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Analysis of a horror movie
Representation of women in horror
Representation of women in horror
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Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
Out of most horror films, especially those of the slasher sub-genre, the killer is usually male. As said by Clover, “Female killers are few and their reasons for killing significantly different from men’s” (29). In Friday the 13th (2009), the killer, Jason, is male. He follows the typical slasher killer that Clover describes in her book. Though most Friday the 13th movies have Jason as the killer, in Friday the 13th I, the killer is Jason’s mother. In actuality, most slasher horror films have a male tormentor as the killer. Also, as stated by Clover, the killer is usually one who psychotic, previously been sexually abused, or one th...
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... is luckier, smarter, faster, or stronger than everyone else who is killed. The Final Girl is also picked out of the larger group of victim’s minutes into the film. Also, tying into the idea that the ones killed were either sexually active, drinking alcohol, doing drugs, or all three, the Final Girl does none of those things. As said before, however, Friday the 13th (2009) instead has a final boy (Clay). Though it is not a girl, the idea is still the same.
Overall, Friday the 13th (Marcus Nipsel, 2009) is a typical slasher film according to Carol Clovers book Men, Women, and Chainsaws: Gender in the Modern Horror Film. With the male antagonist killer, the Final Girl, and the use of weapons and killing styles, the 2009 remake of Friday the 13th suggests that Carol Clover’s ideas about slasher films have stayed the same throughout the years of horror slasher films.
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton Publishing, 1992.
Throughout the century gender roles have changed dramatically. During the 60s roles were given to certain genders. Stereotyping them to play the action of what their gender was expected to do. One may believe that a man or women should have a specific role, but as the years came, certain genders stuck up for themselves, making a statement that they are just as capable to do anything anyone else does. The 1968 drama film Night of the Living Dead directed by George Romero is full of gender discrimination. This movie shows the typical actions of how women and males were supposed to act during the 60s; however, the roles played in this film have changed majorly over the years. Women and males have every right to play any role they want in today’s world. Romero may leave the audience angry with how he judges gender roles in
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Peter Vronsky wrote two different books about serial killers. The first is his book Serial Killers, which covers all of the definitions of what a serial killer is, both men and women. Though the main focus in this book was on the men. The second is his book Female Serial Killers, which goes into a more detailed description of just female serial killers. Everything in the second book could have been included in the Serial Killers book instead of being divided into a completely separate book. Within these two books the different kinds of serial killers is very clear. But what is interesting is that in the Serial Killers book the differences between the way women and men kill is not very separate, but in the Female Serial Killers book Vronsky makes it seem as if female killers and male killers kill in completely different ways by stating:
How the Opening Sequence of Halloween Captures the Attention of the Audience ' 'Halloween' was made in 1978 and is a good example of the 'Slasher' movies from that time and this is an interesting piece of cinema as it can be related to the German expressionism of the late 1920's which used jerky camera shots and high contrast lighting to enthrall the viewer .In this essay I will discuss how the opening to Halloween captures the audiences attention and how codes and conventions create suspense and tension for the audience.
Horror films that tap into our hard-wired instinctive fears probe a deeper place than movies with more sophisticated threats. The Blair Witch Project, an extraordinarily effective horror film, knows this and uses it. The movie is like a celebration of rock-bottom production values — of how it doesn't take bells and whistles to scare us. American audiences seem ready to embrace an unconventional film which breaks all the rules of Hollywood. The point-of-view camera work, the lack of predictability, the documentary feel of film and the use of what are essentially old, dramatic scare tactics, seem to be what makes it popular.
