Stanley Kubrick Essays

  • Stanley Kubrick

    1855 Words  | 4 Pages

    Stanley Kubrick is one of the most influential and daring filmmakers to ever put his mark on the silver screen. He has created a large body of very influential works spanning several decades and many genres. Throughout his whole collection there are many elements which are repeatedly used to enhance the viewer's experience. There are also many recurring themes in Kubrick's works that are commented on both by the context in which they are brought forth and the techniques used to expound upon those

  • The Shining, by Stanley Kubrick

    2159 Words  | 5 Pages

    Website Legendsofamerica.com, (2013). Battles and massacres of the Indian Wars in the American West - Page 2. [online] Available at: http://www.legendsofamerica.com/na-indianwarbattles-2.html [Accessed 23 Apr. 2014]. Book LoBrutto, V., 1997. Stanley Kubrick. 1st ed. New York: D.I. Fine Books. Book Luckhurst, R. and King, S., 2013. The shining. 1st ed. Book Storey, J. 2009. Cultural theory and popular culture. Harlow, England: Pearson Longman. Website (For Images) (Note: All uncited images are

  • A Clockwork Orange, by Stanley Kubrick

    1536 Words  | 4 Pages

    A Clockwork Orange is a Stanley Kubrick film from 1971. Kubrick directed the film and wrote the screen play based on the 1962 novel from author Anthony Burgess. A Clockwork Orange was originally rated, “X” and nominated for Best Picture, Best Director, Best Film Editing and Best Screenplay, but lost in each category to William Friedkin's The French Connection (filmsite.org). The set design is by John Barry, costume design by Milena Canonero, music by Wendy Carlos and cinematography by John Alcott

  • Isolation In The Shining By Stanley Kubrick

    608 Words  | 2 Pages

    The Shining, shot by Stanley Kubrick, is one of the most well-known horror movies written. It follows the Torrance family as they move into a hotel called the Overlook, which was built on an old Indian cemetery. Jack Torrance, a writer with alcohol addiction, needs isolation to write his new book, so he moves his family into the empty hotel. During their stay there, Jack acts as the groundskeeper. As the winter proceeds, all roads leading to the hotel become covered with snow so the family becomes

  • A Clockwork Orange, by Stanley Kubrick

    1090 Words  | 3 Pages

    experience of the subject, style, syntax and sound. The film, A Clockwork Orange, by Stanley Kubrick, gives us a true understanding of how this World contains various types of people, some of which might be called, ‘crazy.’ This film takes us into a world that is unfamiliar to most of us, in that the violence of this film is unlike many other films of its time. Based off the novel originally written by Anthony Burgess, Kubrick shows us that films can enhance our reading experiences and bring us outstanding

  • Analysis of The Shining, by Stanley Kubrick

    3991 Words  | 8 Pages

    primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that

  • A Clockwork Orange, by Stanley Kubrick

    643 Words  | 2 Pages

    "A Clockwork Orange", directed by the immeasurable Stanley Kubrick, starring Malcolm McDowell, Patrick Magee, Adirenne Corri, Aubrey Morris and James Marcus and produced by Stanley Kubrick in 1971, is, in my opinion, one of the greatest morality plays ever captured on film. It leads viewer in to many different pathways of thought about the time we live in, and about the validity of the concepts of law and morality, and the applications of the two in general society. Vincent Canby was on to something

  • The Genius of Stanley Kubrick

    1336 Words  | 3 Pages

    The Genius of Stanley Kubrick Many movie directors have mastered a genre or two. Wes Craven and John Carpenter are two of the horror film legends. Alfred Hitchcock is probably one of the five greatest directors of all time, with thrillers being his primary claim to fame. George Lucas has been the reigning king of science fiction ever since the release of Star Wars. John Ford is arguably the premier director of westerns. In my opinion, however, Stanley Kubrick may be the person who mastered more

  • Dr. Strangelove, by Stanley Kubrick

    910 Words  | 2 Pages

    In Dr. Strangelove, Stanley Kubrick took a serious issue and turned it into a political comedy. He was able to illustrate a satire of the hazardous notion of a nuclear war and the insane individuals who were coordinating it, and furthermore, addressed the issue of stereotyping. This movie was created in 1964; today in 2005, we still have nuclear weapons. Yes, the United States and other countries still have nuclear weapons, however, a question does arise, do we still have insane individuals coordinating

  • Labyrinths Of Historical Ruin In The Shining By Stanley Kubrick

    750 Words  | 2 Pages

    The Shining (1980), directed by Stanley Kubrick, tells the story of one family’s demise at the hands of a hotel. This film is often analyzed for its commentary on gender, capitalism, sexual repression, cinematography, and race. This paper will focus on race in The Shining in order to better understand the scene of Dick Hallorann’s murder. The appearance of Native American artwork on the walls behind Hallorann as he walks from the front door to the stairs invokes the history of Native Americans

