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Sociological thinking on tattoos
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Society has changed in many ways over the years; at one point tattoos were considered unprofessional and disgusting to most people, but today, they are quite common amongst young adults and people who enjoy art. Parents and people of many older generations, sometimes struggle to understand why this new interest in tattoos has been able to consume American culture so quickly. Prior to this boom of interest in tattoos, there were many horror stories that surrounded the subject due to unsanitary tools used and possible diseases a person could catch if a mistake was made. Lois Desocio is one of those adults who has struggled to understand tattoos, especially since her son Alec began to fill his body with them. As Alec’s collection of body art continues …show more content…
Author and mother Lois Desocio notes in the article, “My Son will have no choice but to join the circus. What else can he do when he’s 40, his bald head in the grips of inked-on spikes? Will there be naked women etched on his back? How about a purple MOM flowing across his chest” (Desocio 16). Many of the different stereotypes that often surround people with tattoos, are the first issues that make Lois Desocio nervous. Even with the data she has continued to find on the subject, it doesn’t seem to reassure her. It’s like Alec’s mother takes one step forward, and two back while having this verbal internal battle with herself. Desocio acknowledges, “According to the American Academy of Dermatology, 36 percent of young people between the ages of 18 and 29 have a tattoo, and the number is rising” (16). It truly does seem as if Desocio is trying to change the way her mind interprets this situation, but it’s tough to do that when one mindset has already been implemented in your head from …show more content…
Parents always seem to worry about how their children may look back on something when they don’t have much life experience. Which makes sense as to why a permanent imprint on her son’s body can keep her up at night. Lois writes, “But, oh, the agony of hindsight; the woe of the ‘If I only knew then what I know now.’ What breaks my heart is the inevitability that Alec will suffer for this” (16). Having concern for someone when going about activites like this is understandable, but immediately looking ahead to a possible negative outcome shows the amount of fear currently consuming Alec’s mother. After going on about these feelings though, Lois goes into deep detail about how proud she truly is of her son. She complement’s his ability to be confident even though he may be judged, while also reflecting on the individualism that has created a man comfortable in his own skin. But at the very end of the article, she ends her explanation by mentioning “And who knows- maybe he’ll reconsider adding any more tattoos to his motif” (16). Even as Lois tries to accept this life choice for her son, she believes her worries will never go away. Lois can only continue to adjust she admits, with the hope overtime that Alec can erase those fears by proving each one of his mother’s thoughts wrong. Many people struggle to change their mindset or a distinct thinking
In other words, people shouldn’t have regrets about their tattoo’s and just embrace them. Jessanne Collins does and so should everyone else whether your tattoo is of an ex or something you enjoy and even better from a bet you lost you have to embrace them not get rid of them that’s a weakling’s
Life is not something simple as we often prefer. There are many different approaches and in most instances, we will not find the desired fulfillment in any of them. In the short story “Parkers Back” written by Flannery O’Connor, we have a multi-faceted view into the life of the primary character O.E. Parker. In addition, we see into the life of Sarah Ruth, Parker’s wife, and possibly into the life of author Flannery O’Connor, who died shortly after completing this short story. The characters in this story deal with tattoos from totally different perspectives and get completely different results.
