Irony, Dark Humor, and Satire in Slaughterhouse-Five
Kurt Vonnegut uses a combination of dark humor and irony in Slaughterhouse-Five. As a result, the novel enables the reader to realize the horrors of war while simultaneously laughing at some of the absurd situations it can generate. Mostly, Vonnegut wants the reader to recognize the fact that one has to accept things as they happen because no one can change the inevitable.
Although Slaughterhouse-Five may not be filled with delightful satire and comical scenes, there are accounts which the force the reader to laugh. In one instance, an extremely drunk Billy Pilgrim is searching desperately for the steering wheel of his car: "He was in the backseat of his car, which is why he couldn't find the steering wheel," Vonnegut writes (47). In another episode, Billy becomes "unstuck" in time while watching television, so that he sees a war film backwards and then forwards. The most humorous sequence takes place when Billy travels from the zoo on Tralfamadore to his wedding night with his wife, Valencia. He wakes up to find himself in the German prison camp. He then finds himself back with Valencia after returning from the bathroom. He goes to sleep, then wakes up on a train on the way to his father's funeral.
In any case, the reader encounters much dark humor in the novel. There is a sense of an embittered humor with the Tralfamadorian phrase, "So it goes," which is repeated over 100 times in the novel. John May says that Vonnegut's purpose in repeating the phrase after each statement of death is to build its meaning with each incremental refrain (Contemporary Literary Criticism 8: 530). At first, the saying can be looked upon as funny in an ironic way. However, as one reads further, the phrase becomes irritating and irreverent. The reader cannot fathom so many deaths meaning so little. According t o Wayne McGinnis, it is most likely Vonnegut's intent to cause such feelings from the reader (Contemporary Literary Criticism 5: 468). This punctuating phrase forces the reader to look at the novel's deaths one after the other.
Ultimately, the repetition creates a feeling of resentment that too many people are killed. The saying is a grim reminder that means exactly the opposite of what its words say. Vonnegut ends the novel with the reminder of the deaths of JFK, Martin Luther King, and all of those that died in Vietnam.
This is said after every death, no matter who it is or what happened. "When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in bad condition in the particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is 'So it goes, '" (Vonnegut 27). Even Pilgrim’s own father past from a hunting accident, but Pilgrim states “so it goes” afterwards. Pilgrim nullifies the effects and sorrow of death by making it seem like a regular occurrence and feeling no remorse for it any longer. This helps him cope due to the fact that there were so many deaths that happened in the bombing of Dresden and making it seem, to him, not bad at all. If death still had an effect on Pilgrim, he’d be in tremendous pain due to his war experience. He was caught behind enemy lines, became a POW, saw his friend get executed for stealing a tea-pot, survived the severe bombing of Dresden, and after all this trauma, he is supposed to go back to his normal life of an average American working 9-5 and supporting a family of 4. No I don’t think that it is quite possible, which is why Pilgrim goes to such extreme measures to cope with his
Kurt Vonnegut's manipulation of time and place adds a science- fiction element to Slaughterhouse-Five. Structarally, the novel is far from traditional.
I think one thing that Vonnegut is trying to show us is that man too easily accepts things as valid without questioning. Refering to this, Newt, another character, says, "No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebody's hands, and little kids look and look and look at all those X's…No damn cat, and no damn cradle" (114).
...ther through income tax or GST, as they are all ultimate benefactors of socially optimal policy. Thus, the tax would be reinvested in benefiting Canadians.
Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view of humanity which can only be mocked by humor. At the beginning of the novel the narrator is researching for a book he is writing. The book was to be about the day the atomic bomb was dropped on Hiroshima and the lives of the people who created the bomb. The narrator travels through the plot of the story, with characters flying in and out, in almost a daze. He is involved in events which are helplessly beyond his control, but which are inevitably leading to a destination at the end.
Philippi is not a working city, and as a result, the significance of what happened here is more important than what can actually be seen.? Therefore, a clear grasp of past events is essential toward appreciating the importance of the land.
Slaughterhouse Five is not a book that should be glanced over and discarded away like a dirty rag. Slaughterhouse Five is a book that should be carefully analyzed and be seen as an inspiration to further improve the well-being of mankind. Vonnegut makes it clear that an easy way to improve mankind is to see war not as a place where legends are born, but rather, an event to be avoided. Intelligent readers and critics alike should recognize Vonnegut’s work and see to it that they make an effort to understand the complexities behind the human condition that lead us to war.
“Slaughterhouse-Five” is an anti-war novel. It describes a flesh-and-blood world. Main character is Billy Pilgrim, he is a time traveler in this book, his first name Billy is from the greatest novelist in the USA in 19 century’s novel “Billy Budd” ; and his last name is from “The Pilgrim’s Progress” by John Bunyan. Differently, the main character in “The Pilgrim’s Progress” ’s traveling has meaning and discovering, Billy Pilgrim’s traveling just has violence and escape. In the novel “Slaughterhouse-Five” by Kurt Vonnegut ’s main character, Billy Pilgrim is sane and his time travel is half in his mind half is real. He is looked so innocent and weakness, there is a sentence which is spoken by Billy Pilgrim “So it goes.” (2) This quotation shows that a poignant sense of helplessness.
In conclusion, Slaughterhouse-Five is an anti-war novel because Vonnegut, the character, says it is in the first chapter, the terrible damage it left on Billy, and how it exposes war's horrifying practices. Knowing these elements, one might wonder why people still have wars. Although these anti-war novels cannot completely stop wars, they are important. The role that such novels play is one of raising awareness of war's actions and wrongdoings. Since the role of the novels is important, authors should continue to write them to keep people informed and educated about a problem of such a huge magnitude.
Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.
One of the major Dualistic theory, and one of the first proposed was that of Descartes’ interactive substance dualism. It is the view that says mind and body are separate entities - while the brain is part of the body, which is purely physical; our mind is a mental substance which is an extension of the body - a separate entity. When one experiences pain for example, the body incurs certain chemical and electrical stimuli (physical properties), which results in the self/soul consciously experiencing the felt quality and awareness of the pain (mental property). This is much argued within substance dualism that the soul and the brain interact closely with each other, though they are different substances with different properties. For Dualists, including both Substance and Physical, it seems obvious that physical properties do not have features that mental p...
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