  • The Shining: All Meaning and No Play by Stanley Kubrick

    1220 Words  | 3 Pages

    tanking at the box office, Stanley Kubrick's The Shining garnered a cult following and high appreciation many years after premiering. The film, differing from Stephen King's original novel, lacked speed and coherence; however, fans accumulated after noticing small details that conveyed entirely different messages. The director dedicated attention to every detail, causing confusion after noticeable inconsistencies and pointless-seeming deviations from the book. Stanley Kubrick's The Shining spawned

  • Analysis of the Film The Power of A Clockwork Orange by Stanley Kubrick

    834 Words  | 2 Pages

    A Clockwork Orange (1971) helped establish director Stanley Kubrick as one of the most innovative filmmakers of all time. For him film must be a work of art, and art exists for its own sake. The film has no goal beyond its own enjoyment. Given its subject matter—political corruption, hedonism, violence, and the elusiveness of moral certitudes—one might even go so far as to call A Clockwork Orange a nihilistic film in both form and content. This style of filmmaking would later heavily influence the

  • Genre Criticism of Stanley Kubricks The Shining

    1815 Words  | 4 Pages

    Genre Criticism of Stanley Kubricks The Shining The true measure of success for any film lies in its ability to establish a relationship with its audience. Perhaps more than in any other genre, the horror film must be aware of this relationship and manage it carefully. After all, the purpose of a horror film is not necessarily to invoke thought, but rather to evoke an emotional reaction from its audience. Horror films of all types have used frightening images, disturbing characters, and thrilling

  • Paths of Glory, by Stanley Kubrick

    633 Words  | 2 Pages

    Paths of Glory, by Stanley Kubrick The movie Paths of Glory, directed by Stanley Kubrick, dealt with the harsh conditions in the trenches during WWI. In the movie several fighters were persecuted for pulling back during an impossible attack. The movie tactfully questioned the authority of superior officers. The way the hierarchy in the army is depicted in the film made me question the integrity of the unit. I was perplexed by the concept that one person could have so much power over another

  • Stanley Kubrick Analysis

    1683 Words  | 4 Pages

    Stanley Kubrick is a name that has remained relevant throughout the years. Movies like 2001: A Space Odyssey, The Shining, Full Metal Jacket, and many others have made an impact on how films are made, but more importantly, the thematic elements of Kubrick’s films is what translated so well to the screen. Kubrick developed stylistic innovations in his films such as one-point perspective, realistic lighting, and distinctive dialogue. All of these stylistic strategies served to amplify the common themes

  • clockwork orange

    828 Words  | 2 Pages

    This film can be very much seen as Stanley Kubrick’s critique of modern culture and society, and a clear voice against the corruption of man. In A Clockwork Orange, Stanley Kubrick uses the L... ... middle of paper ... ...e media frenzy and the most controversial stories that harmed this film were generated in the United Kingdom where the film ran for 61 weeks but it never was a proper release because of the anger of the public opinion. Eventually, Stanley Kubrick had to request to the studio for

  • Film Analysis Of The Shining, By Stanley Kubrick

    1429 Words  | 3 Pages

    In my opinion Stanley Kubrick is, to this day, one of America’s greatest directors. He is renowned for directing films like Dr. Strangelove, 2001: A Space Odyssey and A Clockwork Orange; Stanley Kubrick doesn’t just limit himself to one type of genre, he works across the entire spectrum and, still, each and every one of his films demonstrate flawless directing, a palpable atmosphere and a great sense of intelligence. The Shining is one of his later works and it is widely deemed one of, if not THE

  • Film Analysis: A Clockwork Orange

    884 Words  | 2 Pages

    Orange. The director of the film Stanley Kubrick employs the use of mise-en-scene to push the boundaries of his film. His use of props, lighting, and costume set the tone for the movies brutal depiction of sex and violence in a dystopian future. The scene begins with a close-up of a man’s lower abdomen, with his left hand resting on top of a bottle of alcohol causing it to sway gently back and forth. With the audio off, you begin to realize the vision of Stanley Kubrick as you focus on

  • The Shining as an Exceptional Horror Movie

    1046 Words  | 3 Pages

    The Shining as an Exceptional Horror Movie Stanley Kubrick a.k.a. "The Master Filmmaker," was born on July 26, 1928 in the Bronx, New York City. By age 13 he had developed passions for jazz, drumming, chess and photography. In 1951 at 23 years of age, Kubrick used his savings to finance his first film, a 16-minute documentary short about boxer Walter Cartier. On March 7th, 1999, Stanley Kubrick died in his sleep of a heart attack. He was 70 years old. The Shining is a typical example

  • Themes In Stanley Kubrick's 'The Shining'

    1305 Words  | 3 Pages

    seen the “REDRUM” scene hundreds of times in movies, however this clip is where that classic scene made it 's first debut, in Stanley Kubrick 's movie adaptation of Stephen King 's novel The Shining. The Shining is a movie about a family that lives in the Overlook hotel one winter. The father, Jack goes mad and attempts to murder his wife and son, Wendy and Danny. Stanley Kubrick 's The Shining is packed full of subtext, which many people have developed theories about from speculation. Today I will be