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Essays on the horror film
Essays on the horror film
Essays on the horror film
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How The Shining’s formal construction creates tension and horror for the film audience.
In my personal opinion Stanley Kubrick's "The Shining" is one of the most atmospheric well shot, and edited horror films to come out in the 1980s. The film’s formal construction creates tension and horror for the film audience in a unique way by delivering its scares through the use of intricate shot composition, editing and consistent use of atmosphere to create a sense of constant tension, a unique tension that can only be brought on by the feeling of being trapped like a prisoner.
Like many films before and after; The Shining uses the camera to create tension, scares and highlight certain behaviours that are being revealed by the camera as much as they
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What makes The Shining’s atmosphere linger so well is how creatively the writers are able to open us up to the domestic abuse, a true life horror that seems to be going on in Jacks relationship. Throughout the film as Jack goes around the hotel or has a drink at the bar we slowly see the layers of their relationship slowly peel away with subtle suggestions that there are some much deeper problems throughout their marriage. By having them move into the hotel and putting such stress on the family is what helps to further exacerbate the problems that they have had in their relationship as we learn about the the history of the family while simultaneously learning about the strange history of the hotel also. So now its not just the sad, dull and fearful atmosphere of their marriage they are fighting with, now theres the addition of the hotels unique burden of being trapped and
Stanley Kubrick is considered to be one of the most visionary directors of all time. He had a unique style of making film, from mise-en-scene to narrative, his films draw lines between real and surreal. Kubrick’s movies often portrayed sex, violence explicitly which is why his movies are different than any other director, because it gives a sense of questioning to the audience. His movies were enormously misinterpreted by its viewers and some of his movies didn’t even make to the cinemas.
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
With the setting in a hotel in the snowy Colorado Mountains, it is about a man taking a job as a sitter for the Overlook Hotel throughout the winter time frame. The father and husband Jack took his wife Wendy and son Danny with him to live while he takes care of the place even after finding out about the pass events that happened there. The film provides a visual output for the text of what the author was trying to say. Which could be the way the way that the readers could not have seen the text, even if they have read the book before. Carr said “The Shinning doesn’t necessarily come off as a horror film” (Critical Genre). It may be that way because of the beautiful scenery in the film, but many claim for the time that is being created it is better than the book. Which is for everyone to decide based on their own perspective. Faye Carr states that King “directs the audience towards a psychological explanation for the apparitions” (Critical Genre). The Shining is not like other horror films during its time. In the movie when Wendy said “It wasn’t your daddy trying to hurt me” and that it was “the Overlook has gotten into [him]”(The Shining). During his time at the hotel while trying to write his novel, Jack mind slowly starts to be submissive to both auditory and visual hallucination. That soon started to make him act in irrational ways to, showing why Jack went on the rampage in the hotel to kill his wife and
shots in the film was the extreme close up of Bates eye when he was
her)" "My wife will never die for me! I will bring your guts into your
The world of The Shining is a supernatural one, a world in which ghosts are real and can directly affect the living world. Yet this Supernatural world is also intended to be rational, one with “verisimilitude”, (“Writing The Shining” pg 60). What makes the ghosts in The Shining feel real? They mimic the less literal ghosts of the real world. As Diane Johnson, screenwriter of The Shining, remarks: “To what extent supernatural forces existed and to what extent these were psychological projections was something [Kubrick and I] discussed at length, finally deciding that the ghosts and magical apparitions at the Overlook Hotel were both” (“Writing The Shining” 58). Ghosts, as the psychological projections of history and our own minds, haunt
One scene in particular stands out as a masterfully edited moment in the movie. In this scene, Wendy and Danny Torrance leave the inside of the hotel to go outside and explore the giant hedge maze. Wendy and Danny both run around in excitement as they delve deeper and deeper into the massive maze. The scene then cuts to a shot of Jack throwing a ball around the lobby of the hotel in boredom. He walks up to a three-dimensional model of the maze that is on a table in the lobby. The camera then cuts to a close-up of the model of the maze, and the audience sees what appears to be miniature versions of Wendy and Danny exploring the many corridors of the hedge maze. The audience can hear Wendy and Danny talking, and this helps assist the allusion of Jack watching the two go through the maze.
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Stanley Kubrick’s “The Shining” presents the audience a twisted tale of a man named Jack Torrance and his wife Wendy and son Danny, who spend a few winter months in isolation as caretakers of the Overlook hotel. This is no typical horror movie. Viewers are slowly lead though a slow film journey following the Torrance family in their moments of horror and insanity with help from bizarre events connected to the haunted Overlook Hotel.
The play, ‘The Crucible’, illustrates how people react to mass hysteria created by a person or group of people, as people did during the McCarthy hearings of the 1950s and the Salem witch hunts of 1962. Many Americans were wrongly accused of being Communist sympathizers. The activities of the House of Un-American Activities Committee began to be linked with the witchcraft trials that had taken place in the town of Salem. This provided Miller with the catalyst to write ‘The Crucible’. Without the knowledge of the McCarthy hearings and the Salem witch hunts, ‘The Crucible’ may be seen as a melodrama and the events in the play, sensationalised. It is not a melodrama because it is not overly dramatic; the McCarthy hearings and the witch hunts inject realism in the play. The play deals with historical events and with characters that have a historical context.
Rene Descartes was a philosopher who introduced a popular philosophical method called Radical Doubt in his book Meditations on First Philosophy. Descartes “proposed discarding any kind of belief that could be doubted, [because it] might be false”. In both Shutter Island directed by Martin Scorsese and The Shining directed by Stanley Kubrick, the viewers are introduced to characters that doubt the very existence of reality, much like Descartes, and who are drowned in the depths of insanity. Fear, paranoia, and doubt are the main ingredients that make both movies a psychological mind maze that constantly teases the brain in every turn. Martin Scorsese and Stanley Kubrick are both masters in cinema direction and are not regulars in the horror genre. Nonetheless, both have created a product that makes viewers question what it's like to be sane. The goal of this essay is to demonstrate the similarities and differences between Shutter Island and The Shining based on their themes of insanity, isolation, and alcoholism.
Many people today have read Stephen King’s horror novel The Shining and enjoyed his use of literary devices, but what about the techniques that transferred into Stanley Kubrick’s film? First, The Shining is about an already dysfunctional family, that move into a hotel because the father, Jack Torrence, has gotten a job as the caretaker of the hotel. Before taking the job, Jack is informed that the previous caretaker got “cabin fever” and killed his entire family. His son, Danny Torrence, is psychic and telepathic and begins to see and be bothered by the spirits living in the hotel. These spirits eventually possess Jack and he too tries to kill his family, which also includes his wife, Wendy Torrence.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting method, and the audience is drawn in immediately to one single detail. A man begins revealing the details of a tragic incident that befell his daughter. We don’t see who he is talking to. There is a spotlight directly above the man, and this is pretty much 95% of the light used. This really lights up the top of his head, which is bald, but there is no hot spot or reflective element which is good because reflection here would be aesthetically displeasing. The lighting causes dark areas under the man’s eyes, which emphasize the passion and eventually the hatred of what he is talking about. The scene is lit so that the background is completely black, so that the only thing we can see is the man. Even though this is logically unrealistic, the stylistic decision to light in this manner is warranted, since this or any other good film draws heavily upon our expectations and imagination to convey a message or meaning. We as audience accept the unrealistic elements, if they assist in making the story ...
Frist Alfred Hitchcock, he is the master of suspense. He imposed a new style with his films.