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Samurai culture in modern japan
Samurai culture in modern japan
Samurai culture in modern japan
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A savior, caretaker, brother, friend, and outlet society are only a few of the characteristics and responsibilities of the quiet and reserved Matsu. In The Samurai’s Garden by Gail Tsukiyama, Matsu is understood to be a housekeeper of Stephen’s family beach house in Tarumi. He tends to his garden near the house and seems to have lived alone most of his life. He is described as an unforgotten samurai who is strong yet concealed behind the impenetrable mask that he wears. Slowly, he reveals to soften as his feelings become extracted. Matsu is revealed as a pillar of support for a baffled and anxious Stephen, throughout Matsu’s wise advice, his understandings, and his previous experiences.
Matsu strives through a complex transformation from the
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time he confronts Stephen to when he lets him go at the train station. His journey starts off as a reserved and closed off man who envisions to help those surrounding him. As he encounters upon the curious Stephen, he starts to sympathize upon him and nurture him as he excitingly tells stories as if “he’d long held inside and could finally unleash” (29). As Matsu accentuates his ability to aid and comfort, he uncovers Yamaguchi, City of Lepers, to the self- healing Stephen so that ‘“you would know that you’re not alone”’ (30). He evokes his traumatizing past and reveals his connection to the intertwined structure of the leprosy, much like how Stephen’s family is connected to his sickness. He revisits his sister’s death and explains that the time he know Tomoko the most, was when she was about to die. After waking up from a formidable storm, Matsu alleviates the pain of Stephen’s energy with the unveiling of Sachi’s arrival. He helps Stephen strive through his problems enough to make Stephen forget the world surrounding him. He gives Stephen enough comfort that he doesn’t need to go back to Hong Kong. As Stephen understands his stigmatic family issue about his father, he goes through a phase where he refuses to listen to his father. He confides in Matsu as doesn’t have anyone else to talk to. Although Matsu doesn’t know about Stephen and his father’s quarrels, he depicts that something is wrong and takes Stephen to the Shinto shrine. Stephen mentions that he never believed that Matsu was religious, but Matsu then justifies to Stephen that ‘“There is still a lot you don’t know about me”’ (87). He refers to the fact that he still hasn’t opened up enough for Stephen to understand what he is going through. When Matsu is alerted of Stephen’s father’s issues, he states that the history of his parent’s marriage itself would keep them together and that his father still feels the same way about him although he reveals that “‘happiness must come at the expense of others”’ (91). Matsu enhances his support through his belief in Stephen’s paintings as he releases his feelings onto canvas, although he doesn’t portray it directly, he admires them as Sachi has stated. He also provides Stephen with a confidence that will help strengthen the painting. He enforces yet gently handles everything that he takes to his heart. Subsequently, when the fire hit Yamaguchi, Matsu and Stephen were eager to help save the town by seizing the fire.
The next day, Matsu finds that Stephen has visited Sachi’s house without alerting him, yet he wears a satisfied grin that show that he wanted Stephen to be there. They then decide to head back to Tarumi to gather supplies, but Matsu now is more curious and asks Stephen what he had discussed with Sachi earlier. After clearing up the issue, Matsu provides Stephen with a more detailed version of Tomoko’s story and how she decided to take her life. Stephen is eager to know understand Matsu’s feelings and “was still curious as to how Matsu felt” (154). After Matsu and Stephen finish building the eradicated houses, they go to the celebration. As Stephen is getting ready for his departure from Tarumi, he recollects his past year with Sachi and Matsu. As they arrive at the train station Matsu understands Stephen’s sorrow for leaving, and instead of a final bow, Stephen decides to hug Matsu as “he simply stood there frozen…until I felt him wrap his arms around me” (211). Matsu has altered his entire being since the visit of Stephen, from the man that didn’t speak and tended to his garden, to one that unleashed all of his
stories. Furthermore, Matsu generously recreated and defined Stephen in many forms. He helped reveal the true identity of the sick boy going through a troubled present, reunite a woman with her lost beauty, and remains a hero to all of those in Yamaguchi. Although traveling from a troublesome background with many obstacles, Matsu has shaped up to be a strong, kind, and nurturing man who takes pride in helping those in need and are suffering. He has many layers under the mask that he is concealed in. Despite the fact that he is often misunderstood, he is very informative and when he decides to open his doors, his wise personality shines through and reveals his true identity.
