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Satire and irony can be used in film and entertainment to talk about the most controversial topics, especially ones involving Australia. One of these ways is seen in the short film ‘Babakieuria’, a movie that uses satire and irony to reverse the role of the Europeans invading Australia, but is set in a more modern time of 1986. This film critiques the way the whites treated the indigenous when the Europeans first settled in Australia. The movie follows Duranga Manika, a reporter gaining insight in the lifestyle of a typical white Australian family living in the suburbs, mirroring a documentary about the ethnic and cultural backgrounds of it country. Basic aboriginal issues are shown when the whites struggle, are disempowered, poverty-stricken …show more content…
What was really satirical and ironic for me, was the way Australian cultural stereotypes like barbecues and football are satirised and are considered as strange ‘native customs’ and ‘rituals’. By now, white people are seen by the society as a minority, they’re lazy, untrustworthy and are categorized as hooligans and troublemakers, and this emulates the attitude the whites had against the indigenous during the 80’s. With the movie that Saloni is going to speak to us about “they’re a weird mob” tells us about migrants and dominant cultures, much like the movie ‘babakieuria’, the ‘bullying’ from this main culture and the brazen attitude towards the cultural and ethnic minority. Even though these problems aren’t so severe nowadays, this role reversal gives a clearer insight as to how merciless and cruel the white government actually treated and may still treat the aboriginal culture
Hooper’s compelling and strategically written text paints an Australian context where a distinct racial divide separates the country; one where racism is rife and where white supremacy is rampant. Hooper urges the reader to accept that in the context of colonial Australia, Aboriginals faced such extreme oppression that they resorted to summoning spirits to doom their cruel white colonisers. She recounts a walk to a cave in Cape York, where she intentionally selects paintings depicting destructive images of white colonisers being “doomed”, highlighting the rifles which the white troopers brandished. The marginalised Aboriginals resigned to using “purri purri” (sorcery) against the police, which emphasises the idea that in this context, the Aboriginals felt so oppressed that they resorted to conjuring spirits for protection. Hooper describes a painting in which under a white man’s shirt, “he was reptilian”, and the adjective “reptilian” allows the audience to understand that in this context, the Aboriginals felt so threatened that they had to draw the trooper as a snake.
In Australia the Aboriginals face discrimination daily. The film opened with four young Aboriginal girls singing on a makeshift stage facing their community. When the camera panned to show the smiling faces in the crowd it gave a feel of unity and love. Later it showed two sisters who were trying to hitch a ride into the city from the main road. Yet every vehicle passed them by; once they saw who they were, frustrated the older sister. Gale stated it was because they ‘were black’. When in the town playing their song on the stage in a bar, the youngest sister turned up and took
The performance ‘Chasing the Lollyman’ by Debase productions succeeded in using the Dramatic Languages to create a Dramatic Meaning that comments on a social and political issue. This, along with the effective manipulation of the dramatic conventions, has allowed Debase to successfully recognised the Epic Theatre style. Chasing the Lollyman is one man show starring one of Queensland's most dynamic and funny Indigenous performers, Mark Sheppard. He shares many stories, a celebration of urban Indigenous identity and takes a satirical look at the media and popular culture. Playing a variety of characters, Mark pokes fun at everything from Neighbours (what would it be like if a Murri family moved into Ramsey street) to polities. The dramatic meaning of the performance is if Australia wants to become one, we need to learn to accept each other for their differences.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
The idea that indigenous Australian communities are underprivileged and do not receive the same justice that the white community accrues is represented through Jay Swan and his interactions with the corrupt white police officers and the indigenous locals of the town. My empathetic response to the text as a whole was influenced directly by way the text constructs these ideas as well as my knowledge of the way indigenous Australians are represented in the mainstream media and the behaviour of the police force as an institution. These contextual factors and the way Sen has constructed ideas influenced me to empathise with the indigenous
Before we look at whether James Moloney effectively uses characterisation to convey Aboriginal issues we must look at the issues themselves. In Dougy, the issue of black and white prejudice is strongly present in the plot. The stereotyping of Aborigines and white Europeans play an important role in the events and the outcome of the story, as is individuality and the breaking of the stereotypes. The book also touches on the old Aboriginal superstitions that are still believed in by some today, though one of such superstitions plays an important role in creating the mood of the resolution. These issues impact most heavily on the character Gracey.
