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Harlem renaissance impact
Syntactic analysis of poem
Harlem renaissance impact
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Langston Hughes was an activist for the African-American community and made significant artistic contributions to the Harlem Renaissance throughout his career. In one of his most famous poems, “Harlem [Dream Deferred]”, he addresses the limitations and oppression of African Americans after the Great Depression. Many African Americans dreamed of equality, but often times that dream became neglected and pushed aside. In his poem, Hughes responds to a question about a deferred dream with a series of vivid similes, inquiring what happens to a constantly ignored dream. The poem begins by introducing the limitations of the African Americans’ hopes and dreams in the form of a question. Hughes asks, “What happens to a dream deferred” (1). Here, the dream refers to the African Americans’ yearning for equality and freedom, and Hughes wants to examine what happens when that dream is persistently pushed aside. The spacing directly after this line conjures a sense of silence as if allowing a moment to contemplate the question. The lines following this question explore several possible outcomes, and each answer represents the ruin of a forgotten dream. …show more content…
The first question Hughes asks is, “Does it dry up / like a raisin in the sun” (2-3). The grape’s evolution into a raisin is a slow, gradual process. By cutting the grape directly from the vine, it is left to wither without any sustenance. The deterioration goes almost unnoticed by the average person. By calling the dream a raisin, it implies that the dream once had enormous potential like a grape. Though a raisin may taste okay, it doesn’t compare to the succulent taste of a grape. This correlates to the African American dream, suggesting that once it has been ignored for too long, the potential will be sucked dry and leave behind only an unhappy
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
A common theme shared by "Dreams" and "A Dream Deferred" is that you should keep on working to fulfill your dreams because if you don't, you will never achieve them and your life will be miserable. Hughes uses imagery and figures of speech to showcase and develop this theme throughout the two poems. In "Dreams," Hughes writes,"Hold..." This decisive use if a metaphor illustrates how life would be much more difficult and sad if we gave up on our dreams. In "A Dream Deferred," Hughes writes,"Does...?"
Even if these poems had the same theme of the delayment of a dream, each poet’s vision towards this dream is explored differently, where readers are able to grasp both the effects and potentials of a dream deferred, through the use of imagery. Nonetheless, both poems had fulfilled the role of many distinguished poems during the period; to communicate African-Americans’ desires to live a life of equality and free from prejudice.
...rot and become bitter inside. Hughes questions again, “Does it stink like rotten meat?/Or crust and sugar over/like a syrupy sweet?” The dream may rot and stink because it has been locked up inside or it may preserve itself by “crusting and sugaring over”. The African-American dream remain a sweet tasting idea or “Maybe it just sags/like a heavy load”. The dream can remain a heavy load sagging on the backs of African-Americans seeking to gain the equality that they deserved. Hughes asks the final question, “Or does it explode”. Does the American dream for African Americans dry up, rot, sugar over, or “sag like a heavy load/Or does it explode?” Hughes makes a bold statement about African-American isolation. They are separated from whites achieving the American dream; they can only dream of the same equality and as Langston Hughes wrote their dream had been deferred.
Hughes, a.k.a. Langston, a.k.a. “Harlem [Dream Deferred]” The Bedford Introduction to Literature. Ed. Michael Meyer.
This poem is written from the perspective of an African-American from a foreign country, who has come to America for the promise of equality, only to find out that at this time equality for blacks does not exist. It is written for fellow black men, in an effort to make them understand that the American dream is not something to abandon hope in, but something to fight for. The struggle of putting up with the racist mistreatment is evident even in the first four lines:
It tends to permeate their thoughts and becomes an unshakable burden. In the poem “Harlem,” Langston Hughes, through literary technique, raises strong themes through a short amount of language. The poem begins with a question: "What happens to a dream deferred?” The speaker of the poem at this point is unnamed. By not knowing the speaker, the question is strengthened, as the deferred dream is the dreams and desires of all the people within the African American community.
