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The appeal of the horror genre
Blair Witch Project Case Study
The appeal of the horror genre
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The Blair Witch Project remains, undoubtedly, one of the most successful and debate-provoking horror films. What is of interest to this study is the question of how this film was able to achieve such an impact, especially since it lacked Hollywood actors, special effects, or even a conventional narrative structure. How was this film able to touch such a nerve with filmgoers? Presented as a straightforward documentary, the film opens with a title card explaining that in 1994, three students venture into the Maryland backwoods to document a senior thesis project on the legend of the Blair Witch. These kids were never seen again, and the film you are about to see is from their recovered equipment, unearthed in the woods a year later. The entire movie is what they recorded of research and their adventures in the woods, leading up to their final minutes.
The film is set in the small country town of Burkittsville, Maryland (formerly Blair), a place where folklore lives through the local community. We are introduced to the town, its people and the local folklore through the lens of the three students, Heather Donahue, Michael Williams and Joshua Leonard. These students explain they are in town to create a film about the most well-known of the local legends, the Blair Witch. After gathering information from the community, the students course into Black Hill Forest in pursuit of footage but soon find themselves lost. Tension arises as the trio becomes more desperate to escape and their fear is progressively fuelled by a strange sequence of occurrences. Haunted each night by mysterious sounds impending from outside their tent, the minds of the protagonists become less reliable. One night amongst the fear and confusion Josh separates from t...
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...d by the cameras during this final scene takes little away from our experience as a viewer. What the film is truly relying on is our own participation in imagining the implied horrors that unfold off-screen, thus playing on our fear of the uncanny.
Horror films that tap into our hard-wired instinctive fears probe a deeper place than movies with more sophisticated threats. The Blair Witch Project, an extraordinarily effective horror film, knows this and uses it. The movie is like a celebration of rock-bottom production values — of how it doesn't take bells and whistles to scare us. American audiences seem ready to embrace an unconventional film which breaks all the rules of Hollywood. The point-of-view camera work, the lack of predictability, the documentary feel of film and the use of what are essentially old, dramatic scare tactics, seem to be what makes it popular.
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
	During the winter of 1691 and 1692 Salem Village had a mass hysteria over the possibility of witchcraft in their village. The movie shows this was brought on after Reverend Parris discovered some girls dancing in the woods. A black slave known as Tituba supposedly led the rite. Tituba was really American Indian Arawak in history though. Of course the village believed the girls were practicing magic but it may have been a result of the girls eating some moldy wheat. The girls suffered from violent fits.
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
These have been adapted from the early twentieth century, and have developed a whole series of genre conventions into a familiar variety of scary settings, iconography, and stereotyped characterisation. Audiences have a clear understanding of this, and they use it to their advantage. They can keep putting the audience through the jolts that horror conventions continue to give. An effective way of keeping the horror fresh would be to break the cycle, by breaking certain conventions. The isolated setting in the two films is a key device used to establish a threatening atmosphere.
One of America’s famous actress film director and producer Katie Aselton once said,” I don’t love horror movies with something surreal happening. That doesn’t work for me. What’s terrifying is something that could actually happen to me and what I would do. I don’t know how to throw a punch, and I’ve never had to do it.” This quote shows connection to King’s article. I’m starting to consider that everyone has a crazy side. Why We Crave Horror Movies explains the reason people want to go see horror movies. The average person enjoys the horror movies because they are in a safe environment knowing they can not be harmed. By discussing the argumentative strategies such as ethos, logos,
The movie is a documentary. Three student filmmakers in search of the truth of the Blair Witch make it. These three students head into the Black Hills of Maryland in search of the sites of supposed occurrences and in search of the Blair witch herself. The story goes that they went into the woods and were never seen again. That is until a year later when their amateur film footage was discovered.
Some would say watching horror movies and being scared out of your wits is a fun way to spend their hard earned money. They go see these movies on average once a week, each time choosing a newer version of a trilogy like “Chucky” or “The evil Dead”. Film making has come a long way over the last few decades, the graphic...
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Antirealism in film transcends and brainstorms the fantasies that never become reality. Even though antirealism is apprehensive with a smaller amount then actual stuff, our observation for an...
One might argue that the scariest horror films are those films which horrors portray a sense that something of that nature might actually happen in the real world. The beauty of horror films is that anything could theoretically be possible, like Freddy Krueger sticking his tongue through Nancy’s phone as he says, “I’m your boyfriend now, Nancy” or a horde of zombies stampeding through the cities of the United States wiping out humanity in its path. If one thinks about it long enough, anything we can perceive could happen. However, there is a line between the pure science fiction and those horror films which attempt to tackle a more realistic, social, cultural, psychological, or political problem in society.
How the Opening Sequence of Halloween Captures the Attention of the Audience ' 'Halloween' was made in 1978 and is a good example of the 'Slasher' movies from that time and this is an interesting piece of cinema as it can be related to the German expressionism of the late 1920's which used jerky camera shots and high contrast lighting to enthrall the viewer .In this essay I will discuss how the opening to Halloween captures the audiences attention and how codes and conventions create suspense and tension for the audience.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.