Kosut, M. (2006). An Ironic Fad: The Commodification And Consumption Of Tattoos. The Journal of Popular Culture, 39(6), 1035-1048. Retrieved November 29, 2013, from http://dx.doi.org/10.1111/j.1540-5931.2006.00333.x
In the beginning of the article, Martin explains that teenagers usually pursue tattoos from an influence or even in an effort to confirm affiliation or identity (Martin, 1). He then compares the standpoints of the adolescents and parents. Adolescents tend to get tattoos or piercings for the look and feel of it, while parents feel that their child receiving a piercing or tattoo as a threat to their authority. Martin expresses how even the simplicity of piercing or tattooing skin can cause strain and arguments in families (Martin, 2). He then introduces his three main sections: Identity and the Adolescent’s Body, Incorporation and Ownership, and The Quest for Permanence. In his first section, Identity and the Adolescent’s Body, Martin explains some reasons as to why adolescents seek receiving something involving such permanence. He conveys how most teenagers seek piercing and tattooing as a refuge from an identity crisis or conflict, which are normal for youth development (Martin, 3). In Martin’s second section, Incorporation and Ownership, he explains how some adolescents receive tattoos after long thought processes; they embrace fantasy and imagination (Martin, 4). Last but not least, The Quest for Permanence. Martin explains how an anchor tattoo could mean something different for everyone. It is impossible to perceive a tattoo and know
...siderably. From a mark of criminality to an embraced art form, the body modification has represented various expressions of the bearer’s inner self. However, despite the efforts to normalize tattoos in the society, the social stigma of deviance perceived by the larger society still remains deeply etched in the art. It is apparent that the intended message a bearer wants to communicate through a tattoo may not be perceived correctly by others. These motivations behind tattoos are filtered through cultural and historical lenses that often result in unintended perceptions of tattooed bodies. In addition, the attempts of using tattoos to change social conditions often reinforce the very conditions they seek to counter. Though these stigmas and misinterpretations see no sign of fading, tattooing will remain as a powerful vehicle of self-expression and social commentary.
Many adults view tattoos as a negative aspect on the skin of an individual. Some may argue that “they are too young” to understand the concept of permanence. Despite the arguments of adults, the idea of obtaining a tattoo seems to attract more and more teenagers. In today’s society it has become common to witness tattoos on the skin of many individuals. At their short age, teenagers, become fascinated by the idea of a tattoo, not only because of the looks, but also because of how it makes them feel. In the article “On Teenagers and Tattoos,” by Andres Martin, an assistant professor of child psychiatry at the Yale Child Study Center in New Haven, Connecticut, attempts to persuade his fellow child psychiatrists to think about tattoos as
Tattoos and body modifications have been around for many generations. They first began in 3370 BC and were used by Europeans and Egyptians. Both tattoos and body modifications are defined as a cultural representation of self-expression and sometimes even religion. In the article “Tattoos and Piercing: Issues of Body Modification and the Workplace,” Dr. Elzweig states, “Although tattooing is not a new phenomenon, the number of people who have tattoos has increased significantly and continues to rise. Life magazine estimated in 1936 that only 10% of me American population was tattooed in whole or in part (One out of ten Americans is tattooed, 1936)” (Elweig, Peeples).
Many people have been getting tattoos lately. People of all ages have been getting them and from all different backgrounds. On a nice day in just about any public place one can spot a tattoo about every five minutes, from the business man who had a portrait of his daughter put on him to a young girl with a butterfly on her ankle and even people with extensive tattoo coverage. What is even more interesting is the rise in the number of people who are heavily tattooed and that they come from all different backgrounds. Not too long ago tattooing did not experience the popularity in mainstream culture that it does now. The question that must be asked in order to understand this fascination that popular culture has had with tattoos is why people get tattoos.
Throughout the article, Irwin refers to the idea of tattoos with the common assumptions that were associated with like a low status social class and surrounded by a stigma of lacking sense and basic elegance. Tattoos were often once associated with stereotypes such as “dangerous” outcasts that had often associated with this form of body modification. The phenomenon of tattoos started as a sort of strange and more unique practice (as it wasn’t as common) that was surrounded mostly by stigma. Meaning it was focused around
Besides my brother’s friends, I had never seen tattoos, or at least on woman with hundreds of tattoos was something I had not known existed. They had all kinds of ink on their skins, from realistic animals to silly cartoon characters. I asked my brother why they had tattoos, what were their reasons behind them. He then told me that everyone had different meanings and reasons for every single tattoo they had got done. Some got tattoos because it signified a blessing or a tragic accident in their lives. Others got tattoos because they were really digging the tattoo style, or because it was cute. Hearing everyone’s stories as to the reason they got these certain tattoos and how thankful they were of tattoo artists’ it made me a lot more interested in tattoos. Without the acceptance of tattoos, people would not be able to express their life, emotions, or situations they have been through on ...