However, I then realised that this bench, plus their later suggestion to not “throw your cans in the hydrangea.” (King 96), were intended primarily for their own benefit. This reminded me of a comic discussed in The Clear Path by Constance Rooke. This comic, created by Basil Johnston, a Canadian Ojibway writer, focuses on a Hollywood producer who, believing it will save him money, tries to use real Aboriginals for his film. Under the advice of the Bureau of Indian Affairs he goes to the Crows who then exploit his ignorance and stereotypical views for their own monetary benefit. This, along with resembling real cases that occurred between ignorant producers and their Aboriginal cast, illustrates how Aboriginal peoples have used the the stereotype of the Indian to their own benefit; using the ignorance it creates about their cultures to make demands that benefit them in ways such as, specifically in the case of King’s story, providing them with a place to sit and making their job of collecting litter
Kurt Vonnegut uses a combination of dark humor and irony in Slaughterhouse-Five. As a result, the novel enables the reader to realize the horrors of war while simultaneously laughing at some of the absurd situations it can generate. Mostly, Vonnegut wants the reader to recognize the fact that one has to accept things as they happen because no one can change the inevitable.
Specific elements of the storyline that display the theme racism include: the display of animalistic treatment, enforced religious practices, and historical comparisons. The film reveals the overarching government belief that the white race is smarter and purer, to the inferior, uncivilized and misguided, darker-skinned, Aboriginals. This belief is demonstrated throughout the film and signifies the government’s attitudes toward the half-caste race as: uncivilized animals that need a trainer to discipline them. For example, the film shows the girls being transported like livestock to th...
The assimilation policy was a policy that existed between the 1940’s and the 1970’s, and replaced that of protectionism. Its purpose was to have all persons of aboriginal blood and mixed blood living like ‘white’ Australians, this established practice of removing Aboriginal children (generally half-bloods) from their homes was to bring them up without their culture, and they were encouraged to forget their aboriginal heritage. Children were placed in institutions where they could be 'trained' to take their place in white society. During the time of assimilation Aboriginal people were to be educated for full citizenship, and have access to public education, housing and services. However, most commonly aboriginal people did not receive equal rights and opportunities, for example, their wages were usually less than that paid to the white workers and they often did not receive recognition for the roles they played in the defence of Australia and their contribution to the cattle industry. It wasn’t until the early 1960’s that expendi...
Throughout both ‘Rainbow’s End’ and ‘The Rabbits’, the audience discovers the plights that the Aboriginal Australians faced, due to discrimination and assimilation, in intensely confronting, yet intensely meaningful ways. We see how the discrimination and forced assimilation of cultures was common in the lead up to modern times because of composers like Harrison, Marsden and Tan reminding us of these events, allowing us to discover and rediscover our past wrongs through their works, in order to pave the way for a brighter, harmonious future. Without these documentations and retellings of events such as these, history would repeat itself, conflicts would be more apparent and we as a species would not be able to thrive and prosper due to our prejudices and superiority complexes.
...our in the development of Australian identity has been demonstrated through the ideas previously described. Our humour is very unique and is described as dry, anti-authoritarian, ironic, self-mocking and is able to stretch the boundaries of what is normally accepted by society. This humour plays an important part in the Australian Identity. Many events in Australia’s history have shaped our individual type of humour into what it is today such as the Anzacs at Gallipoli, early federation and settlement. Much of our humour has developed through times of great hardship such as the World Wars. Other countries see humour as a distinctive part of our identity. So it can now be seen that due to the overwhelming information explaining how and why humour is significant, that it can be realised that it played a very fundamental role in the development of Australian identity.
The film reflects multicultural conflict issues in Australia. In 1901, “The government introduces the, white Australia policy, trying to ban all non-Caucasian people from entering the country” (Korff). This echoes the film because Rex and the government excluded those who are not their kind. Additionally, during the 1990’s, “Multiculturalism was challenged, Indigenous land rights forged ahead” (Williams). Babe was taken from his home similarly to when the Indigenous people were forced out of their homes because they both are in a lower social class and obtained a different culture
To what extent did Kafka use comedy/irony to develop his tragic, cynical view of society and family?Gregor Samsa, a young traveling salesman who lives with and financially supports his parents and younger sister, Grete, wakes up one morning to find "himself changed in his bed into a monstrous vermin" or insect. At first, to my surprise, he is preoccupied with practical, everyday concerns: How to get out of bed and walk with his numerous legs? Can he still make it to the office on time? Most persons would be devastated to find themselves in such a position as Gregor, but he did not seem to care much about himself, but only about his obligations, instead of panicking, he starts cursing his job : "If I did not hold back for my parents’ sake, I would have quit long ago, I would have marched up to the boss and spoken my piece from the bottom of my heart", " Well, I have not given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to him, I’m going to make the big break. But for the time being, I better get up, since my train leaves at five." This is a sort of dry humour; a person in a tragic situation does not seem to notice the predicament he is in.He tries to get out of bed, but his new form does not enable him to do the things he used to do so easily.