The tone of “If We Must Die” conveys inspiration, while the tone of “Harlem” is frustration which indicates the difference between the poets’ attitudes toward racial oppression. In the first eight lines of “If We Must Die”, the speaker insists on dying nobly. By stressing the last words of these lines: “hogs”, “dogs”, “lot” and “shed”. Readers might experience a strong feeling that the speaker and his allies will die as heroes. The use of an exclamation point in line eight, “Shall be constrained to honor us though dead”, strengthens the speaker’s emotions; it also makes the tone more motivational. Then, there is a dramatic turning point in line nine, “Oh, Kinsmen! We must meet the common foe”. This dramatically changes of the tone making it …show more content…
Otherwise, they might die miserably. In contrast, there are no assertive sentences in Hughes’ poem. “Harlem” is built on six questions, and these questions make the readers feel inconclusive. Hughes seems to believe that when people face uncertainties in their lives, they will concurrently feel frustration. Therefore, the questions make the readers gain a sense of the poet’s indefinite attitude of racial oppression; Hughes also uses many negative words, such as “fester”, “sore” and “stink” to convey his frustrated tone. Further, in the third stanzas, “Maybe it just sags like a heavy load”, unlike the other lines in the poem, is not a question; it reflects the poet’s hopelessness because he no longer questions, he is expressing a possibility. However, there is also a turning point in the last line, “Or does it explode?” Here, the tone changes from frustrated to threatened. This shows a dangerous and destructive action that hopeless people might take to defend themselves while living in constant fear of. During the civil right movement, blacks did not have rights as the whites …show more content…
McKay’s long poem contains many progressions. There is no space between lines; it is a continuous poem as it requires the readers remain focus from the beginning to the end. This poem could be effectively presented as a speech to soldiers who are about to fight with their enemies. Therefore, the poem must be long so that it can gradually stir up the morale of the soldiers. Each line is almost the same length, indicating the formal attitude of the speaker who is possibly the leader. Also, as a motivational speech, it has to be consistent so that it can capture the soldiers’ attention without distraction. However, in contrast, the length of “Harlem” is short, and the poem is inconsistent: it consists of eleven lines broken into four stanzas. The first and last stanzas contain one line, while the other two contain seven and two lines respectively. Some lines are short, others are longer. Therefore, readers might become uncomfortable or frustrated while reading it; but this seem to be the poet’s purpose, Hughes utilizes the length of his poem to convey to readers, especially the whites, the blacks’ feelings of dreams being deferred because of racism and injustice in society. Additionally, because the poem is short, the readers might understand Hughes’ point quickly. It also implies that the speaker has
The speaker in “Harlem” is an African-American activist in Harlem who is fighting for rights of the African-Americans who live in Harlem. Although written by the same author, “Harlem” and “Harlem Night Song” have similarities and differences in literary devices, tone and mood. In “Harlem Night Song”, Hughes used non-consistent rhyme. In the poem, it states, “The Harlem roof-tops/Moon is shining./Night sky is blue./Stars are great drops/Of
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
...xperienced about not being able to eat at the table when guests would come which refers to how White America has been treating Black America. He then comes to the conclusion that this too shall pass and believes that he will be able to overcome his oppression. McKay portrays his experiences by speaking in a more mature tone about the significant events that have occurred and tries to find a way to tolerate the oppression. He lets White America know that what they have done to Black America was wrong. He shows that even though white America has alienated African Americans and treated them with disrespect, he will not stoop to their level although he is angry about it. The writers make it clear that their poems may differ yet they hold the same meaning of that White America has wronged Black America but it shall pass and in the future they will regret their actions.
...rot and become bitter inside. Hughes questions again, “Does it stink like rotten meat?/Or crust and sugar over/like a syrupy sweet?” The dream may rot and stink because it has been locked up inside or it may preserve itself by “crusting and sugaring over”. The African-American dream remain a sweet tasting idea or “Maybe it just sags/like a heavy load”. The dream can remain a heavy load sagging on the backs of African-Americans seeking to gain the equality that they deserved. Hughes asks the final question, “Or does it explode”. Does the American dream for African Americans dry up, rot, sugar over, or “sag like a heavy load/Or does it explode?” Hughes makes a bold statement about African-American isolation. They are separated from whites achieving the American dream; they can only dream of the same equality and as Langston Hughes wrote their dream had been deferred.
In the end, we see that the poem Harlem is closely tied to the rash of disappointments that each member of the family faces. The central theme of the poem is tied directly to the family dynamic of the Youngers. Each member is too busy trying to bring happiness to the family in their own way that they forget to actually communicate with themselves in a positive way.