Matsu’s, the heroic samurai, garden highlights his personality and the struggles he faced throughout his past. Matsu lives a very private life because of these struggles. With the arrival of Stephen, Matsu is forced to be extroverted rather than his usual introverted self.
Men must face hardships. Men must face disease. Men must face each other [Parallel]. Men constantly pressure one another into perfection. Some men, however, crumble under the burden looming over their heads [FoS]. When some men cannot face themselves or those around them any longer, they choose a dangerous and deadly escape. They would rather commit suicide than face their hardships. In the japanese culture, society encouraged seppuku to end a life before a man brought dishonor to his family. In a world full of yearning for honor, young men learned that they must express courage through suicide to fulfill their honorable ancestors’ wishes. Gail Tsukiyama uses her novel The Samurai’s Garden to prove that only
When Stephen contracts tuberculosis and is sent to Tarumi to recuperate, he loses his carefree childhood and falls into isolation. Upon arriving in Tarumi, he says, “This early autumn there didn’t seem to be anyone else here, just me, Matsu, and a complete white silence…I was exhausted by the time Matsu stopped in front one of the many bamboo fenced houses and cleared his throat to get my attention. My lungs were burning and my legs were weak” (9). A result of his tuberculosis, Stephen is physically weak, as shown by how his “lungs were burning” and his “legs were weak”. This is further developed by how “exhausted” he feels after the walk to the house. .A lack of other people is revealed by Stephen commenting “didn’t seem to be anyone else here, just me, Matsu”. This sheltered feeling is expanded even more by the “complete white silence” hanging the air. Stephen feels very secluded because the quiet calmness of the village is a harsh contrast to the bustling city life he is used to. In this quote, it is clear that diseas...
In The Sun Also Rises by Ernest Hemingway, Lady Brett Ashley is a representative of the New Woman, changing the American landscape. This is shown when she changes from a female to male role, as she pleases. For example, when she takes the place of a male role she demands that people please her such as, when she ordered Jake to “kiss” (Hemingway, 15) her “once more before [they] get there.” (Hemingway, 15) Although changed back to her female role when “she gave [Jake] her hand as she stepped down” (Hemingway, 15) For a man to help a woman out of a car is known as a chivalrous and an expected action, especially in the past, in addition, the man is suppose to initiate the kiss. Brett is a woman who wants to display a secure, stable, satisfied and independent life to the point where readers are not able to
In the book Milkweed by Jerry Spinelli, Misha was an eight year old boy who was a gypsy that lived in the ghetto of Warsaw. The ghetto was an area of land that is surrounded by walls that hold jews and gypsies, jews are a member of the people and cultural community whose traditional religion is Judaism. On the other hand a gypsy is someone who is a member of a traveling people traditionally living by itinerant trade and they always steal from the wealthy, most of all gypsies are not reliable . Since Misha had his yellowstone people know he was a gypsy because they think he stole it. Misha stole from people to survive and relied only on himself .Misha does not have any food, water or protection in the time that he is living in the ghetto. Misha only has his close friends that are his family. Misha’s yellowstone is a symbol for identity because identity is drawn from family.
Seikei is a rich tea merchants son, but he dreams of one day becoming a great and respected samurai that fights, is noble, brave, and respected. He knows it is only a dream because it is impossible to become a samurai without being born into a samurai family. His father thinks he is silly and foolish and that he should stop being so imaginative. One day his father proposes that they travel the Tokaido road to the Shogun’s city of Edo to sell tea. He thinks his eldest son should earn how to become a great merchant, and Seikei has to accept even though he doesn't like selling tea.
In the epic movie saga Star Wars, the plot is filled with numerous villains and monsters who represent the id, but none more than Jabba the Hutt. Jabba the Hutt first appears in the sixth installment of Star Wars when Luke and his entourage arrive at Jabba’s palace to save Han Solo from his planned execution. For starters, Jabba the Hutt is an ugly, fat, greasy, and power-hungry monster who owns his own palace and slaves. Also, Jabba is known as a power-hungry monster known all throughout the galaxy. In summary, Jabba the Hutt is a monster who you do not want to anger. After their arrival, Luke and Princess and Leah are captured and brought to Jabba inside his palace. Jabba, a very selfish and impulsive monster, decides to use Leah as a prostitute and Luke as entertainment through his execution rather than listening to their propositions to trade for Han. In the end, Luke avoids his execution and leads a small rebellion
Siddhartha has shown with his actions and words of others to be an individual who
Family structure builds a foundation for one’s life. Without a healthy, supportive relationship, an individual can fall apart and lose all passion in life. In Gail Tsukiyama’s The Samurai’s Garden expresses the importance of family and how new bonds can be obtained. Stephen, a Chinese Native, is a young man who is diagnosed with tuberculosis in autumn of 1937. After his health worsens, his family decides to send him overseas to his father in Kobe, Japan. He resides in his family’s vacation house in Tarumi, due to harsh weather conditions in Kobe. While resting in Tarumi, he meets kind individuals like Matsu, Sachi, and Kenzo. Stephen finds love and gains wisdom from Sachi and Matsu that his broken family could not provide.
