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Feminist theory applied to movies
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The film, Scream, restored the slasher craze after the countless sequels of previous slasher films, such as the Halloween and Friday the 13th franchises, quelled audience’s interest in the genre. Scream, directed by Wes Craven and written by Kevin Williamson, is a horror cinema from 1996. The movie centers on high school student, Sidney Prescott, whom is terrorized by a murder who kills everyone she knows. The teenagers of this small town begin to contemplate the “rules” of horror films, such as do not have sex or say “I’ll be right back,” in order to survive the masked killer in what becomes a real-life horror movie. The film, Scream, advocates for third-wave feminism, the movement that aims for gender equality and empowerment of women, by …show more content…
Two main male characters within the film, Deputy Dewey and Randy Meeks, emanate more feminine qualities. Even Deputy Dwight’s nickname, Dewey, is observed of as childish. In one scene, Dewey is seen with an ice cream cone, a sweet commonly associated with children; the ice cream is also pink which exaggerates his feminine attributes. He also is frequently seen throughout the film as nervous, scared, and even screams in many of the movie’s scenes. When condescended by his younger sister or when she refers to him as “boy” in public, Dewey says things like, “Mom said refer to me as deputy when I am on the job!” He constantly tries to compensate for his lack of masculinity throughout the film by constantly reminding everyone how he is the deputy of the town. Randy, on the other hand, is a self-proclaimed virgin whom is very nerdy and works at a video store. He is the voice within the film that keeps reminding everyone else about the supposed “rules” to surviving the horror film they have found themselves in. Both of these characters are deemed as “Final Boys,” for they survived the whole film. However, they survived due to the heroism of the female lead
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
“Do you like scary movies?” purred a sinister voice over the telephone, and immediately Scream had marked itself out as something new in a tired genre. When it was released in 1996, the classic slasher franchises had all pretty much ran out of steam. Scream was different, it was a breath of fresh air: smart and self-referential, it reminded horror fans what they loved about the genre in the first place, and scared them silly at the same time.
There has been a large variety of horror films produced throughout the last fifty years. People are always going to be frightened and scared by different types of horror films. But, what type of horror film scares more people, and were men or women more frightened by these horror films? Each one of the horror films had its own agenda to frighten its audience using several different methods of horror. Some of these methods were more so directed at the female audience than the male audience. Most horror movies show the female as being vulnerable, because in real life females are defenseless against monsters.
Singer Joan Jett is know as a punk pioneer for aggressive and popular music and a women’s role model. Joan once said, “People don’t want to see women doing things they don’t think women should do.” Joan was apart of the 70’s all girl teen rock group know as The Runaways. Feminists filled the 1970s with the women’s movement, Females had worked hard to make room for women in male-dominated fields ranging from medical, law, national secuirity, and even rock and roll. The main argument was that there is no reason that a women can’t do the same work as a man in any field of work. To be able to fit in with a male-dominated field, the women had to act like the men in their attitueds and approaches to do well. If the women showed any vulnrtablity or femininity at all the womens stautus might fall. Even after all this there was still an unseen boundry perventing women from suceeding in a male’s world. This bountry continues to cut of wmen from really entering the male dominated carreers. In the film Silence of the Lambs, Clarice Starling is a trainee at the FBI academy. She faces being one of the only women in the male ran field of national secierity. Although she is seen as a vunrable and is seen as having no athority around the men she has to work with, Clarice’s character is smart and has what it takes to work in a male dominated world. Clarice has to constantly prove that she can work in a male domineted world without having to rely on her feminity. Women are able to hold jobs like men and become leaders like Calrice has done while being a female in a male-dominated world.
SCREAM starts out in the quiet country region of Woodsboro, California. The silence is soon broken by the ringing of a phone coming from the inside of Casey Becker's home. The conversation between Casey and the threatening Voice, eventually leads up to having Casey scared out of her wits and being gutted. Sidney Prescott learns about the murder, and also finds out it was almost as bad as the murder of her mother (Maureen Prescott), which occurred almost a year ago. Randy Meeks, Reporter Gail Weathers, and Deputy Dewey Riley all get mixed up in the story with Sidney. If you want to learn anything else about the movie, go WATCH IT!!!!
Inspired by the life of the demented, cannibalistic Wisconsin killer Ed Gein (whose heinous acts would also inspire THE TEXAS CHAINSAW MASSACRE, 1974 and DERANGED, 1974), PSYCHO is probably Hitchcock's most gruesome and dark film. Its importance to its genre cannot be overestimated. PSYCHO's enduring influence comes not only from the Norman Bates character (who has since been reincarnated in a staggering variety of forms), but also from the psychological themes Hitchcock develops.
