’s what her brother would say. Another example where Beneatha is degraded is when she’s with her boyfriend George Murchison whom merely just looks at her as arm
I couldn’t think of why. He was only my brother and a drop out at that” (117). The author portrays the son to be someone with low self-esteem. Because he is poor and a drop out, he lives a miserable life. His mother tries to provide him with as much, but is unable to do this because of her social status.
In order to represent that the narrator's pride caused him to act with ill manners towards Doddle, Hurst creates the internal conflict which portrays the narrator’s struggle to choose what is more important, his pride or his brother. As the narrator confessed his past to the reader, he described a memory about how Doodle walked and he announced to the family that the narrator was the one who taught him. The narrator thus responds with: “They did not know that I did it for myself; that pride, whose slave I was, spoke to me louder than all their voices; and that Doodle walked only because I was ashamed of having a crippled brother” (Hurst 419). It is important to note how the author compares the narrator to a “slave” of pride, the word slave connotes that the narrator is imprisoned by pride and creates the appearance that the force is inescapable. Throughout the story pride dictates the narrator, if
Douglass employs the use of anecdotes to clarify why he would deceive others. After Mrs. Auld’s transformation, Douglass resorts to “various stratagems” (22) to learn to read and write. In some sense, Douglass recruits the “poor white children… [or] hungry little urchins” (23), who do not yet know the rift between the two skin pigments, to learn to read. Douglass trades them “bread … enough of which was always in the house” (23) while the boys teach Douglass what they have learned in school, the “more valuable bread of knowledge” (23). Douglass tricks the boys into giving him reading lessons, trading the object they most desire, food, with the object Douglass most desires, knowledge. The basic need for food allows Douglass to use their knowledge to his advantage in furthering his understanding. Douglass, however, could not just stop at reading; he also desires to write. To learn to write, Douglass uses other boys who he knew could write. With this strategy, though, Douglass fibs to the boys. It is a common understanding that humans strive for superiority over each other, which Douglass uses to his benefit. The boys naturally want to have a higher intelligence than Douglass, thus when Douglass states he is e...
Since the story uses a certain object, the Jacket, as the meaning of several issues, it primarily focuses on the narrator's poverty-stricken family. First of all, an example of the poverty is demonstrated when the narrator complains that the jacket "was so ugly and big that I knew I'd have to wear it a long time"(paragraph 3). It is clear that his lack of money was a problem in which he would have to keep the jacket because he could not afford a new one. The narrator then feels embarrassed and upset by the jacket by stating "I blame my mother for her bad taste and cheap ways"(paragraph 10). By mentioning his mother's "cheap" ways he is conveying that he is aggravated because of his mothers option to choose bad and ugly clothes in ord...
Hughes, Langston. The Negro mother, and other dramatic recitations. Freeport, N.Y.: Books for Libraries Press, 1971. Print.
For example, he explains to the reader that he would carry loaves of bread when sent on errands so that he could bargain with the local children for a reading or writing lesson. He admits "I was much better off in this regard than many of the poor white children in our neighborhood" (Douglass 101). This statement is ironic because Douglass himself was in a worse position, but instead, even as a 12-year-old Douglas acknowledges what little advantages he does have. Another example of irony is presented later in the essay, when Douglass is explaining his mental struggle, long after successfully learning how to read and write. He refers to his literacy as his "wretched condition" and even tells the reader "I would at times feel that learning to read had been a curse rather than a blessing" (Douglass 103). This statement is relevant because although Douglass 's fame in literary history, and that he is feeling burdened by this. This adds to the overall resolution of the essay because it adds a new element of mental discomfort instead of the physical and social discomfort associated with
A main factor in the storyline is the way the writer portrays society's attitude to poverty in the 18th century. The poor people were treated tremendously different to higher classed people. A lot of people were even living on the streets. For example, "He picked his way through the hordes of homeless children who congregated at evening, like the starlings, to look for the most sheltered niche into which they could huddle for the night." The writer uses immense detail to help the reader visualise the scene. She also uses a simile to help the reader compare the circumstances in which the children are in. This shows that the poor children had to live on the streets and fend for themselves during the 18th century. Another example involves a brief description of the city in which the poor people lived in. This is "nor when he smelt the stench of open sewers and foraging pigs, and the manure of horses and mules" This gives a clear example of the state of the city. It is unclean and rancid and the writer includes this whilst keeping to her fictional storyline.