...ss, representing the truth of the times. The majority of the problems influence only the one dreamer, however, the ending suggests that, when despair is everywhere, it may "explode" and cause social and political uprising. “Harlem” brings to light the anxiety between the need for Negro expression and the opposition to that need because of society’s subjugation of its black populace. His lines confront the racist and unjust attitude common in American society before the civil rights movement of the 1960s. it expresses the belief that black wishes and dreams were irrelevant should be ignored. His closing rhetorical question—“Or does [a dream deferred] explode?”—is aggressive, a testimony that the inhibition of black dreams might result in a revolution. It places the blame for this possible revolution on the domineering society that forces the deferment of the dream.
... They focus more on the cultural aspects of identity that Hughes is very proud of, while poems “Democracy” and “Theme for English B” touch on some of the social concerns that created a struggle for dignity as a black person in the early/mid twentieth century. The “Democracy” is a slightly stern and direct request to take action and fight for civil rights. The “Theme for English B” is a compassionate and low-key personal anecdote that reiterates the unpracticed concept that “all men are created equal”. Despite the difference in tone and subject, all four poems relate to the central theme that dignity is something that white men may take for granted, but Langston Hughes, as a black man and a writer, sees and feels dignity as a fight and a struggle that he faces and that the black community as a whole faces every day.
Thesis: The poems “Negro”, “I Too”, and “Song for a Dark Girl” by Langston Hughes was written around an era of civil inequality. A time when segregation was a customary thing and every African American persevered through civil prejudice. Using his experience, he focuses his poems on racial and economic inequality. Based on his biographical information, he uses conflict to illustrate the setting by talking about hardships only a Negro would comprehend and pride only a Negro can experience, which helps maintain his racial inequality theme.
Hughes, Langston. "Harlem (A Dream Deferred)." Literature and the Writing Process. Elizabeth McMahan, Susan X. Day, and Robert Funk. 6th ed. Upper Saddle River. Prentice, 2002. 534.
“Harlem” by Langston Hughes is a poem that talks about what happens when we postpones our dreams. The poem is made up of a series of similes and it ends with a metaphor. The objective of the poem is to get us to think about what happens to a dream that is put off, postponed; what happens when we create our very own shelve of dreams? The “dream” refers to a goal in life, not the dreams we have while sleeping, but our deepest desires. There are many ways to understand this poem; it varies from person to person. Some may see this poem as talking about just dreams in general. Others may see it as African-American’s dreams.
As a black man in a time period where African-Americans were considered an inferior group of people,dreams and goals would have been difficult to realize. Langston Hughes aptly expresses his frustrations in his poem, "Dream Deferred." As people read this poem, in any time period, they can relate to the simple universal message that the poet expressed. Hughes is very expressive in how he feels about dreams he has had and the fact and his frustration at not being able to pursue and/or fulfill those dreams that he is unable to pursue or fulfill those dreams.
Tragedy is an ever present part of life, whether it be illness, inability, death or anything else, it takes its toll on everyone. A very common tragedy found in literature and daily life is the loss of dreams, in Langston Hughes’s poem “A Dream Deferred” Hughes poses the question of what truly happens to a deferred dream: “What happens to a dream deferred? Does it dry up… Or fester like a sore… Does it stink like rotten meat? Or crust and sugar over...Or does it explode?” The outcome of lost dreams differs for each individual and their attitude. This is seen throughout America and also in The Sound And The Fury by William Faulkner and The House On Mango Street by Sandra Cisneros.
Langston Hughes’s poem “I Dream A World” grants a voice to any person, who has been exposed to a life in racial prejudice and inequality, including the writer. That voice belongs to any black person, who has lived the poorer than poor life. This life was full of consistent violation of basic human rights, full of frustration, and overflowing with hopelessness. Upon closer examination, the situation of the poem uncovers the painstakingly raw yearning for humanity and equality.