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History of tattoos essay
History of tattoos essay
History of tattoos essay
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A persons’ image is vital when meeting someone for the first time. Our peers, employers, family, superiors, even strangers that you walk past can automatically judge someone, and imagine how they present themselves to the world. Tattoos have been predominantly linked with a rebellious attitude and pictured on out of control stereotypes such as rock starts, bikers, sailors, and disobedient teenagers who want nothing more than to hack off their parents. With a new coming of age generation and a step into a more lenient and liberal society these types of patrons still participate in body art but so do doctors, lawyers, or just the run of the mill house mom. Tattoos signify religious beliefs, cultural influence, or each individual’s sole style. Body art is no longer socially offensive, employers are more apt to hiring tatted hopeful applicants, parents are warming up to the idea of their children inking their body and no longer a stranger on the street with a tattoo is necessarily prejudged as a criminal or safety hazard. Tattoos have become more evolved over the years because they have become more of a socially accepted element of the general public. Dating back to the seventeenth and eighteenth centuries North American tattooing originated in the island of Tahiti, and other small pacific islands including Samoa and Hawaii (DeMello). The modification by U.S tattooists was to “fit a local sensibility emphasizing patriotism rather than exoticism” (DeMello). Martin Hildebrandt, was the first known tattoo artist in the United States as a professional. Shortly after the first mechanical tattooing machine was created, up until this point tattoos had been done by hand. A tattoo machine was invented because tattoos become a fad with mili... ... middle of paper ... ...patronage to a belief. Through time the tattoo has been plagued with rising fear that those who receive them will automatically become an outcast of the social order. The fear of body art is calming in the general public’s eyes and whether it is a biker or a school teacher with one they are beginning to be looked at as the same. The rising population of those getting tattoos has directly leaded to the rising population of those accepting them. It took a while for cultural opinion of tattoos to swing from taboo to standard practices of people from all races, ethnicities, ages, and genders. Time has granted the sanctioned onslaught of bad looks, and snubbed noses to slowly die down and natural acceptance of body ink to be granted. It is not just the crazy neighbor next door with a tattoo but the respected doctor up the street or your Sunday school teacher at church.
Society has changed in many ways over the years; at one point tattoos were considered unprofessional and disgusting to most people, but today, they are quite common amongst young adults and people who enjoy art. Parents and people of many older generations, sometimes struggle to understand why this new interest in tattoos has been able to consume American culture so quickly. Prior to this boom of interest in tattoos, there were many horror stories that surrounded the subject due to unsanitary tools used and possible diseases a person could catch if a mistake was made. Lois Desocio is one of those adults who has struggled to understand tattoos, especially since her son Alec began to fill his body with them. As Alec’s collection of body art continues
In the journal titled “To Ink or Not to Ink: The Meaning of Tattoos Among College Students”, the authors discuss how students in college feel about tattoos. They address how many people do or do not have a tattoo, the meaning behind the tattoos, and why the non-tattooed students have chosen not to get one. The students with tattoos were said to of taken time to decide what their tattoos was going to be of, where they were going to have it done, and the placement of
...siderably. From a mark of criminality to an embraced art form, the body modification has represented various expressions of the bearer’s inner self. However, despite the efforts to normalize tattoos in the society, the social stigma of deviance perceived by the larger society still remains deeply etched in the art. It is apparent that the intended message a bearer wants to communicate through a tattoo may not be perceived correctly by others. These motivations behind tattoos are filtered through cultural and historical lenses that often result in unintended perceptions of tattooed bodies. In addition, the attempts of using tattoos to change social conditions often reinforce the very conditions they seek to counter. Though these stigmas and misinterpretations see no sign of fading, tattooing will remain as a powerful vehicle of self-expression and social commentary.
What is tattooing? Tattooing is a form of art that’s displayed on the human body. In fact, it is the oldest form of art known to man. Tattooing involves permanent, creative words and images. Some modern tattoos are quite simple while other tattooing is very complicated. Many different images can be a tattoo like a simple flower and cartoon characters to more ornate portraits and scenes. A professional tattoo artist is a person that applies tattoos onto individuals. Tattoo artists may also perform other body part modifications such as piercings and brandings.
Many adults view tattoos as a negative aspect on the skin of an individual. Some may argue that “they are too young” to understand the concept of permanence. Despite the arguments of adults, the idea of obtaining a tattoo seems to attract more and more teenagers. In today’s society it has become common to witness tattoos on the skin of many individuals. At their short age, teenagers, become fascinated by the idea of a tattoo, not only because of the looks, but also because of how it makes them feel. In the article “On Teenagers and Tattoos,” by Andres Martin, an assistant professor of child psychiatry at the Yale Child Study Center in New Haven, Connecticut, attempts to persuade his fellow child psychiatrists to think about tattoos as
Body art and clothing choices are big components of fashion. David Kirby, author of "Inked Well" writes about how he once hated tattoos and thought they made people look unsophisticated, if you will. He met with many people who had gotten tattoos in the past and one specific person he met changed his whole reasoning as to why he thought tattoos were unnecessary. Her name was Jodie, and of all the subjects Kirby interviewed, Jodie was the most kind-hearted. Jodie, a recent self-abuser, shared with Kirby why she had spent so many long, tedious hours in the tattoo shop and her response was, "It didn't take me long to realize that getting tattooed was quite comparable to cutting myself; it was a way for me to 'bleed out' the emotional pains which I was unable to deal with otherwise.(Inked Well )" Tattooing caused Jodie to find an alternative way to release her pain. David Kirby was very much so a follower of society and by the end of his endeavor into the effects of tattooing he found he had a newfound respect for the "outsiders." Today more and more people are getting tattoos and in return they are becoming more acceptable; if discrimination towards tattooing can diminish then so can any other discriminatory
In "Parker's Back" by Flannery O'Connor, the tattoos O.E. Parker receives are crucial to the reader’s understanding of him. Furthermore, O'Connor suggests them as major symbols throughout Parker's life. Parker, the main character in this story, goes through the actions of life without really knowing who he is and why he is on the earth. “Parker gradually experiences religious conversion and, though tattooed all over the front of his body, is drawn to having a Byzantine tattoo of Christ placed on his back…, O’Connor was using unusual symbols to convey her sense of the mystery of God’s redemptive power (Shackelford, p 1800).” Because of the tattoos, the reader is able to see O'Connor reveal the major characteristics in Parker's life and sympathize with this man as he searches for his identity and finds God.