As Third Wave feminism is currently unfolding before us, and its aims encompass a wide array of complex issues, it is often hard to describe what Third Wave feminism is. The feminist theories, mainly associated with First and Second Wave feminism attempt to describe the power imbalances that are found in society, and while doing so expose other oppressions, such as discrimination based on race or sexual orientation. As this essay attempts to place a clear definition to Third Wave feminism, feminists are concurrently trying to deconstruct old definitions and open it up for women to determine what feminism means to them. In other words, no clear definition on what is meant to be a feminist is sufficient, as the Third Wave is about equality and freedom for all citizens, regardless of sex, class, race or sexual orientation.
The Screwball comedy is a film genre that found its way onto the screens in the early 1930s and lasted till the early 1940s. They were a consequence of the newly adapted censorship law in 1934 that restricted addressing adult content on screen. They therefore incorporated more comedic and creative ways of symbolizing topics such as sex and homosexuality. Screwball comedies were mainly based on plots that had conflict between social classes as their many premise and always had a happy ending which was almost always marriage. This consistent maintenance of the status quo of marriage is a major aspect of feminism depicted in screwball comedies (Heather 26). While advocating for marriage, screwball comedies highlighted the shift in the foundations of marriage and greatly highlighted the growth of feminism in light of a shift in roles and expectations surrounding this institution.
Margaret Mitchell’s novel Gone With the Wind, a classic that gives insight into the Confederate lifestyle before and after the Civil War, is known as one of the greatest American novels ever written. The story centers around a former Southern belle named Scarlett O’Hara who grows up in the heart of Georgia on her plantation named Tara. Scarlett doesn’t care about anything or anyone except for her lover, Ashley Wilkes, and finds herself heartbroken when he marries his plain Jane cousin, Melanie Hamilton. As the Yankees get closer and closer to her beloved home, destroying everything she’s ever known and forcing her to flee to Atlanta, Scarlett finds herself forced to fight for what she loves. Though
People flock to horror movies each year. Usually to be scared. Another is to solve the question of Who done it? Unfortunately, a lot of these horror movies fail to scare people or make the killer so obvious the audience gets bored. Occasionally, there are a few horror movies that stick out. Scream, directed by Wes Craven, is one of them. Wes Craven is always toying with the viewer's fears. Always finding ways to scare the audience at every turn. He also plays with the viewer's head, and has them second guessing themselves. How does he do it? Well, as one of the characters in the movie exclaims, "There's a formula to it. A very simple formula. Everybody's a suspect!" This paper will discuss how Craven uses sound, camera shots, and mise en scene
I am a feminist. I knew this before Beyoncé infamously defined the “F” word on the VMA stage in 2014. I knew this before a major party nominated a female to be their candidate for President of the United States despite criticisms. I certainly knew this before Brock Turner sexually assaulted a woman behind a dumpster and only received six months, but was released in three months due to his “good behavior” (privilege). Judith Lorber speaks on forms of all this in her book Gender Inequality as she examines the now thirteen types of feminism. Before I started reading the book I classified myself as a radical feminist. I quickly became aware of my connection to third wave feminism through women’s direct engagement of with feminism, women’s rise
What are the main roles that female actresses typically portray in horror films? Maggie Freleng, an editor of VitaminW, a website that contributes toward the female empowerment movement, expresses her belief that women are cast in “poor and stereotypical representation of women in the horror genre.” Some roles that many women portray that are seen as stereotypical is the sexually promiscuous women and the saved virgin, evil demon seductress, the overly liberated woman, and the most common role the damsel in distress. The possible reason that women are cast with these roles is because of the belief that women are seen as too dimwitted, overemotional, uncoordinated, weak, and incompetent to survive in a situation much like those in horror films. Anne T. Donahue, an author of Women in Horror: The Revenge an article in The Guardian verifies the belief of the females portrayed as the damsel in distress stereotype with the statement, “We see them [women] waiting for a man to save them, we see them running, bloodied and terrified, we see them tied and cut up,
Overall, Friday the 13th (Marcus Nipsel, 2009) is a typical slasher film according to Carol Clovers book Men, Women, and Chainsaws: Gender in the Modern Horror Film. With the male antagonist killer, the Final Girl, and the use of weapons and killing styles, the 2009 remake of Friday the 13th suggests that Carol Clover’s ideas about slasher films have stayed the same throughout the years of horror slasher films.
Doctor Robert Parker of Yale University identifies three major waves of feminism. First wave feminism was driven by a goal of establishing women’s rights. I like to think of this wave as our Humanization wave. Women were fighting for the right for basic human rights such as the right to vote, opportunities for education, and entitlement to property. The driving factor of this wave was to look to women as a human being not anything less. Women that are embedded in this wave were confined to the rules of their husbands thus being docile bodies of the home. They cooked, cleaned, did their husbands dirty laundry, and made babies. De Beauvoir would consider these women under the unessential “other” the women who have very little voice and say in
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...