Symbolism and meaning is by far one of the most important aspects of the tattoo industry. “The abstract emotions and human awareness of emotions show what really is going on in ones life (Johnson)”. For that reason tattooing is a form of self-expression, and can stand for literal interpretations. For the most part these interpretations are the conveying of spiritual meaning, or marking milestones such as life or death” (Johnson). For those who think tattooing is just for looks or put a bad judgment on it, should also realize that ones personal interest reflects upon their lives. “Many individuals get their first tattoos during adolescence or young adulthood.”(Bravermark) Due to the mainstream culture, these traditions traditionally associate with stereotypes. Stereotypes defiantly have a huge impact on life. Which leads to the next point? Whether flaunted or hidden, sought as art or brought out on a whim, the tattoo has left a huge impact on generation after generation.
The ancient practice of tattooing, once considered a trademark of social outcasts and criminals, has steered back into mainstream culture at an alarming rate (Irwin 2001, Swan 2006). In western society, tattoos are often associated with antisocial behaviour. In 1895, Cesare Lombroso concluded in his study that the art of tattooing is most commonly found on the bodies of criminals (Putnins 2002). The frequency of tattoo’ are predicted to be found at higher rates in criminal subcultures than in the general public. According to the 2003 Harris poll, nearly 40 million Americans’ have at least one tattoo. The practice is becoming more popular with teenagers.
Dickinson introduces her seventy-seven year old Uncle Harvey. He has several tattoos from his younger years including one he got while serving in World War II. Harry prefers not to share his tattoos with the world, calling them “stupid mistakes” (1999). At seventy-seven, the invincible confidence of his youth is long gone, and he can appreciate the gravity of his mistake. Dickinson also speaks about her twenty-year-old nephew, Aaron that cannot wait to show off his tattoos to everyone he meets, but even he admits that he is happy he waited until he was eighteen to get his first tattoo. Aaron says, “When I think of the dumb stuff I wanted to do when I was 15, I’m glad someone stopped me” (1999). Even after this realization, Aaron still does not see the potential drawbacks of being a forty-year-old man with a Yoda tattoo. By the age of twenty, maybe sooner, children cannot wait to be on their own, making their own decisions, and out from under their parents rule. They long to be on the side of the individualists, making a name for themselves, finding their own identity. However, most will never stray from the conformity they have always known. In an article published in 1996 by Texas Monthly, titled “Needlemania”, Spike Gillespie
Nowadays, the popularity of tattoo is growing among all walks of life and getting tattoos has become a trend among college students (Stockard, Appel, &O'Neill, n.d.). In California, there are at least 17 tattoo shops can be seen through a short drive in the city. In the past, someone who has tattoo is treated as tattoo artist but today’s tattooed people are judged that they have a poor relationship with family (Coats, 2014). Tattoo has went from subculture to a pop culture and a report from Pew Research Center shows that 36 percent of Americans aged 18-25, who most are the college students, have at least one tattoo (Thobo-Carlsen, 2014). Undeniably, tattoo is more common among college students but it is not necessarily accepted in this decade (Coats, 2014).
Tattoos have become more prevalent in our society over the last few decades. What used to be a social faux pa or a negative brand has come to be a more acceptable life choice in our culture. However, only those who have joined the inked-up club can describe the sensation of modifying one’s body with art. From the pain and tantric feeling from the stinging that is released as a person allows themselves to be marked for the rest of their life, and the hot pierce of the needle that gives a sensation of feeling alive and the desire to do this again. Tattoos have become a major social focus today, so the psychology behind their popularity warrants discussion. Ultimately, people who get tattoos yearn for individual expression through artwork, acceptance or adherence to some rite of passage, and the physical satisfaction that only the experience of tattooing can provide.