I suppose it was inevitable that I would go on to get tattoos, though I never developed an affinity towards piercings of any type. However, long before I elected to go under the needle, I questioned the motivations underlying many of my peers to do the same. I graduated from an alternative high school, attended by a group of predictably societally non-compliant individuals. I had the opportunity to observe gang-related symbolism, simple physical expressions of rebellion, and even a few truly remarkable pieces of art that had simply been painted upon a canvas of skin, rather than a more traditional medium. For some it was all about freedom of expression, while others were influenced by a desire to display their incompatibility with a society they felt had spurned them. Others yet still were the recipients of markings ostensibly against their will, as mandated by familial or p...
Society’s outlook on “what’s in” changes every day, from what’s hot to what’s not. Fads repeat themselves over time and grow to be something that everyone now loves. Tattoos are the main trending thing of this century. They were once only a symbolism for criminals, sailors, prostitutes, and bikers, but now tattooing is mainstream in today’s times. Tattoos are seen as works of arts and your body is the canvas for aspiring tattoo artist. Nowadays there is such a wide variety of tattoos with different meanings, such as, a hand print of a loved one to someone’s favorite quote or bible verse. Some tattoos don’t always have to have meaning behind it. Anyone can decorate their body simply because they want meaningless, but artsy and funny tattoos. Inking up is becoming a significant part of someone’s life whether there is a meaning behind the tattoo or not, it is a growing thing to do and it doesn’t seem to be stopping anytime soon.
Tattoos have been used as a form of decoration on the body of the Egyptian mummies. In fact, tattoos were viewed as a “beautifying operation” to the Typee natives and in Wales they were once a royal fad. There have been many eras to see the tattoo as a prestigious decoration. The Japanese also practiced a form of tattooing that covered their warriors in intimidating designs. But after years of beauty and prestige, what changed the views of people? What made tattoos rebellious and unprofessional?
Many people have been getting tattoos lately. People of all ages have been getting them and from all different backgrounds. On a nice day in just about any public place one can spot a tattoo about every five minutes, from the business man who had a portrait of his daughter put on him to a young girl with a butterfly on her ankle and even people with extensive tattoo coverage. What is even more interesting is the rise in the number of people who are heavily tattooed and that they come from all different backgrounds. Not too long ago tattooing did not experience the popularity in mainstream culture that it does now. The question that must be asked in order to understand this fascination that popular culture has had with tattoos is why people get tattoos.
A tattoo is a permanent ink design in the skin applied by needles or a temporary dyed design. The word “tattoo” originated from the word “tatau” which is from Polynesian language. Although the word has an origin, the act of tattooing itself does not. It has been done all over the world in every continent. However, the oldest evidence recorded in history was a Chinchorro (which is now southern
Even though tattoos are becoming part of culture and socially acceptable, the negative and prejudiced attitudes towards those with body art are still present. Not all tattoos are gang related, and one must note that they have historically been a symbol of someone’s culture or religion. Other tattoos may have just a personal meaning to its owner and was not intended to be offensive. People also do not understand that a tattoo may impede them from pursuing a professional career, regardless of their qualifications. Employers realize that the need to recruit workers from different backgrounds are important in such a competitive workforce, so they provide accommodation by having reasonable dress code policies.
Besides my brother’s friends, I had never seen tattoos, or at least on woman with hundreds of tattoos was something I had not known existed. They had all kinds of ink on their skins, from realistic animals to silly cartoon characters. I asked my brother why they had tattoos, what were their reasons behind them. He then told me that everyone had different meanings and reasons for every single tattoo they had got done. Some got tattoos because it signified a blessing or a tragic accident in their lives. Others got tattoos because they were really digging the tattoo style, or because it was cute. Hearing everyone’s stories as to the reason they got these certain tattoos and how thankful they were of tattoo artists’ it made me a lot more interested in tattoos. Without the acceptance of tattoos, people would not be able to express their life, emotions, or situations they have been through on ...
Michael Atkinson had many questions about the stigma that comes with the tattooed body, but not very many answers, so in his book Tattooed: The Sociogenesis Of Body Art, he set out to find why such a large number of Canadians are currently turning to tattooing as an outward appearance of self-expression rather than clothing or free speech and tries to explain why individual habits, otherwise known as personality structures or second natures, fluctuate over time (Atkinson, 2003: 13). Atkinson outlines his response to the work of Norbert Elias, who is best known for the “civilizing process” and a hypothesis figurative social science. He gathered information from 27 tattoo artists and 65 tattoo enthusiasts from Toronto and Calgary in a method he called ethnosociology for participant perceptions on tattoos. A figuration is characterized as an accumulation of social performers bound together by chains or networks of interdependency and is a substitute for the idea of social order (Atkinson, 2003: 4). Atkinson contends that we can comprehend a given social behaviour assuming that it is logically inserted into the long-term social processes.