The horror genre has held a prominent position in culture for most of history. Beginning in folklore, used as a device to scare children into good behaviors (e.g. The Grimm Brother’s Fairy Tales), horror has integrated its way into the 21st century through film, and in recent years even video games. Yearly, primarily during the fall when the leaves start to brown and the natural eerie sense of fear fills the air around Halloween, the film industry likes to fill in the holes between its major grossing seasons by filling the audience with fear. However, it was Christmas of 1973 that defined the new age of Horror, when William Friedkin released The Exorcist. According to Julia Heimerdinger of Academia’s online journal, Horror, as a whole, can be identified by its heavy emphasis on evoking emotion; specifically those emotions that make the audience feel uncomfortable (panic, shock, disgust, fear, etc). In fact, emotion plays such an important role in defining this genre, it joins a list of only two genres that diverge their intended effect though the name—Horror and Romance. Heimerdinger says that “The goal of the genre is to get in touch with primal fears and bring people’s nightmares to life” (Heimerdinger). Steffen Hantke is the author of a Criticism on the Current State of American Horror Cinema. In his criticism he supports that horror films “can be best understood by . . . paying attention to the specifically technological aspects of cinema” (326). William Friedkin’s 1973 horror film The Exorcist uses the elements of sound, and special effects to emphasize the genre of horror within the film. Additionally, this film has influenced and created norms in thematic techniques used in the modern horror genre, such as public reception ...
...hood. Juno is also hinted at as being the final girl however her sympathy for Sarah and the audience’s realisation of the affair with Sarah’s husband makes it clear that she will not survive because she has compromised a marriage which is typical of the genre and results in the characters death.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
The horror genre has many lessons to teach us as an audience although being the genre most connected with that of ridiculousness. It is regularly associated with the reaction it seeks from its audience; both emotional and physical. In cinema success is measured by terrifying chills, bloody deaths and the volume of the audiences scream. The appeal of horror narrative in literature, film and theatre lies in the pleasures it associates with fear, suspense and terror; no matter what it is trying to convey to the audience. Even when writers layer the genre with academic thoughts on psychology, theology and the world in which we live in, horror remains the primary outlet to examine the notions of dread, uncertainly, mysterious and the abject.
What are the main roles that female actresses typically portray in horror films? Maggie Freleng, an editor of VitaminW, a website that contributes toward the female empowerment movement, expresses her belief that women are cast in “poor and stereotypical representation of women in the horror genre.” Some roles that many women portray that are seen as stereotypical is the sexually promiscuous women and the saved virgin, evil demon seductress, the overly liberated woman, and the most common role the damsel in distress. The possible reason that women are cast with these roles is because of the belief that women are seen as too dimwitted, overemotional, uncoordinated, weak, and incompetent to survive in a situation much like those in horror films. Anne T. Donahue, an author of Women in Horror: The Revenge an article in The Guardian verifies the belief of the females portrayed as the damsel in distress stereotype with the statement, “We see them [women] waiting for a man to save them, we see them running, bloodied and terrified, we see them tied and cut up,
In numerous interviews, creator Joss Whedon has explained that the inspiration for Buffy the Vampire Slayer struck while he was watching horror films and TV shows in which pretty women run away from or get killed by monsters in alleyways. Whedon claims he wanted to give this paradigmatic girl-victim a new role: that of the monster-killing hero. Whedon's explanation of his own artistic inspiration reveals at least two things about him as a film-viewer and maker: first, his description suggests his awareness of the pervasive, archetypal quality of the traditional, mainstream horror film. Second, his description rather coyly fails to account for the more marginal genre of the "slasher film," in which the pretty girl often does kill the monster in the alleyway.
Prof. Paul J. Patterson, Ph.D., co-director of Medieval, Renaissance and Reformation Studies at Saint Joseph's University says that throughout history each generation has defined horror largely on the idea of something outside of our understanding that is threatening us. In his class, 'Horror in Literature and Film', he and his students analyse works such as Homer's Odyssey, Bram Stoker's Dracula (1897), Mary Shelley's Frankenstein (1818), Alfred Hitchcock's works (1940 - 70), the slashers of the 90s, and the post-9/11 movies. Their analysis is that many of the post 9/11 horror films are about torture, while the zombie wave is because of the menace of biological warfare.
The film, Scream, restored the slasher craze after the countless sequels of previous slasher films, such as the Halloween and Friday the 13th franchises, quelled audience’s interest in the genre. Scream, directed by Wes Craven and written by Kevin Williamson, is a horror cinema from 1996. The movie centers on high school student, Sidney Prescott, whom is terrorized by a murder who kills everyone she knows. The teenagers of this small town begin to contemplate the “rules” of horror films, such as do not have sex or say “I’ll be right back,” in order to survive the masked killer in what becomes a real-life horror movie. The film, Scream, advocates for third-wave feminism, the movement that aims for gender equality and empowerment of women, by