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The Nelly Butler hauntings is referred to as the first recorded ghost story in American history (LiBrizzi 5), and possibly the most exciting hauntings to date as there are still many unsolved mysteries. The apparition appeared on more than 30 separate occasions to over 100 witnesses in Sullivan, Maine, just over fifteen years after the American Revolution (5-6). Although the Nelly Butler apparition is one of the most convincing ghosts of all time, it was subject to suspicions of fraud. These claims turn out to be groundless as the evidence reveals the ghost to be genuine. Although there is little information on Nelly Butler during her life, the evidence gathered from the time Nelly was alive suggests she was a kind woman. One interesting piece of information about Nelly when she was alive was given by her spirit when she explained that she had received an experience of spiritual salvation on her deathbed, possibly the reason she came back to Sullivan (“Testimony” 101). Nelly was legally named Eleanor Hooper, and born on 25 April 1776 (“Genealogical” 115). Her parents were David and Joanna Hooper, and she had eight siblings (115). Some time during 1795, Nelly married George Butler at the age of nineteen and lived on Butler’s Point in Franklin, Maine (115). While giving birth to their first child, Nelly tragically passed away on 13 June 1797, only to be followed shortly after by her baby (115). Although there are no headstones to confirm this, it is said that Nelly’s grave is located on Butler’s Point in Franklin, next to her child and husband (LiBrizzi 8). Three years after Nelly had passed away, she still appeared to have business with the world of the living. The specter’s primary objective was to arrange the marriage of Georg... ... middle of paper ... ...tion was given by the spirit that was only conversed between her and another person at the time if her life. The spirit appeared and sounded like Nelly Butler as she did when she was alive and even allowed the witnesses to get as close as they wanted allowing them the opportunity to find evidence of foul play. Where the idea of fraud breaks down is when the apparition shapeshifts, there is no evidence strong enough to give a reasonable argument that it was something other than the spirit of Nelly Butler caused it to happen. The evidence given by George Butler has to be the strongest evidence available; he actually was able to put his hand through the apparition and conversed on a topic only he and Nelly discussed when she was alive. With all the evidence composed, a strong case has been built that the spirit haunting Sullivan really was the spirit of Nelly Butler.
For years, I have been told that Lillian Handlan Lemp, better known as the Lavender Lady is one of the many ghosts of the Lemp Mansion. I had no reason to doubt this until I learned that Lillian never lived in the Lemp Mansion. When Lillian was married to William Lemp Jr, they lived in the in a penthouse on top of the Chase Park Plaza. After finding this out, I had to ask myself; “Why would the Lavender Lady haunt the Lemp Mansion if she never lived there?” I could only come to one conclusion, she doesn’t. If there is no reason, then the ghost everyone claims to see in the Lavender Suite cannot be the restless spirit of Lillian Handlan Lemp. I know this may be hard for some to accept, since so many psychics, paranormal investigators, and television shows have identified the ghost on the second floor as the Lavender Lady, but I still find it very hard to believe Lillian would haunt a home in which they never lived in. Lillian actually died in her apartment on Park Avenue in 1960.
I was told a story about one of Cloudcroft's more famous ghosts when casually lounging in the undergraduate student physics lounge at the University of Maryland, College Park, with a group of students during a lunch break before class. This occurred during early April, 2005. I inquired whether anyone knew any ghost stories or folklore. A friend of mine volunteered that she knew several ghost stories from her travels. The storyteller was a 23-year-old Caucasian female from an upper-middle class family in Baltimore. She currently lives in Crofton, MD, and is a physics and astronomy major.
Cather writes Peggy’s description of Nelly’s baptism, before her marriage to Scott, which sealed the quenching of Nelly’s worldly joy into the cement Baptismal pit that swallowed Nelly into
The Haunting of Hill House is a gothic horror novel written by Shirley Jackson. Supernatural occurrences take place within the house revolving around Eleanor. Eleanor is a thirty-two-year-old woman who never once has felt the sense of inclusion. Eleanor seems to never recall the feeling of delight in her adult years due to the fact that she was a caretaker for her now deceased Mother; who took away most of her freedom by being incredibly restrictive. Dr. Montague, a doctor that specializes in analysis of the supernatural rents Hill House, a supposedly haunted house. During the renting period, Dr. Montague begins an experiment inviting individuals who have had involvement in abnormal events
The University of Maryland has a rich history dating back to its founding in 1856 as the Maryland Agricultural College. Built between 1804 and 1812, The Rossborough Inn is the oldest building on campus today (Ghost Tour, 2). With its history, it is no surprise that the Inn has been a hotspot for ghost activity. Knowing that there have been numerous reports of ghosts at Rossborough, I visited the Inn to ask current employees at the Knight Center for Specialized Journalism, located in Rossborough Inn, if they themselves had experienced anything bizarre or if they had known others who had. I entered the small office where three women were talking and with their permission asked about their experiences with ghosts at Rossborough. Upon asking my question, all three smiled, although shaking their head, they indicated they had not. However, they all had heard of the stories, and one of the women replied and told me to speak with the University Archivist. She told me that she has spoken with the archivist, and upon learning the stories, she said that she “got freaked out and really wanted to go home.”
Windham, Kathryn Tucker, and Margaret Gillis Fish. “The Face in the Courthouse Window.” 13 Alabama ghosts and Jeffrey. 1969. Reprint. Huntsville, Ala.: Strode Publishers, 1976. Print.
Even with the pain of bearing children, raising them, doing household and even farm chores, their efforts have never been truly appreciated. Mrs. Wright was “…real sweet and pretty, but kind of timid—and fluttery…” as Mrs. Hale, her neighbor, describes her (22). This would all soon change after her wedding day. With Mr. Wright’s insipid character and lack of patience of any joyous sound, Mrs. Wright’s spirit dwindled to nothing. It seems she spent hours at a time focusing on her quilts, preserves, and caring for the only life there was in the house, her canary. Even when Mr. Hale offered to get a party telephone, Mr. Wright responded, “…folks talk too much anyway…”(5). This silence he preferred also applied to his spouse. There were no hugs given out much less a smile. He failed to give her even the most minimal sing of appreciation much less the emotional warmth she hungered for.
Given the title of this work, you may mistakenly believe (as did at least one prior owner of the book copy I had read from, if their annotations are any indication) that this is a literal investigation into all things paranormal and society’s investment of that which goes bump in the night. In “Ghostly Matters: Hauntings and the Sociological Imagination”, Avery F. Gordon offers academics and ethnographers – those whose profession it is to unearth the secreted relationships between the signifier and the signified, the subject and object, the real and unreal - a disturbing ghost story that should leave those of us in the field who came claim these titles with both the deepest of darkest chills and, through a new method of revealing and acknowledging the ghosts we feel, the hope for something akin to redemption. (In this way, perhaps, Gordon accomplishes many of the same feats as Stephen King and Edgar Allen Poe).
Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.
One of the most critically discussed works in twentieth-century American literature, The Turn of the Screw has inspired a variety of critical interpretations since its publication in 1898. Until 1934, the book was considered a traditional ghost story. Edmund Wilson, however, soon challenged that view with his assertions that The Turn of the Screw is a psychological study of the unstable governess whose visions of ghosts are merely delusions. Wilson’s essay initiated a critical debate concerning the interpretation of the novel, which continues even today (Poupard 313). Speculation considering the truth of the events occurring in The Turn of the Screw depends greatly on the reader’s assessment of the reliability of the governess as a narrator. According to the “apparitionist” reader, the ghosts are real, the governess is reliable and of sound mind, and the children are corrupted by the ghosts. The “hallucinationist”, on the other hand, would claim the ghosts are illusions of the governess, who is an unreliable narrator, and possibly insane, and the children are not debased by the ghosts (Poupard 314). The purpose of this essay is to explore the “hallucinationist” view in order to support the assertion that the governess is an unreliable narrator. By examining the manner in which she guesses the unseen from the seen, traces the implication of things, and judges the whole piece by the pattern and so arrives at her conclusions, I will demonstrate that the governess is an unreliable narrator. From the beginning of The Turn of the Screw, the reader quickly becomes aware that the governess has an active imagination. Her very first night at Bly, for example, “[t]here had been a moment when [she] believed [she] recognized, faint and far, the cry of a child; there had been another when [she] found [herself] just consciously starting as at the passage, before [her] door, of a light footstep.” The governess herself acknowledges her active imagination in an early conversation with Mrs. Grose, when she discloses “how rather easily carried away” she is. Her need for visions and fantasies soon lead her to believe that apparitions are appearing to her. It is from this point on that she begins to guess the unseen from the seen, trace the implication of things, and judge the whole piece by the pattern. After the first appearance of Peter Quint, the governess begins to make infe...
“We have travelled from Florida to Radford, Virginia on four different occasions to investigate St. Albans,” said Terri. During that time they have experienced a plethora of paranormal activity, including the sounds of disembodied voices, the vision of a full-body apparition, having an investigator slapped by an unseen hand, disembodied growling, and a disappearing door, among others.
The third school of thought is mostly exposed by Reginald Scot the author of ” discoverie of witchcraft”, who considers and believes in the presence of abnormal apparitions, yet holds that ghosts cannot take the form of normal human beings. Thus these apparitions are
on the throne and it was a time of new advances in technology and new
a dull grey colour as if it had lost the will to live and stopped
Life is a series of frequent changes. At some point in life one will be tossed into circumstances that urges one to make decisive life choices and adjust particular behavior for the aim of becoming a better form of oneself. Despite one’s recognition that modifications have to be done, the process of changing is difficult. Thus, some individuals are scared to change and refuse to do so. In “ A Rose for Emily”, William Faulkner uses literary tools such as the setting, symbolisms and the conflicts to develop his theme that fixation of the past will wound one’s present. Falkner exemplified that changes are inevitable and refusal to accept the progression will only result in decadence that eventually will induce negative effects in one’s life.