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Ghost stories for a essay
Ghost story writing assignment
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A girl runs frantically through the woods trying to escape an axe wielding villain. The defenseless victim suddenly trips and collapses to the ground. The villain laughs wickedly as he lifts the axe above his head. The girl releases a final scream as the weapon quickly ends her life, causing the audience to go silent as they watch the villain drag away the lifeless body. Death, blood, guts, suspense, screaming, and terror are all just a few things to expect when watching a modern day horror film. What is horror? Horror can be defined as an intense feeling of fear, shock, or disgust. (Wilson) The description of horror is not very pleasant, but for some reason horror films are extremely popular. Why is this so? People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films) During the late 1800’s there were two extremely short silent films that began the addiction of gothic horror. The earlier of the two was an eighteen second long film entitled The Execution of Mary Stuart which was produced by Thomas Edison in 1895. There much debate over the matter of this film actually classifying as the first horror movie because of its short duration. (Trick Films) The second horro... ... middle of paper ... ...britannica.com/>. Horror Films. Horror Films. American Movie Classics Company, n.d. Web. 1 Oct. 2013. . "Horror Movies 2013." movieweb.com. N.p., n.d. Web. 3 Dec 2013. .Noton, Adriana. "A Brief History Of Horror Movies." Ezine Articles. Spark Net, 10 Aug. 2010. Web. 1 Dec. 2013. . Parker, Sam. Horror Through The Decades. Bauer Consumer Media, 2009. Web. 1 Oct. 2013. . "Trick Films and Gothic Tales." Fright Film Geek. Blogger, n.d. Web. 1 Dec. 2013. . Wilson, Karina. Horror Film History. N.p., 2005. Web. 1 Oct. 2013. .
...dience long after the film reels have stopped turning. The idea of a “scary movie” could be innocuous enough, if it is simply frights and ghoulish images, but Nosferatu raised the bar and discovered how to delve into a collective mindset and produce a truly unsettling product. Germany’s residual shame and concern regarding World War I made Nosferatu a gripping, telling exploration of a nation’s psyche.
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
Analysis of the Opening Sequences of John Carpenter’s Halloween (1978) and Wes Craven’s Scream (1996)
Some would say watching horror movies and being scared out of your wits is a fun way to spend their hard earned money. They go see these movies on average once a week, each time choosing a newer version of a trilogy like “Chucky” or “The evil Dead”. Film making has come a long way over the last few decades, the graphic...
Stephen King “Why We Crave Horror Movies” this article was published in Playboy Magazine (1981)
It can be said that this film is more like a psychological thriller than the horror film. In fact, there is no blood, no ghost or make viewers startle and scream. Perhaps, Roman Polanski wants to against the tradition of horror film and show that he can threaten the viewer without turning off a lamp- in fact, he succeeds. The film opens with some of the main
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
People have been looking behind their shower curtain when they enter the bathroom ever since Psycho swirled its way into movie theaters in 1960. This irrational fear of lurkers in the bath and scary psyches began with the first ever slasher film: Psycho by Alfred Hitchcock. Throughout the years, Psycho never lost its potency as the movie that created the horror genre as we know it. The low-budget “just for fun” film project that Hitchcock had originally intended as his last “kick” in his career as a director changed the entire business and ended up being Hitchcock’s defining piece. Pre-Psycho scary movies had been slow in pace and conservative in content. Psycho’s director, Alfred Hitchcock, knew what the ‘norm’ was for filming because he had in the business for more than twenty years, but he wanted to break them. Psycho has been completely unforgettable since the 1960’s because of Hitchcock’s disregard of Hollywood’s rules of cinematography, revolutionary scoring, and never-before-seen yet realistic and creative filming techniques; Hitchcock did not create only a ‘scary’ movie, he created a new genre of fear that has had an effect on the film industry ever since.
Pinedo, Isabel Cristina. Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany: State University of NY Press, 1997.
12. Tudor, Andrew. Monsters and Mad Scientists. A Cultural History of the Horror Movie. 1989. Oxford: Blackwell, 1991, 114.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
Horror, crime and thriller movies are three entirely different genres, but they share some similarities. Crime movies typically focus on a hero and the pursuit of a criminal. In the end, the protagonist solves the crime. On the other hand, horror movies usually focus on the dark side of life. Evil spirits or supernatural powers often creates destruction, but the protagonist defeats them. The end of the film, however, suggests that such forces will likely come back. The horror films are designed to get frightened and give panic attacks to the viewers. Again, the thriller is a genre that revolves expectation and suspension. Marion Crane and Norman Bates crimes, guessing
Imagine that tonight is movie night. The popcorn is made, the lights are low, everyone else is ready and the classic horror film Scream (Wes Craven 96) plays. The combination of horror and humor similar to the modern The Cabin in the woods (Drew Goddard 2012) has their unique message and some elements of a slasher film. In her essay “Her Body, Himself,” Clover writes a general description of a slasher film, “At the bottom of the horror heap lies the slasher (or splatter or shocker or stalker) film: the immensely generative story of a psychokiller who slashes to death a string of mostly female victims” (22). While in Scream these definitions may be obvious, Cabin in the Woods both critiques these traits while challenging them. By using Clover’s
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
The horror film has the honor of being one of the few genres aside from the Christmas film to own an entire month out of the year. The moment it becomes October, in the United States especially, the haunting themes of Halloween begin to take over. Anyone can guarantee that if an individual goes out of their house during the October month, they will come into direct contact with pumpkin spice flavored items from coffee to Oreos, Halloween candy in all shapes and forms, and the horror movie. Whether it is the film that started it all, The Haunted Castle, released in 1896 and directed by Georges Méliès or to the recent string of repetitive horror of the Paranormal Activity or Insidious franchises, the horror film is a long-lasting genre with one