A slum neighborhood located in “Yes, Ma’m” and a brilliant train carriage in “The Storyteller” create the setting for this compare and contrast essay. These short stories are similar in that their themes both focus on negative objects, but play them into a positive light. However, their suggested themes are different in that “Yes Ma’m” tells the reader to not believe in people by where they live, but “The Storyteller” communicates to not judge something based on its formality. Langston Hughes’s “Yes Ma’m” has an implied theme found anywhere, “nice people can be found even in the lowest places on the planet.” Another true theme belonging to Saki’s “The Storyteller,” reads, “Sometimes the most improper story is the best one.” Both main messages are true, and provide a very keen focal point for the reader to enjoy.
Deconstruction of Thank You, Ma’am. & nbsp ; There are a million acts of kindness each day. Some young man gives a stranger a compliment, or a teacher brightens a students morning. But, in the world we live in today, these acts are rare to come by. In this short story Thank You, Ma’am, the boy, out of mysterious luck, gets taken in by the woman whom he was trying to steal a purse from. Her actions, following the incident towards the boy, may have seemed very as complicated as life is, there will not always be someone for you to lean on and depend on. The first and most foremost thing that would come to mind when reading this story is how caring Mrs. Luella Bates Washington Jones was, that she took in the boy and nurtured him; she tried to teach him between right and wrong. She gave him food, a nice conversation, and even a chance of escape, which he chose not to take, but these methods are still an immoral way of handling the situation. If a boy were to come up to an everyday woman on the streets, that victim would not be as sensitive as Mrs. the boy she caught. To teach a young man that if you steal and you are going to get special treatment is not an effective method of punishment. First of all, the boy told Mrs. Jones that he tried to steal her purse for one reason, to buy blue suede shoes for himself. She then replies, “Well you didn’t have to snatch my pocketbook to get some blue suede shoes.
Despite her exhaustion, Charlotte gathered up a pile of stationery and began to write in a refined version of her usual scrawl. "Dear Martha", she wrote, "You knew and loved me once. You do not know me now, and I am not sure that you would love me if you did… I have grown and changed wildly, darkly, strangely, beyond a mother's recognition, beyond my own."
McKay’s long poem contains many progressions. There is no space between lines; it is a continuous poem as it requires the readers remain focus from the beginning to the end. This poem could be effectively presented as a speech to soldiers who are about to fight with their enemies. Therefore, the poem must be long so that it can gradually stir up the morale of the soldiers. Each line is almost the same length, indicating the formal attitude of the speaker who is possibly the leader. Also, as a motivational speech, it has to be consistent so that it can capture the soldiers’ attention without distraction. However, in contrast, the length of “Harlem” is short, and the poem is inconsistent: it consists of eleven lines broken into four stanzas. The first and last stanzas contain one line, while the other two contain seven and two lines respectively. Some lines are short, others are longer. Therefore, readers might become uncomfortable or frustrated while reading it; but this seem to be the poet’s purpose, Hughes utilizes the length of his poem to convey to readers, especially the whites, the blacks’ feelings of dreams being deferred because of racism and injustice in society. Additionally, because the poem is short, the readers might understand Hughes’ point quickly. It also implies that the speaker has
Form and meaning are what readers need to analyze to understand the poem that they are evaluating. In “Mother to Son”, his form of writing that is used frequently, is free verse. There is no set “form”, but he gets his point across in a very dramatic way. The poem is told by a mother who is trying to let her son know that in her life, she too has gone through many frustrations just like what her son is going through. The tone of this poem is very dramatic and tense because she illustrates the hardships that she had to go through in order to get where she is today. She explains that the hardships that she has gone through in her life have helped her become the person that she has come to be. Instead of Hughes being ironic, like he does in some of his poems, he is giving the reader true background on the mother’s life. By introducing the background, this helps get his point across to the reader in a very effective way. In this poem there are many key words which help portray the struggles that the mother is trying to express to her son. The poem is conveyed in a very “down to earth” manner. An example of this is, “Life for me ain’t been a crystal stair (462).” This quote shows the reader that the mom is trying to teach the son a lesson with out sugar coating it. She wants her son to know that throughout her life has had many obstacles to overcome, and that he too is going to have to get through his own obstacles no matter how frustrating it is. Her tone throughout the poem is stern telling the boy, “So boy, don’t turn your back (462).” The poems tone almost makes the reader believe that the mother is talking to them, almost as if I am being taught a valuable lesson.