These include tuberculosis and mild depression, which cause his family to shun him as the disorders weaken his body. Even with those problems he maintains a mood of happiness when he engages in certain hobbies. Those hobbies include painting, traveling around Tarumi with Matsu, and assisting Sachi with her garden. Matsu and Sachi develop into Stephen’s “adoptive parents” by providing him with further guidance than his birth parents ever had. This allows Stephen to adopt the carefree attitude of a child. Stephen’s mood instantly transforms into a happier and more loving demeanor when he sees how a relationship between two people should work. Stephen always shows joy when he aids others. During the fire in Yamaguchi, Stephen only wanted to help. “Even though my lungs still burned, and the desire to cough pulled at my throat, I didn’t want to worry Matsu and simply said, ‘I’ve never felt better’” (Tsukiyama 122). Assisting the people of the village gave immense satisfaction to Stephen because he improved the lives of others. Even though the diseases weakened his physical body, Stephen overcame the barriers. He used his best qualities to bring happiness to himself and others. He learned how to use his qualities from
Throughout the course of his stay in the pulchritudinous village of Tarumi, the main protagonist, Stephen, eventually finds it burdensome when he is forced to return back to his family in the chaotic city of Hong Kong due to several facets that deepen not only his understanding of others, but also his appreciation of the gift of life itself. The Samurai’s Garden is an alluring novel written by Gail Tsukiyama, which focuses on a young, Chinese man’s personal experience in a placid village located in Japan. Stephen, who sojourns in Tarumi in order to preclude the prospect of infecting his sister, Pie, with tuberculosis and to distance himself from the ongoing war between the two nations, quickly acclimatizes himself to the
Some memorable quotes in The Pillars Of The Earth highlight the concept of violence, greed, and contradictory. Monks are known as devoted, true believers of God who do not question his higher power, however, as the story progresses, Prior Philip begins to question his destiny, “He looked up at the sky and shouted angrily: ‘If I can't save anyone, why did you send me here?’” (512). The essence of the story challenges character’s actions, state of mind, and even religion. It has gone to the extent where it has challenged a monk’s belief in a high power and his fate. This is a memorable quote because it reveals what corruption and misfortunes can do to people, which is, question their position. Another memorable quote in the story involves Waleran
In dictatorships throughout history violence has been used as a tool to control and oppress people. Examples of this include violence seen in Cuba, Iran, and North Korea. A more in depth example comes from the Haitian dictator François Duvalier, who controlled Haiti from 1957 to 1971. Duvalier was known as a brutal dictator who was not shy when it came to the use of violence and torture to control people. In the novel, The Dew Breaker by Edwidge Danticat, violence is a recurring theme that appears in every part of the novel. The theme of violence in The Dew Breaker by Edwidge Danticat, exemplifies how dictatorships used violence to oppress people, push their agenda onto people, and to silence dissidents.
In the play ‘A Man For All Seasons’, written by Robert Bolt, we are intoduced to an existentional hero, Sir Thomas More. More is a man with unwavering integrity, who is true to himself and stands firm in what he believes. In this essay, I will discuss the characteristics of Sir Thomas More and how it adheres to the statement, “Man is the measure of all things”, by the Greek philosper Protagora. I will provide quotations from the play, to support my arguments.
As Stephen grows, he slowly but inexorably distances himself from religion. His life becomes one concerned with pleasing his friends and family. However, as he matures he begins to feel lost and hopeless, stating, "He saw clearly too his own futile isolation. He had not gone one step nearer the lives he had sought to approach nor bridged the restless shame and rancor that divided him from mother and brother and sister." It is this very sense of isolation and loneliness that leads to Stephen's encounter with the prostitute, where, "He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin.