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A essay on ghost stories
A essay on ghost stories
A essay on ghost stories
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Far-Reaching History in The Shining
The world of The Shining is a supernatural one, a world in which ghosts are real and can directly affect the living world. Yet this Supernatural world is also intended to be rational, one with “verisimilitude”, (“Writing The Shining” pg 60). What makes the ghosts in The Shining feel real? They mimic the less literal ghosts of the real world. As Diane Johnson, screenwriter of The Shining, remarks: “To what extent supernatural forces existed and to what extent these were psychological projections was something [Kubrick and I] discussed at length, finally deciding that the ghosts and magical apparitions at the Overlook Hotel were both” (“Writing The Shining” 58). Ghosts, as the psychological projections of history and our own minds, haunt
The nature of time and history in The Shining is left wholly ambiguous, often disrupted both in the contents of the movie itself and its manner of framing. The movie is framed in different segments, a black scene interrupting the story by marking off time. It starts by counting through months (“September”) to hours (“Two Hours”), thus disrupting and distorting the passage of time for the viewer (“Remembrance of Things Forgotten” 208-209). The history of the hotel provides the supernatural elements. Dick Hallorann, the head chef of the Overlook, explains the Shining (Supernatural visions and elements of the hotel) that way: “When something happens, it leaves a trace of itself behind.” (The Shining 33:00). The specific visions of the past primarily consist of the daughters murdered by an earlier caretaker, a dead woman in the bathtub of Room 237, and the 1920s party that Jack stumbles upon. It’s at the party that Jack meets the murderous earlier caretaker himself, a man named Delbert Grady. He is another anachronism in the party, a man who during the hotel in the winter month and couldn't go to the party,
When Elijah realizes that Oglivy can no longer remember his dreams, a divide grows between them. Readers develop sympathy for Elijah since he loses one of the few comforts he has in his “disorder”. Furthermore, the reference of specific tragedies adds to the story such as Mount Vesuvius, the Bubonic Plague, Tropical Storm Vita. By specifically mentioning a range of past events, all imbued with tragedy whether it be a natural disaster or an infectious disease, readers can glimpse the scope of what Elijah deals with and how difficult it can be to witness such events. Finally, Russel effectively employs the use of flashbacks to add to the story rather than draw away from it.
In conclusion, it is through these contradictions between history and memory that we learn not to completely rely on either form of representation, due to the vexing nature of the relationship and the deliberate selection and emphasis. It is then an understanding that through a combination of history and memory we can begin to comprehend representation. ‘The Fiftieth Gate’ demonstrates Baker’s conclusive realisation that both history and memory have reliability and usefulness. ‘Schindler’s List’ reveals how the context of a medium impacts on the selection and emphasis of details. ‘The Send-Off’ then explains how the contradiction between memory and history can show differing perspectives and motives.
In the story The Crucible, the plot and structure add meaning to the play. Arthur Miller does this by connecting the events of the Red Scare to the Salem Witch Trials. He does this by making the comparisons of how easily it is to trust false things, jump to conclusions too quickly, and believe irrational fears.
Brumwell, Stephen. White Devil: A True Story of War, Savagery, and Vengeance in Colonial America. Da Capo Press Inc. March, 2005.
The Shining is a 1977 horror novel by Stephen King that is based on events at the Overlook Hotel where the Torrance family is snowed in for the winter which leads to some unfortunate events. Maus I: a Survivor’s Tale: My Father Bleeds History is a 1986 graphic novel by Art Spiegelman about the story of his father during the Holocaust. Both of these novels are good stories that are filled with episodes and events that are demonstrated differently. Although the plots of The Shining and Maus 1 bear some minor similarities, the difference between them are more clear, which includes whether the plot is linear and sequential, and the use of stream of consciousness, foreshadowing, and flashbacks. The novel Maus I is story within a story so it goes back and forth from the present and the past, which means the plot is not completely linear and sequential. In the other hand, the novel The Shining is more linear and sequential than Maus I. Both of the novels contains flashbacks and has foreshadowing but The Shining has more foreshadowing than Maus I but less flashbacks. The Shining clearly includes stream of consciousness while in Maus I it is not.
As Jack and his family start trudging through the long winter in the hotel it becomes apparent that Jack starts to develop “cabin fever.” His writer’s block causes anxiety and anger towards his wife and son. Jack also starts to develop an obsessive compulsive behavior pers...
The Peruvian Communist Party (PCP-SL), better known as Sendero Luminoso (‘Shining Path’) was a maoist guerrilla organization in Peru. The parties roots can be drawn to the Andean department of Ayacucho, one of Peru’s pooerest and uneducated areas, where ill even the 1950s landowners continued their serflike manner of treatment toward the natives existence. The escape their dismal lives, Ayacuchans turned toward education, migrating by the thousands in their attempt to escape that existed for them back home.
In his classic horror film, The Shining, Stanley Kubrick utilizes many different elements of editing to create unique and terrifying scenes. Kubrick relies on editing to assist in the overall terrifying and horrifying feel created in the movie. Editing in the movie creates many different effects, but the most notable effects created add to the continuity of the film as well as the sense of fear and terror.
A ghost, according to the article “History of Ghosts” on History.com, is a person's spirit once it has separated itself from the body after death. Also known as specters, ghosts continue existing even after the heart stops and the corpse is cold, and they fall under the category of paranormal phenomena. When something is considered paranormal, it simply means that science has no explanation for it. So if science can't explain it, it can't be real, right? Not necessarily. It just means that it hasn't been proven a fact, it's all in theory. But Jack Porter makes a valid point in his article, “The Study of Paranormal Phenomenon is a Legitimate Science”, when he says, “It is important to remember the Big Bang is a theory, but that is still considered science.”
Initially tanking at the box office, Stanley Kubrick's The Shining garnered a cult following and high appreciation many years after premiering. The film, differing from Stephen King's original novel, lacked speed and coherence; however, fans accumulated after noticing small details that conveyed entirely different messages. The director dedicated attention to every detail, causing confusion after noticeable inconsistencies and pointless-seeming deviations from the book. Stanley Kubrick's The Shining spawned numerous discussions through multiple enigmatic, open-ended components and deep-reaching symbolism.
A prime example of this is when they “exterminated” the ghosts from the hotel but when in reality they didn’t do anything but damage the walls and chandelier. Some of the things that I have learned is that there’s no way to prove that they indeed removed the ghosts from any of the places that they worked on; there is no way to prove any of the topics of parapsychology through the scientific method. Unlike other scientific fields, this sort paranormal phenomena lacks the ability to follow such natural laws, such as gravity or conservation of mass and energy. In parapsychology, it is almost impossible to use adequate theoretical evidence to back your support because parapsychology lacks the scientific background that is needed. This type of phenomena is referred to anomalous phenomena Our class analyzed how the very popular story of the “Amityvillle Horror” was a made up story. The story claims to have talked to policemen, but when the police were asked about the family, the truth finally came out. They didn’t even know who the family living in the house was at that time. Since I am now more educated about ghosts and parapsychology, in general, I was able to depict areas
Ghost stories have been popular throughout the ages. During the nineteenth century, there was a sudden boom and ghost stories were made popular. Storytelling was the main source of entertainment as there weren't any films, TV's or computer games. People would gather around in groups telling or reading each other stories. The stories were made more real by the superstitions people kept and as the rooms were lit by dim candle light, it built a sense of atmosphere. Most ghost stories were written in the nineteenth century period, so people could imagine such things happening to them, in the places they lived. As storytelling was the main form of entertainment, people had nothing to compare it to, so it built tension, suspense and fear. In the nineteenth century there weren't many scientific advances. Everything was blamed on higher or supernatural forces, therefore, people believed the explanations given in ghost stories. I will be comparing and contrasting four ghost stories which were all written in the nineteenth century. They are ?The Old Nurse?s Story? by Elizabeth Gaskell, 1855 and ?The Ostler? by Wilkie Collins, 1855.
aranormal activity has been a cause of fear and excitement throughout history. The unknown attracts the curiosity from those who wonder whether the supernatural is real or a figment of the imagination. Ghosts are one of the supernatural beings whose existence is questioned every day. Many want to deny the existence of ghosts because they are terrified of other phantoms who may exist and ignore the evidence that has been brought forth throughout the years. However, ghosts are supernatural pheromones whose existence still impacts today’s society.
Movies like “Haunting in Connecticut” or “The Grudge” are fairly well-known and it is understood that they revolve around the concept of hauntings. Hollywood makes hauntings out to be nothing more than a vengeful spirit out for blood, however hauntings are so much more than that. In order to better understand the concept of a haunting and in turn to better understand the local legend of Gibbs Bridge, a firm grasp of exactly what traits a haunting encompasses is essential. The book Visions Apparitions Alien Visitors by Hilary Evans clearly states what the characteristics of haunting consists of in chapter 1.7. She says, “Hauntings are characterized by the place where they are seen which they appear to frequent.” (Evans, 98). Evans points out
T.M Luhrmann wrote an article about how ghosts originated, she spoke of a woman in 1628, who lived in the town of Dole, which is a small town located in eastern France. The woman claimed a ghost came to her as she lay sick in the bed. The ill woman claimed that her nurse was a spirit, as she entered the room without unlocking the door. It’s not the most believable story, but it’s a fragment of information which takes us into the history of ghosts. Luhrmann then went on to speak about why we perceive ghosts as transparent and “Creepy”. Long ago, humans thought of ghosts of things which resembled people, and it was near impossible to tell the difference between the living, and the dead. By the 19th century, we believed in ghosts as transparent, vaporous beings of another world. Much like the ghosts in A Christmas Carol, by Charles Dickens