“Poetry is the rhythmical creation of beauty in words.” –Edgar Allan Poe. Poetry is one of the world’s greatest wonders. It is a way to tell a story, raise awareness of a social or political issue, an expression of emotions, an outlet, and last but not least it is an art. Famous poet Langston Hughes uses his poetry as a musical art form to raise awareness of social injustices towards African-Americans during the time of the Harlem Renaissance. Although many poets share similarities with one another, Hughes creatively crafted his poetry in a way that was only unique to him during the 1920’s. He implemented different techniques and styles in his poetry that not only helped him excel during the 1920’s, but has also kept him relative in modern times. Famous poems of his such as a “Dream Deferred,” and “I, Too, Sing America” are still being studied and discussed today. Due to the cultural and historical events occurring during the 1920’s Langston Hughes was able to implement unique writing characteristics such as such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues that is demonstrative of his writing style. Langston Hughes use of distinct characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues helped highlight the plights of African-Americans during the Harlem Renaissance Era.
The Harlem Renaissance inspired, and was inspired by some of the greatest poets, musicians and artists of the century. Among these great minds, were the poets Langston Hughes, and Claude McKay. Though motivated by the same hardships, people, and events, the works of both Hughes, and McKay show glaring differences in the perspectives of the authors. Upon reading “Harlem” by Hughes, the audience may easily see the author’s more peaceful call to action. In contrast, after reading “If We Must Die,” one can infer that McKay prefers to call his audience to obvious (physical) action. Langston Hughes’s poem portrays a more passive overtone, while Claude McKay’s poem is more aggressive. There are, however, a few similarities between the two works of
The poem begins by introducing the limitations of the African Americans’ hopes and dreams in the form of a question. Hughes asks, “What happens to a dream deferred” (1). Here, the dream refers to the African Americans’ yearning for equality and freedom, and Hughes wants to examine what happens when that dream is persistently pushed aside. The spacing directly after this line conjures a sense of silence as if allowing a moment to contemplate the question. The lines following this question explore several possible outcomes, and each answer represents the ruin of a forgotten dream.
the life of Harlem and knew that equality and freedom was definitely not present. The poem portrays
...ss, representing the truth of the times. The majority of the problems influence only the one dreamer, however, the ending suggests that, when despair is everywhere, it may "explode" and cause social and political uprising. “Harlem” brings to light the anxiety between the need for Negro expression and the opposition to that need because of society’s subjugation of its black populace. His lines confront the racist and unjust attitude common in American society before the civil rights movement of the 1960s. it expresses the belief that black wishes and dreams were irrelevant should be ignored. His closing rhetorical question—“Or does [a dream deferred] explode?”—is aggressive, a testimony that the inhibition of black dreams might result in a revolution. It places the blame for this possible revolution on the domineering society that forces the deferment of the dream.
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry. The poems “Visitors to the Black Belt”, “Note on Commercial Theatre”, “Democracy”, and “Theme for English B” by Hughes all illustrate the theme of staying true to one’s cultural identity and refusing to compromise it despite the constant daily struggle it meant to be black in an Anglo centric society.
Thesis: The poems “Negro”, “I Too”, and “Song for a Dark Girl” by Langston Hughes was written around an era of civil inequality. A time when segregation was a customary thing and every African American persevered through civil prejudice. Using his experience, he focuses his poems on racial and economic inequality. Based on his biographical information, he uses conflict to illustrate the setting by talking about hardships only a Negro would comprehend and pride only a Negro can experience, which helps maintain his racial inequality theme.
“Harlem” was one of Hughes’s popular poems during the 1950’s. The poem itself is short in length, but it has a lot of meaning behind it. During this time, Hughes wanted to make a difference in poetry. He did not want to be labeled as the young man, only speaking to African Americans. He wanted everyone to understand his great work, regardless of color.
To start, the structure of the initial assignment that the student must focus on is given differently then the rest of the poem. The majority of the poem is written in free verse. These verses are typical of the jazz-poetry style that became popular during the Harlem Renaissance. The easy style of jazz-poetry gives a dialogue feel to the poem that the reader can connect with. “As it appears, Langston Hughes’s outstanding collection of poems exemplifies the greatest of those qualities of jazz and blues, and his talent truly makes these poems come alive in the same way that jazz and blues music comes alive for the audience as well as for the musicians” (Davidas 1). You truly begin to see the internal struggle the student is having with his assignment and how he is grappling with more then just an assignment for English
“Harlem” by Langston Hughes is a poem that talks about what happens when we postpones our dreams. The poem is made up of a series of similes and it ends with a metaphor. The objective of the poem is to get us to think about what happens to a dream that is put off, postponed; what happens when we create our very own shelve of dreams? The “dream” refers to a goal in life, not the dreams we have while sleeping, but our deepest desires. There are many ways to understand this poem; it varies from person to person. Some may see this poem as talking about just dreams in general. Others may see it as African-American’s dreams.